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Caribbean Free Radio #49 - Trinidad Noir

Caribbean Free Radio #49 - Trinidad Noir

In this long overdue show, which was recorded way back in June, I i... More

In this long overdue show, which was recorded way back in June, I interview Lisa Allen-Agostini, co-editor, with Jeanne Mason, of Trinidad Noir , the latest in the Noir series published by Akashic Books. Lisa Allen-Agostini, writer and co-editor of Trinidad Noir Less

Added 2 months ago    In Society

Caribbean Free Radio #48 - Calabash Literary Festival 2008

Caribbean Free Radio #48 - Calabash Literary Festival 2008

Yes — a podcast. In CFR’s 48th show, a collaboration wi... More

Yes — a podcast. In CFR’s 48th show, a collaboration with Antilles and the Caribbean Review of Books (CRB) recorded in Treasure Beach, Jamaica, my gin and tonic-lubricated friends Annie Paul, Nicholas Laughlin, Jonathan Ali, Alastair Bird and I review the first day-and-a-half of the Calabash International Literary Festival. Apologies to Chris Abani and Yusef Komunyakaa for omitting mention of their fine readings on Friday night. At the time of the recording we were still recovering from Derek Walcott’s unforgettable premiere reading of “The Mongoose”, a “tribute” to V S Naipaul that begins with the choice lines, “I have been bitten/I must avoid infection/Or else I’ll be dead as Naipaul’s fiction,” and goes either downhill or uphill from there, depending on your point of view. Being good bacchanal-loving Caribbeans, we naturally devote a section of our review to discussion of that episode. Thomas Glave at Calabash 2008 Following our review is a far more coherent interview with Jamaican writer Thomas Glave, who talks about his latest work, Our Caribbean: A Gathering of Lesbian and Gay Writing from the Antilles . Thomas was also kind enough to send me a copy of the statement with which he prefaced his reading at Calabash on opening night: “I want to say a special thanks to the Calabash organisers – Colin Channer, Kwame Dawes, and Justine Henzell – for inviting me back to Calabash, this being my second reading at the festival, and for their unceasing generosity to, and support of, writers from around the world. And so, mindful of that generosity and kindness, my conscience will not permit me to begin reading from this book in particular before I say that as a gay man of Jamaican background I am appalled and outraged by the Prime Minister’s having said only three days ago on BBC-TV that homosexuals will not have any place in his Cabinet and, implicitly, by extension, in Jamaica. I guess this means that there will never be any room in Mr Golding’s Cabinet for me and for the many, many other men and women in Jamaica who are homosexual. And so I now feel moved to say directly to Mr Golding that it is exactly this kind of bigotry and narrow-mindedness that Jamaica does not need any more of, and that you, Mr Golding, should be ashamed of yourself for providing such an example of how not to lead Jamaica into the future. And so, Mr Golding, think about how much you are not helping Jamaica the next time you decide to stand up and say that only some Jamaicans – heterosexuals, in this case – have the right to live in their country as full citizens with full human rights, while others – homosexuals – do not. That is not democracy. That is not humane leadership. That is simply the stupidity and cruelty of bigotry.” Less

Added 5 months ago    In Society

Aimé Césaire at the end of dawn

Aimé Césaire at the end of dawn

I remembered only this morning that the late, great Martiniquan poe... More

I remembered only this morning that the late, great Martiniquan poet and statesman, Aimé Césaire, who passed away on April 17, was once featured on a Caribbean Free Radio podcast. On CFR #7 (released on March 27, 2005!), I played “Acid”, a track by the Martinquan jazz group Matébis featuring Césaire on “vocals”. Or, more accurately, Césaire intoning, in his impeccably enunciated French, against a musical background, the first few verses of his epic “Notebook of a Return to My Native Land”, beginning with the famously ambiguous opening line “au bout du petit matin” (”at the end of dawn”)–a line widely used in the titles of Césaire documentaries (including the one by Sarah Maldoror) and in press tributes this week. For those who wish to listen to the podcast, my intro to the track begins around 4:00. At the end of it I offer a short outro then segue into a moment of nostalgia for my Martinique days and some musings on multilingualism. Others may click on the player below to hear “Acid” by itself: I’ve already highlighted Global Voices’ lovely compilation of tributes to Césaire from bloggers throughout the world, but Antilles has been keeping tabs (one, two, three) on the tributes pouring forth from the world’s presses. France24 posts a report and video to coincide with today’s burial ceremonies in Fort-de-France, Martinique, and Radio France d’Outre Mer (RFO) dusts off an interesting 2001 documentary (in French) showing Césaire in his role as “homme politique” along with interviews with friends, colleagues and ordinary citizens whose lives he touched in various ways. And now would be as good a time as any to take a look at Euzhan Palcy’s three-part documentary on Césaire’s life and work, which is available from California Newsreel. Less

Added 7 months ago    In Society

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