http://www.odeo.com/channels/4854-Out-of-the-Past-Investigating-Film-Noir OutOfThePast no Each film noir weaves its own yarn of longing, corruption, and fateful decisions. On the first of every month, Clute and Edwards investigate one noir or neo-noir in detail. Following various threads of inquiry, they attempt to unravel the vast canvas of noir. Each film noir weaves its own yarn of longing, corruption, and fateful decisions. On the first of every month, Clute and Edwards investigate one noir or neo-noir in detail. Following various threads of inquiry, they attempt to unravel the vast canvas of noir. The first film analysis podcast en 40 Sat, 07 Nov 2009 16:19:00 -0800 Sat, 07 Nov 2009 16:19:00 -0800 Entertainment http://www.odeo.com/episodes/25419146-Episode-50-The-Blue-Dahlia A script by Raymond Chandler. Veronica Lake, Alan Ladd, and William Bendix in leading roles. Costumes by the great Edith Head, and cinematography by Lionel Lindon, who had been nominated for best cinematography just the year before for the Oscar sensation GOING MY WAY. In short, THE BLUE DAHLIA seems to have everything going itâs way. Why, then, does the film fail to deliver the emotional impact of near contemporary titles like THE KILLERS or THE BIG SLEEP? To frame an answer to this question, we must first displace the many frames through which we have become accustomed to viewing the filmâmost notably Producer John Housemanâs apocryphal account of how Chandlerâs alcoholism impacted the screenplay. If we divest ourselves of these frames and really focus on the film, we see that Chandlerâs script rescues, rather than compromises, this movie. THE BLUE DAHLIA is more a victim of an identity crisis, a film unable for reasons of censorship and limited artistic vision to commit fully to ... A script by Raymond Chandler. Veronica Lake, Alan Ladd, and William Bendix in leading roles. Costumes by the great Edith Head, and cinematography by Lionel Lindon, who had been nominated for best cinematography just the year before for the Oscar sensation GOING MY WAY. In short, THE BLUE DAHLIA seems to have everything going itâs way. Why, then, does the film fail to deliver the emotional impact of near contemporary titles like THE KILLERS or THE BIG SLEEP? To frame an answer to this question, we must first displace the many frames through which we have become accustomed to viewing the filmâmost notably Producer John Housemanâs apocryphal account of how Chandlerâs alcoholism impacted the screenplay. If we divest ourselves of these frames and really focus on the film, we see that Chandlerâs script rescues, rather than compromises, this movie. THE BLUE DAHLIA is more a victim of an identity crisis, a film unable for reasons of censorship and limited artistic vision to commit fully to the noir worldview that came home full force in 1946. And thus, as a marginal success, itâs a film that can teach us a great deal about how noir came to be both a dominant Hollywood style and a philosophical stance. A script by Raymond Chandler. Veronica Lake, Alan Ladd, and William Bendix in leading roles. Costumes by the great Edith Head, and cinematography by Lionel Lindon, who had been nominated for best cinematography just the year before for the Oscar sensation GOING MY WAY. In short, THE BLUE DAHLIA seems to have everything going itâs way. Why, then, does the film fail to deliver the emotional impact of near contemporary titles like THE KILLERS or THE BIG SLEEP? To frame an answer to this question, we must first displace the many frames through which we have become accustomed to viewing the filmâmost notably Producer John Housemanâs apocryphal account of how Chandlerâs alcoholism impacted the screenplay. If we divest ourselves of these frames and really focus on the film, we see that Chandlerâs script rescues, rather than compromises, this movie. THE BLUE DAHLIA is more a victim of an identity crisis, a film unable for reasons of censorship and limited artistic vision to commit fully to the noir worldview that came home full force in 1946. And thus, as a marginal success, itâs a film that can teach us a great deal about how noir came to be both a dominant Hollywood style and a philosophical stance. tag:odeo.com,2009-11-07,25419146 Sat, 07 Nov 2009 16:19:00 -0800 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/25016162-Episode-49-Bande-%C3%83%C2%A0-part-with-Dr-Jeffrey-Peters In this episode, guest investigator Jeffrey Peters (Associate Professor of Modern and Classical Languages at the University of Kentucky), leads a panel of five undergraduate students from his Honors Program course "French Film Noir" in a discussion of Jean-Luc Godard's 1964 BAND OF OUTSIDERS (Bande à part), starring Anna Karina, Sami Frey, and Claude Brasseur. Jeff is a specialist in early modern French literature and culture, poetics and rhetoric, and film studies, and former chair of the Division of French and Italian at UK. He is joined by Honor students Bethany Futrell, Jesseca Johnson, Ryan Palmer, Nick Purol, and Daniel Robbins. To leave a comment on this episode, or make a donation to the podcast, please visit Out of the Past: Investigating Film Noir at http://outofthepast.libsyn.com. In this episode, guest investigator Jeffrey Peters (Associate Professor of Modern and Classical Languages at the University of Kentucky), leads a panel of five undergraduate students from his Honors Program course "French Film Noir" in a discussion of Jean-Luc Godard's 1964 BAND OF OUTSIDERS (Bande à part), starring Anna Karina, Sami Frey, and Claude Brasseur. Jeff is a specialist in early modern French literature and culture, poetics and rhetoric, and film studies, and former chair of the Division of French and Italian at UK. He is joined by Honor students Bethany Futrell, Jesseca Johnson, Ryan Palmer, Nick Purol, and Daniel Robbins. To leave a comment on this episode, or make a donation to the podcast, please visit Out of the Past: Investigating Film Noir at http://outofthepast.libsyn.com. In this episode, guest investigator Jeffrey Peters (Associate Professor of Modern and Classical Languages at the University of Kentucky), leads a panel of five undergraduate students from his Honors Program course "French Film Noir" in a discussion of Jean-Luc Godard's 1964 BAND OF OUTSIDERS (Bande à part), starring Anna Karina, Sami Frey, and Claude Brasseur. Jeff is a specialist in early modern French literature and culture, poetics and rhetoric, and film studies, and former chair of the Division of French and Italian at UK. He is joined by Honor students Bethany Futrell, Jesseca Johnson, Ryan Palmer, Nick Purol, and Daniel Robbins. To leave a comment on this episode, or make a donation to the podcast, please visit Out of the Past: Investigating Film Noir at http://outofthepast.libsyn.com. tag:odeo.com,2009-08-24,25016162 Mon, 24 Aug 2009 16:18:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/25015247-Episode-49-Bande-%C3%83%C2%A0-part-with-Dr-Jeffrey-Peters In this episode, guest investigator Jeffrey Peters (Associate Professor of Modern and Classical Languages at the University of Kentucky), leads a panel of five undergraduate students from his Honors Program course "French Film Noir" in a discussion of Jean-Luc Godard's 1964 BAND OF OUTSIDERS (Bande à part), starring Anna Karina, Sami Frey, and Claude Brasseur. Jeff is a specialist in early modern French literature and culture, poetics and rhetoric, and film studies, and former chair of the Division of French and Italian at UK. He is joined by Honor students Bethany Futrell, Jesseca Johnson, Ryan Palmer, Nick Purol, and Daniel Robbins. To leave a comment on this episode, or make a donation to the podcast, please visit Out of the Past: Investigating Film Noir at http://outofthepast.libsyn.com. In this episode, guest investigator Jeffrey Peters (Associate Professor of Modern and Classical Languages at the University of Kentucky), leads a panel of five undergraduate students from his Honors Program course "French Film Noir" in a discussion of Jean-Luc Godard's 1964 BAND OF OUTSIDERS (Bande à part), starring Anna Karina, Sami Frey, and Claude Brasseur. Jeff is a specialist in early modern French literature and culture, poetics and rhetoric, and film studies, and former chair of the Division of French and Italian at UK. He is joined by Honor students Bethany Futrell, Jesseca Johnson, Ryan Palmer, Nick Purol, and Daniel Robbins. To leave a comment on this episode, or make a donation to the podcast, please visit Out of the Past: Investigating Film Noir at http://outofthepast.libsyn.com. In this episode, guest investigator Jeffrey Peters (Associate Professor of Modern and Classical Languages at the University of Kentucky), leads a panel of five undergraduate students from his Honors Program course "French Film Noir" in a discussion of Jean-Luc Godard's 1964 BAND OF OUTSIDERS (Bande à part), starring Anna Karina, Sami Frey, and Claude Brasseur. Jeff is a specialist in early modern French literature and culture, poetics and rhetoric, and film studies, and former chair of the Division of French and Italian at UK. He is joined by Honor students Bethany Futrell, Jesseca Johnson, Ryan Palmer, Nick Purol, and Daniel Robbins. To leave a comment on this episode, or make a donation to the podcast, please visit Out of the Past: Investigating Film Noir at http://outofthepast.libsyn.com. tag:odeo.com,2009-08-24,25015247 Mon, 24 Aug 2009 16:18:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/23815755-Episode-48-In-a-Lonely-Place-with-Megan-Abbott Clute and Edwards welcome guest investigator Megan Abbott , the reigning Dark Dame of Noir. Megan is the author of a superb nonfiction study of hardboiled and noir protagonists entitled THE STREET WAS MINE, and three gut-wrenching throwback crime novels: DIE A LITTLE, THE SONG IS YOU, and QUEENPIN. The first title is scheduled to be released as a United Artists feature film in 2010, with Jessica Biel in the lead role. Megan's choice for this episode is the 1950 Nicholas Ray film IN A LONELY PLACE, starring Humphrey Bogart and Gloria Grahame. To learn more about Megan's work, visit www.meganabbott.com. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit Out of the Past: Investigating Film Noir at http://outofthepast.libsyn.com. Clute and Edwards welcome guest investigator Megan Abbott , the reigning Dark Dame of Noir. Megan is the author of a superb nonfiction study of hardboiled and noir protagonists entitled THE STREET WAS MINE, and three gut-wrenching throwback crime novels: DIE A LITTLE, THE SONG IS YOU, and QUEENPIN. The first title is scheduled to be released as a United Artists feature film in 2010, with Jessica Biel in the lead role. Megan's choice for this episode is the 1950 Nicholas Ray film IN A LONELY PLACE, starring Humphrey Bogart and Gloria Grahame. To learn more about Megan's work, visit www.meganabbott.com. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit Out of the Past: Investigating Film Noir at http://outofthepast.libsyn.com. Clute and Edwards welcome guest investigator Megan Abbott , the reigning Dark Dame of Noir. Megan is the author of a superb nonfiction study of hardboiled and noir protagonists entitled THE STREET WAS MINE, and three gut-wrenching throwback crime novels: DIE A LITTLE, THE SONG IS YOU, and QUEENPIN. The first title is scheduled to be released as a United Artists feature film in 2010, with Jessica Biel in the lead role. Megan's choice for this episode is the 1950 Nicholas Ray film IN A LONELY PLACE, starring Humphrey Bogart and Gloria Grahame. To learn more about Megan's work, visit www.meganabbott.com. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit Out of the Past: Investigating Film Noir at http://outofthepast.libsyn.com. tag:odeo.com,2008-12-26,23815755 Fri, 26 Dec 2008 21:12:00 -0800 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/23815580-Episode-48-In-a-Lonely-Place-with-Megan-Abbott Clute and Edwards welcome guest investigator Megan Abbott , the reigning Dark Dame of Noir. Megan is the author of a superb nonfiction study of hardboiled and noir protagonists entitled THE STREET WAS MINE, and three gut-wrenching throwback crime novels: DIE A LITTLE, THE SONG IS YOU, and QUEENPIN. The first title is scheduled to be released as a United Artists feature film in 2010, with Jessica Biel in the lead role. Megan's choice for this episode is the 1950 Nicholas Ray film IN A LONELY PLACE, starring Humphrey Bogart and Gloria Grahame. To learn more about Megan's work, visit www.meganabbott.com. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit Out of the Past: Investigating Film Noir at http://outofthepast.libsyn.com. Clute and Edwards welcome guest investigator Megan Abbott , the reigning Dark Dame of Noir. Megan is the author of a superb nonfiction study of hardboiled and noir protagonists entitled THE STREET WAS MINE, and three gut-wrenching throwback crime novels: DIE A LITTLE, THE SONG IS YOU, and QUEENPIN. The first title is scheduled to be released as a United Artists feature film in 2010, with Jessica Biel in the lead role. Megan's choice for this episode is the 1950 Nicholas Ray film IN A LONELY PLACE, starring Humphrey Bogart and Gloria Grahame. To learn more about Megan's work, visit www.meganabbott.com. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit Out of the Past: Investigating Film Noir at http://outofthepast.libsyn.com. Clute and Edwards welcome guest investigator Megan Abbott , the reigning Dark Dame of Noir. Megan is the author of a superb nonfiction study of hardboiled and noir protagonists entitled THE STREET WAS MINE, and three gut-wrenching throwback crime novels: DIE A LITTLE, THE SONG IS YOU, and QUEENPIN. The first title is scheduled to be released as a United Artists feature film in 2010, with Jessica Biel in the lead role. Megan's choice for this episode is the 1950 Nicholas Ray film IN A LONELY PLACE, starring Humphrey Bogart and Gloria Grahame. To learn more about Megan's work, visit www.meganabbott.com. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit Out of the Past: Investigating Film Noir at http://outofthepast.libsyn.com. tag:odeo.com,2008-12-26,23815580 Fri, 26 Dec 2008 21:12:00 -0800 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/23173903-Episode-47-Bob-Le-Flambeur-with-Howard-Rodman-and-Mike-White Howard Rodman and Mike White are this episodeâs guest investigators. Rodman and White discuss Jean-Pierre Melvilleâs great 1956 film, Bob Le Flambeur. Howard Rodman is a screenwriter, novelist and USC film professor. His most recent screen credits include Savage Grace and August. Mike White is the publisher and editors of Cahiers du Cinemart, an obscure and obtuse film magazine from Detroit. Visit Mikeâs website at impossiblefunky.com. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit Out of the Past: Investigating Film Noir at http://outofthepast.libsyn.com. Howard Rodman and Mike White are this episodeâs guest investigators. Rodman and White discuss Jean-Pierre Melvilleâs great 1956 film, Bob Le Flambeur. Howard Rodman is a screenwriter, novelist and USC film professor. His most recent screen credits include Savage Grace and August. Mike White is the publisher and editors of Cahiers du Cinemart, an obscure and obtuse film magazine from Detroit. Visit Mikeâs website at impossiblefunky.com. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit Out of the Past: Investigating Film Noir at http://outofthepast.libsyn.com. Howard Rodman and Mike White are this episodeâs guest investigators. Rodman and White discuss Jean-Pierre Melvilleâs great 1956 film, Bob Le Flambeur. Howard Rodman is a screenwriter, novelist and USC film professor. His most recent screen credits include Savage Grace and August. Mike White is the publisher and editors of Cahiers du Cinemart, an obscure and obtuse film magazine from Detroit. Visit Mikeâs website at impossiblefunky.com. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit Out of the Past: Investigating Film Noir at http://outofthepast.libsyn.com. tag:odeo.com,2008-08-12,23173903 Tue, 12 Aug 2008 13:45:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/23172771-Episode-47-Bob-Le-Flambeur-with-Howard-Rodman-and-Mike-White Howard Rodman and Mike White are this episodeâs guest investigators. Rodman and White discuss Jean-Pierre Melvilleâs great 1956 film, Bob Le Flambeur. Howard Rodman is a screenwriter, novelist and USC film professor. His most recent screen credits include Savage Grace and August. Mike White is the publisher and editors of Cahiers du Cinemart, an obscure and obtuse film magazine from Detroit. Visit Mikeâs website at impossiblefunky.com. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit Out of the Past: Investigating Film Noir at http://outofthepast.libsyn.com. Howard Rodman and Mike White are this episodeâs guest investigators. Rodman and White discuss Jean-Pierre Melvilleâs great 1956 film, Bob Le Flambeur. Howard Rodman is a screenwriter, novelist and USC film professor. His most recent screen credits include Savage Grace and August. Mike White is the publisher and editors of Cahiers du Cinemart, an obscure and obtuse film magazine from Detroit. Visit Mikeâs website at impossiblefunky.com. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit Out of the Past: Investigating Film Noir at http://outofthepast.libsyn.com. Howard Rodman and Mike White are this episodeâs guest investigators. Rodman and White discuss Jean-Pierre Melvilleâs great 1956 film, Bob Le Flambeur. Howard Rodman is a screenwriter, novelist and USC film professor. His most recent screen credits include Savage Grace and August. Mike White is the publisher and editors of Cahiers du Cinemart, an obscure and obtuse film magazine from Detroit. Visit Mikeâs website at impossiblefunky.com. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit Out of the Past: Investigating Film Noir at http://outofthepast.libsyn.com. tag:odeo.com,2008-08-12,23172771 Tue, 12 Aug 2008 13:45:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/23005533-Episode-46-Thieves-Highway-with-Eddie-Muller Thanks to listener support, Out of the Past: Investigating Film Noiris a featured podcast at iTunes, has generated nearly 200,000 downloads worldwide, and has a per-episode audience of over 4,000. With such a record of success, Clute and Edwards are now able to reach out to a wide range of noir scholars, to use the program as a forum to broaden public discourse on the enduring importance of this distinctively American film style. May's guest is the Czar of Noir, Eddie Muller. Eddie is the Founder and President of the Film Noir Foundation, and the man who organizes the Noir City Film Festival in San Francisco. He is also the author of three superlative studies of film noir (Dark City, Dark City Dames, and The Art of Noir) and two supernal throwback hard-boiled novels (The Distance and Shadow Boxer). Eddie's selection is the 1949 Jules Dassin Film THIEVES' HIGHWAY. Thanks to listener support, Out of the Past: Investigating Film Noiris a featured podcast at iTunes, has generated nearly 200,000 downloads worldwide, and has a per-episode audience of over 4,000. With such a record of success, Clute and Edwards are now able to reach out to a wide range of noir scholars, to use the program as a forum to broaden public discourse on the enduring importance of this distinctively American film style. May's guest is the Czar of Noir, Eddie Muller. Eddie is the Founder and President of the Film Noir Foundation, and the man who organizes the Noir City Film Festival in San Francisco. He is also the author of three superlative studies of film noir (Dark City, Dark City Dames, and The Art of Noir) and two supernal throwback hard-boiled novels (The Distance and Shadow Boxer). Eddie's selection is the 1949 Jules Dassin Film THIEVES' HIGHWAY. Thanks to listener support, Out of the Past: Investigating Film Noiris a featured podcast at iTunes, has generated nearly 200,000 downloads worldwide, and has a per-episode audience of over 4,000. With such a record of success, Clute and Edwards are now able to reach out to a wide range of noir scholars, to use the program as a forum to broaden public discourse on the enduring importance of this distinctively American film style. May's guest is the Czar of Noir, Eddie Muller. Eddie is the Founder and President of the Film Noir Foundation, and the man who organizes the Noir City Film Festival in San Francisco. He is also the author of three superlative studies of film noir (Dark City, Dark City Dames, and The Art of Noir) and two supernal throwback hard-boiled novels (The Distance and Shadow Boxer). Eddie's selection is the 1949 Jules Dassin Film THIEVES' HIGHWAY. tag:odeo.com,2008-06-18,23005533 Wed, 18 Jun 2008 08:37:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/23004603-Episode-46-Thieves-Highway-with-Eddie-Muller Thanks to listener support, Out of the Past: Investigating Film Noiris a featured podcast at iTunes, has generated nearly 200,000 downloads worldwide, and has a per-episode audience of over 4,000. With such a record of success, Clute and Edwards are now able to reach out to a wide range of noir scholars, to use the program as a forum to broaden public discourse on the enduring importance of this distinctively American film style. May's guest is the Czar of Noir, Eddie Muller. Eddie is the Founder and President of the Film Noir Foundation, and the man who organizes the Noir City Film Festival in San Francisco. He is also the author of three superlative studies of film noir (Dark City, Dark City Dames, and The Art of Noir) and two supernal throwback hard-boiled novels (The Distance and Shadow Boxer). Eddie's selection is the 1949 Jules Dassin Film THIEVES' HIGHWAY. Thanks to listener support, Out of the Past: Investigating Film Noiris a featured podcast at iTunes, has generated nearly 200,000 downloads worldwide, and has a per-episode audience of over 4,000. With such a record of success, Clute and Edwards are now able to reach out to a wide range of noir scholars, to use the program as a forum to broaden public discourse on the enduring importance of this distinctively American film style. May's guest is the Czar of Noir, Eddie Muller. Eddie is the Founder and President of the Film Noir Foundation, and the man who organizes the Noir City Film Festival in San Francisco. He is also the author of three superlative studies of film noir (Dark City, Dark City Dames, and The Art of Noir) and two supernal throwback hard-boiled novels (The Distance and Shadow Boxer). Eddie's selection is the 1949 Jules Dassin Film THIEVES' HIGHWAY. Thanks to listener support, Out of the Past: Investigating Film Noiris a featured podcast at iTunes, has generated nearly 200,000 downloads worldwide, and has a per-episode audience of over 4,000. With such a record of success, Clute and Edwards are now able to reach out to a wide range of noir scholars, to use the program as a forum to broaden public discourse on the enduring importance of this distinctively American film style. May's guest is the Czar of Noir, Eddie Muller. Eddie is the Founder and President of the Film Noir Foundation, and the man who organizes the Noir City Film Festival in San Francisco. He is also the author of three superlative studies of film noir (Dark City, Dark City Dames, and The Art of Noir) and two supernal throwback hard-boiled novels (The Distance and Shadow Boxer). Eddie's selection is the 1949 Jules Dassin Film THIEVES' HIGHWAY. tag:odeo.com,2008-06-18,23004603 Wed, 18 Jun 2008 08:37:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22460674-Noircon-2008-The-Official-Podcast-Day-3-Cybernoir-Panel Shannon Clute, Seth Harwood, and Richard Edwards presented this Cybernoir panel on April 5th, 2008, as part of the Noircon Conference in Philadelphia. Clute and Edwards kick things off with a discussion of how noir style and pulp publishing models seem to provide the fundamental structuring logics of emerging digital mediaâfrom blogs to podcasts, mashups to video games. Seth Harwood then relates his own experience of podcasting his first novel, JACK WAKES UPâfrom producing the initial audio, to embracing various new media in order to cultivate an audience and tap their enthusiasm and skills to promote his work. Finally, all three panelists consider how pulp-logic productions in these various media are likely to change the ways books are published and marketed. This special edition podcast includes all Power Point slides from the panel, synchronized with the audio, for your viewing pleasure. Moreover, there are embedded links at the bottom of the images, which allow you to surf relat... Shannon Clute, Seth Harwood, and Richard Edwards presented this Cybernoir panel on April 5th, 2008, as part of the Noircon Conference in Philadelphia. Clute and Edwards kick things off with a discussion of how noir style and pulp publishing models seem to provide the fundamental structuring logics of emerging digital mediaâfrom blogs to podcasts, mashups to video games. Seth Harwood then relates his own experience of podcasting his first novel, JACK WAKES UPâfrom producing the initial audio, to embracing various new media in order to cultivate an audience and tap their enthusiasm and skills to promote his work. Finally, all three panelists consider how pulp-logic productions in these various media are likely to change the ways books are published and marketed. This special edition podcast includes all Power Point slides from the panel, synchronized with the audio, for your viewing pleasure. Moreover, there are embedded links at the bottom of the images, which allow you to surf related links while listening. The podcast is optimized for iTunes, and will run on any machine that has iTunes installed. It is brought to you by Clute and Edwards of www.noircast.net, and Seth Harwood of www.sethharwood.com. Shannon Clute, Seth Harwood, and Richard Edwards presented this Cybernoir panel on April 5th, 2008, as part of the Noircon Conference in Philadelphia. Clute and Edwards kick things off with a discussion of how noir style and pulp publishing models seem to provide the fundamental structuring logics of emerging digital mediaâfrom blogs to podcasts, mashups to video games. Seth Harwood then relates his own experience of podcasting his first novel, JACK WAKES UPâfrom producing the initial audio, to embracing various new media in order to cultivate an audience and tap their enthusiasm and skills to promote his work. Finally, all three panelists consider how pulp-logic productions in these various media are likely to change the ways books are published and marketed. This special edition podcast includes all Power Point slides from the panel, synchronized with the audio, for your viewing pleasure. Moreover, there are embedded links at the bottom of the images, which allow you to surf related links while listening. The podcast is optimized for iTunes, and will run on any machine that has iTunes installed. It is brought to you by Clute and Edwards of www.noircast.net, and Seth Harwood of www.sethharwood.com. tag:odeo.com,2008-04-27,22460674 Sun, 27 Apr 2008 17:51:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22460580-Noircon-2008-The-Official-Podcast-Day-3-Cybernoir-Panel Shannon Clute, Seth Harwood, and Richard Edwards presented this Cybernoir panel on April 5th, 2008, as part of the Noircon Conference in Philadelphia. Clute and Edwards kick things off with a discussion of how noir style and pulp publishing models seem to provide the fundamental structuring logics of emerging digital mediaâfrom blogs to podcasts, mashups to video games. Seth Harwood then relates his own experience of podcasting his first novel, JACK WAKES UPâfrom producing the initial audio, to embracing various new media in order to cultivate an audience and tap their enthusiasm and skills to promote his work. Finally, all three panelists consider how pulp-logic productions in these various media are likely to change the ways books are published and marketed. This special edition podcast includes all Power Point slides from the panel, synchronized with the audio, for your viewing pleasure. Moreover, there are embedded links at the bottom of the images, which allow you to surf relat... Shannon Clute, Seth Harwood, and Richard Edwards presented this Cybernoir panel on April 5th, 2008, as part of the Noircon Conference in Philadelphia. Clute and Edwards kick things off with a discussion of how noir style and pulp publishing models seem to provide the fundamental structuring logics of emerging digital mediaâfrom blogs to podcasts, mashups to video games. Seth Harwood then relates his own experience of podcasting his first novel, JACK WAKES UPâfrom producing the initial audio, to embracing various new media in order to cultivate an audience and tap their enthusiasm and skills to promote his work. Finally, all three panelists consider how pulp-logic productions in these various media are likely to change the ways books are published and marketed. This special edition podcast includes all Power Point slides from the panel, synchronized with the audio, for your viewing pleasure. Moreover, there are embedded links at the bottom of the images, which allow you to surf related links while listening. The podcast is optimized for iTunes, and will run on any machine that has iTunes installed. It is brought to you by Clute and Edwards of www.noircast.net, and Seth Harwood of www.sethharwood.com. Shannon Clute, Seth Harwood, and Richard Edwards presented this Cybernoir panel on April 5th, 2008, as part of the Noircon Conference in Philadelphia. Clute and Edwards kick things off with a discussion of how noir style and pulp publishing models seem to provide the fundamental structuring logics of emerging digital mediaâfrom blogs to podcasts, mashups to video games. Seth Harwood then relates his own experience of podcasting his first novel, JACK WAKES UPâfrom producing the initial audio, to embracing various new media in order to cultivate an audience and tap their enthusiasm and skills to promote his work. Finally, all three panelists consider how pulp-logic productions in these various media are likely to change the ways books are published and marketed. This special edition podcast includes all Power Point slides from the panel, synchronized with the audio, for your viewing pleasure. Moreover, there are embedded links at the bottom of the images, which allow you to surf related links while listening. The podcast is optimized for iTunes, and will run on any machine that has iTunes installed. It is brought to you by Clute and Edwards of www.noircast.net, and Seth Harwood of www.sethharwood.com. tag:odeo.com,2008-04-27,22460580 Sun, 27 Apr 2008 17:51:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/25418616-Noircon-2008-The-Official-Podcast-Day-3-Wise-Guys-and-Femmes-Fatale Wise guys and femmes fatale form the central focus of these next panel discussions from Noircon 2008. In the first half of the podcast, Clute and Edwards talk with authors George Anastasia and Anthony Bruno. Anastasia and Bruno are two seasoned mob-watchers who uncover life on the mean streets-Philly style. Based on their Noircon panel, Wise Guy Noir, they give us an inside look into the Godfathers and Goodfellas of Philadelphia. In the second half, Clute and Edwards lead a lively roundtable discussion on the femme fatale with four authors who have strong female characters at the center of their novels: Megan Abbott, Christa Faust, Vicki Hendricks, and Jonathan Santlofer. The discussion touches on many different aspects of the femme fatale and the homme fatale (fatal man). For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Wise guys and femmes fatale form the central focus of these next panel discussions from Noircon 2008. In the first half of the podcast, Clute and Edwards talk with authors George Anastasia and Anthony Bruno. Anastasia and Bruno are two seasoned mob-watchers who uncover life on the mean streets-Philly style. Based on their Noircon panel, Wise Guy Noir, they give us an inside look into the Godfathers and Goodfellas of Philadelphia. In the second half, Clute and Edwards lead a lively roundtable discussion on the femme fatale with four authors who have strong female characters at the center of their novels: Megan Abbott, Christa Faust, Vicki Hendricks, and Jonathan Santlofer. The discussion touches on many different aspects of the femme fatale and the homme fatale (fatal man). For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Wise guys and femmes fatale form the central focus of these next panel discussions from Noircon 2008. In the first half of the podcast, Clute and Edwards talk with authors George Anastasia and Anthony Bruno. Anastasia and Bruno are two seasoned mob-watchers who uncover life on the mean streets-Philly style. Based on their Noircon panel, Wise Guy Noir, they give us an inside look into the Godfathers and Goodfellas of Philadelphia. In the second half, Clute and Edwards lead a lively roundtable discussion on the femme fatale with four authors who have strong female characters at the center of their novels: Megan Abbott, Christa Faust, Vicki Hendricks, and Jonathan Santlofer. The discussion touches on many different aspects of the femme fatale and the homme fatale (fatal man). For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net tag:odeo.com,2008-04-13,25418616 Sun, 13 Apr 2008 18:34:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/25419147-Noircon-2008-The-Official-Podcast-Day-3-Wise-Guys-and-Femmes-Fatale Wise guys and femmes fatale form the central focus of these next panel discussions from Noircon 2008. In the first half of the podcast, Clute and Edwards talk with authors George Anastasia and Anthony Bruno. Anastasia and Bruno are two seasoned mob-watchers who uncover life on the mean streets-Philly style. Based on their Noircon panel, Wise Guy Noir, they give us an inside look into the Godfathers and Goodfellas of Philadelphia. In the second half, Clute and Edwards lead a lively roundtable discussion on the femme fatale with four authors who have strong female characters at the center of their novels: Megan Abbott, Christa Faust, Vicki Hendricks, and Jonathan Santlofer. The discussion touches on many different aspects of the femme fatale and the homme fatale (fatal man). For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Wise guys and femmes fatale form the central focus of these next panel discussions from Noircon 2008. In the first half of the podcast, Clute and Edwards talk with authors George Anastasia and Anthony Bruno. Anastasia and Bruno are two seasoned mob-watchers who uncover life on the mean streets-Philly style. Based on their Noircon panel, Wise Guy Noir, they give us an inside look into the Godfathers and Goodfellas of Philadelphia. In the second half, Clute and Edwards lead a lively roundtable discussion on the femme fatale with four authors who have strong female characters at the center of their novels: Megan Abbott, Christa Faust, Vicki Hendricks, and Jonathan Santlofer. The discussion touches on many different aspects of the femme fatale and the homme fatale (fatal man). For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Wise guys and femmes fatale form the central focus of these next panel discussions from Noircon 2008. In the first half of the podcast, Clute and Edwards talk with authors George Anastasia and Anthony Bruno. Anastasia and Bruno are two seasoned mob-watchers who uncover life on the mean streets-Philly style. Based on their Noircon panel, Wise Guy Noir, they give us an inside look into the Godfathers and Goodfellas of Philadelphia. In the second half, Clute and Edwards lead a lively roundtable discussion on the femme fatale with four authors who have strong female characters at the center of their novels: Megan Abbott, Christa Faust, Vicki Hendricks, and Jonathan Santlofer. The discussion touches on many different aspects of the femme fatale and the homme fatale (fatal man). For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net tag:odeo.com,2008-04-13,25419147 Sun, 13 Apr 2008 18:34:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22412959-Noircon-2008-The-Official-Podcast-Day-3-Wise-Guys-and-Femmes-Fatale Wise guys and femmes fatale form the central focus of these next panel discussions from Noircon 2008. In the first half of the podcast, Clute and Edwards talk with authors George Anastasia and Anthony Bruno. Anastasia and Bruno are two seasoned mob-watchers who uncover life on the mean streets-Philly style. Based on their Noircon panel, Wise Guy Noir, they give us an inside look into the Godfathers and Goodfellas of Philadelphia. In the second half, Clute and Edwards lead a lively roundtable discussion on the femme fatale with four authors who have strong female characters at the center of their novels: Megan Abbott, Christa Faust, Vicki Hendricks, and Jonathan Santlofer. The discussion touches on many different aspects of the femme fatale and the homme fatale (fatal man). For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Wise guys and femmes fatale form the central focus of these next panel discussions from Noircon 2008. In the first half of the podcast, Clute and Edwards talk with authors George Anastasia and Anthony Bruno. Anastasia and Bruno are two seasoned mob-watchers who uncover life on the mean streets-Philly style. Based on their Noircon panel, Wise Guy Noir, they give us an inside look into the Godfathers and Goodfellas of Philadelphia. In the second half, Clute and Edwards lead a lively roundtable discussion on the femme fatale with four authors who have strong female characters at the center of their novels: Megan Abbott, Christa Faust, Vicki Hendricks, and Jonathan Santlofer. The discussion touches on many different aspects of the femme fatale and the homme fatale (fatal man). For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Wise guys and femmes fatale form the central focus of these next panel discussions from Noircon 2008. In the first half of the podcast, Clute and Edwards talk with authors George Anastasia and Anthony Bruno. Anastasia and Bruno are two seasoned mob-watchers who uncover life on the mean streets-Philly style. Based on their Noircon panel, Wise Guy Noir, they give us an inside look into the Godfathers and Goodfellas of Philadelphia. In the second half, Clute and Edwards lead a lively roundtable discussion on the femme fatale with four authors who have strong female characters at the center of their novels: Megan Abbott, Christa Faust, Vicki Hendricks, and Jonathan Santlofer. The discussion touches on many different aspects of the femme fatale and the homme fatale (fatal man). For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net tag:odeo.com,2008-04-13,22412959 Sun, 13 Apr 2008 17:34:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22413269-Noircon-2008-The-Official-Podcast-Day-3-Wise-Guys-and-Femmes-Fatale Wise guys and femmes fatale form the central focus of these next panel discussions from Noircon 2008. In the first half of the podcast, Clute and Edwards talk with authors George Anastasia and Anthony Bruno. Anastasia and Bruno are two seasoned mob-watchers who uncover life on the mean streets-Philly style. Based on their Noircon panel, Wise Guy Noir, they give us an inside look into the Godfathers and Goodfellas of Philadelphia. In the second half, Clute and Edwards lead a lively roundtable discussion on the femme fatale with four authors who have strong female characters at the center of their novels: Megan Abbott, Christa Faust, Vicki Hendricks, and Jonathan Santlofer. The discussion touches on many different aspects of the femme fatale and the homme fatale (fatal man). For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Wise guys and femmes fatale form the central focus of these next panel discussions from Noircon 2008. In the first half of the podcast, Clute and Edwards talk with authors George Anastasia and Anthony Bruno. Anastasia and Bruno are two seasoned mob-watchers who uncover life on the mean streets-Philly style. Based on their Noircon panel, Wise Guy Noir, they give us an inside look into the Godfathers and Goodfellas of Philadelphia. In the second half, Clute and Edwards lead a lively roundtable discussion on the femme fatale with four authors who have strong female characters at the center of their novels: Megan Abbott, Christa Faust, Vicki Hendricks, and Jonathan Santlofer. The discussion touches on many different aspects of the femme fatale and the homme fatale (fatal man). For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Wise guys and femmes fatale form the central focus of these next panel discussions from Noircon 2008. In the first half of the podcast, Clute and Edwards talk with authors George Anastasia and Anthony Bruno. Anastasia and Bruno are two seasoned mob-watchers who uncover life on the mean streets-Philly style. Based on their Noircon panel, Wise Guy Noir, they give us an inside look into the Godfathers and Goodfellas of Philadelphia. In the second half, Clute and Edwards lead a lively roundtable discussion on the femme fatale with four authors who have strong female characters at the center of their novels: Megan Abbott, Christa Faust, Vicki Hendricks, and Jonathan Santlofer. The discussion touches on many different aspects of the femme fatale and the homme fatale (fatal man). For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net tag:odeo.com,2008-04-13,22413269 Sun, 13 Apr 2008 17:34:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/25418617-Noircon-2008-The-Official-Podcast-Day-2-Editors-and-Publishers-Tackle-Noir Clute and Edwards discuss the editing and publishing of noir fiction with three members of this Day 2 Noircon panel: Charles Ardai, Stacia Decker, and Michael Langnas. Charles Ardai is the editor and publisher of the Hard Case Crime series. Stacia Decker is an editor who has worked with such writers as Ray Banks, Declan Burke, Allan Guthrie and John McFetridge. Michael Langnas is the editor-in-chief of Murdaland Magazine, a crime-fiction journal put out by Baltimore-based publisher Cortwright McMeel. The three guests offer us a behind-the-scenes look into the world of noir publishing. The panelists address violence in noir fiction, the complex appeal of noir, and the challenges and pleasures of editing and publishing noir writing. For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Clute and Edwards discuss the editing and publishing of noir fiction with three members of this Day 2 Noircon panel: Charles Ardai, Stacia Decker, and Michael Langnas. Charles Ardai is the editor and publisher of the Hard Case Crime series. Stacia Decker is an editor who has worked with such writers as Ray Banks, Declan Burke, Allan Guthrie and John McFetridge. Michael Langnas is the editor-in-chief of Murdaland Magazine, a crime-fiction journal put out by Baltimore-based publisher Cortwright McMeel. The three guests offer us a behind-the-scenes look into the world of noir publishing. The panelists address violence in noir fiction, the complex appeal of noir, and the challenges and pleasures of editing and publishing noir writing. For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Clute and Edwards discuss the editing and publishing of noir fiction with three members of this Day 2 Noircon panel: Charles Ardai, Stacia Decker, and Michael Langnas. Charles Ardai is the editor and publisher of the Hard Case Crime series. Stacia Decker is an editor who has worked with such writers as Ray Banks, Declan Burke, Allan Guthrie and John McFetridge. Michael Langnas is the editor-in-chief of Murdaland Magazine, a crime-fiction journal put out by Baltimore-based publisher Cortwright McMeel. The three guests offer us a behind-the-scenes look into the world of noir publishing. The panelists address violence in noir fiction, the complex appeal of noir, and the challenges and pleasures of editing and publishing noir writing. For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net tag:odeo.com,2008-04-12,25418617 Sat, 12 Apr 2008 17:51:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/25419148-Noircon-2008-The-Official-Podcast-Day-2-Editors-and-Publishers-Tackle-Noir Clute and Edwards discuss the editing and publishing of noir fiction with three members of this Day 2 Noircon panel: Charles Ardai, Stacia Decker, and Michael Langnas. Charles Ardai is the editor and publisher of the Hard Case Crime series. Stacia Decker is an editor who has worked with such writers as Ray Banks, Declan Burke, Allan Guthrie and John McFetridge. Michael Langnas is the editor-in-chief of Murdaland Magazine, a crime-fiction journal put out by Baltimore-based publisher Cortwright McMeel. The three guests offer us a behind-the-scenes look into the world of noir publishing. The panelists address violence in noir fiction, the complex appeal of noir, and the challenges and pleasures of editing and publishing noir writing. For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Clute and Edwards discuss the editing and publishing of noir fiction with three members of this Day 2 Noircon panel: Charles Ardai, Stacia Decker, and Michael Langnas. Charles Ardai is the editor and publisher of the Hard Case Crime series. Stacia Decker is an editor who has worked with such writers as Ray Banks, Declan Burke, Allan Guthrie and John McFetridge. Michael Langnas is the editor-in-chief of Murdaland Magazine, a crime-fiction journal put out by Baltimore-based publisher Cortwright McMeel. The three guests offer us a behind-the-scenes look into the world of noir publishing. The panelists address violence in noir fiction, the complex appeal of noir, and the challenges and pleasures of editing and publishing noir writing. For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Clute and Edwards discuss the editing and publishing of noir fiction with three members of this Day 2 Noircon panel: Charles Ardai, Stacia Decker, and Michael Langnas. Charles Ardai is the editor and publisher of the Hard Case Crime series. Stacia Decker is an editor who has worked with such writers as Ray Banks, Declan Burke, Allan Guthrie and John McFetridge. Michael Langnas is the editor-in-chief of Murdaland Magazine, a crime-fiction journal put out by Baltimore-based publisher Cortwright McMeel. The three guests offer us a behind-the-scenes look into the world of noir publishing. The panelists address violence in noir fiction, the complex appeal of noir, and the challenges and pleasures of editing and publishing noir writing. For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net tag:odeo.com,2008-04-12,25419148 Sat, 12 Apr 2008 17:51:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22411854-Noircon-2008-The-Official-Podcast-Day-2-Editors-and-Publishers-Tackle-Noir Clute and Edwards discuss the editing and publishing of noir fiction with three members of this Day 2 Noircon panel: Charles Ardai, Stacia Decker, and Michael Langnas. Charles Ardai is the editor and publisher of the Hard Case Crime series. Stacia Decker is an editor who has worked with such writers as Ray Banks, Declan Burke, Allan Guthrie and John McFetridge. Michael Langnas is the editor-in-chief of Murdaland Magazine, a crime-fiction journal put out by Baltimore-based publisher Cortwright McMeel. The three guests offer us a behind-the-scenes look into the world of noir publishing. The panelists address violence in noir fiction, the complex appeal of noir, and the challenges and pleasures of editing and publishing noir writing. For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Clute and Edwards discuss the editing and publishing of noir fiction with three members of this Day 2 Noircon panel: Charles Ardai, Stacia Decker, and Michael Langnas. Charles Ardai is the editor and publisher of the Hard Case Crime series. Stacia Decker is an editor who has worked with such writers as Ray Banks, Declan Burke, Allan Guthrie and John McFetridge. Michael Langnas is the editor-in-chief of Murdaland Magazine, a crime-fiction journal put out by Baltimore-based publisher Cortwright McMeel. The three guests offer us a behind-the-scenes look into the world of noir publishing. The panelists address violence in noir fiction, the complex appeal of noir, and the challenges and pleasures of editing and publishing noir writing. For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Clute and Edwards discuss the editing and publishing of noir fiction with three members of this Day 2 Noircon panel: Charles Ardai, Stacia Decker, and Michael Langnas. Charles Ardai is the editor and publisher of the Hard Case Crime series. Stacia Decker is an editor who has worked with such writers as Ray Banks, Declan Burke, Allan Guthrie and John McFetridge. Michael Langnas is the editor-in-chief of Murdaland Magazine, a crime-fiction journal put out by Baltimore-based publisher Cortwright McMeel. The three guests offer us a behind-the-scenes look into the world of noir publishing. The panelists address violence in noir fiction, the complex appeal of noir, and the challenges and pleasures of editing and publishing noir writing. For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net tag:odeo.com,2008-04-12,22411854 Sat, 12 Apr 2008 16:51:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22411874-Noircon-2008-The-Official-Podcast-Day-2-Editors-and-Publishers-Tackle-Noir Clute and Edwards discuss the editing and publishing of noir fiction with three members of this Day 2 Noircon panel: Charles Ardai, Stacia Decker, and Michael Langnas. Charles Ardai is the editor and publisher of the Hard Case Crime series. Stacia Decker is an editor who has worked with such writers as Ray Banks, Declan Burke, Allan Guthrie and John McFetridge. Michael Langnas is the editor-in-chief of Murdaland Magazine, a crime-fiction journal put out by Baltimore-based publisher Cortwright McMeel. The three guests offer us a behind-the-scenes look into the world of noir publishing. The panelists address violence in noir fiction, the complex appeal of noir, and the challenges and pleasures of editing and publishing noir writing. For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Clute and Edwards discuss the editing and publishing of noir fiction with three members of this Day 2 Noircon panel: Charles Ardai, Stacia Decker, and Michael Langnas. Charles Ardai is the editor and publisher of the Hard Case Crime series. Stacia Decker is an editor who has worked with such writers as Ray Banks, Declan Burke, Allan Guthrie and John McFetridge. Michael Langnas is the editor-in-chief of Murdaland Magazine, a crime-fiction journal put out by Baltimore-based publisher Cortwright McMeel. The three guests offer us a behind-the-scenes look into the world of noir publishing. The panelists address violence in noir fiction, the complex appeal of noir, and the challenges and pleasures of editing and publishing noir writing. For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Clute and Edwards discuss the editing and publishing of noir fiction with three members of this Day 2 Noircon panel: Charles Ardai, Stacia Decker, and Michael Langnas. Charles Ardai is the editor and publisher of the Hard Case Crime series. Stacia Decker is an editor who has worked with such writers as Ray Banks, Declan Burke, Allan Guthrie and John McFetridge. Michael Langnas is the editor-in-chief of Murdaland Magazine, a crime-fiction journal put out by Baltimore-based publisher Cortwright McMeel. The three guests offer us a behind-the-scenes look into the world of noir publishing. The panelists address violence in noir fiction, the complex appeal of noir, and the challenges and pleasures of editing and publishing noir writing. For more information about Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net tag:odeo.com,2008-04-12,22411874 Sat, 12 Apr 2008 16:51:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/25418618-Noircon-2008-The-Official-Podcast-Day-2-George-Lippard-and-Philly-Noir Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net tag:odeo.com,2008-04-12,25418618 Sat, 12 Apr 2008 07:35:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/25419149-Noircon-2008-The-Official-Podcast-Day-2-George-Lippard-and-Philly-Noir Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net tag:odeo.com,2008-04-12,25419149 Sat, 12 Apr 2008 07:35:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22411855-Noircon-2008-The-Official-Podcast-Day-2-George-Lippard-and-Philly-Noir Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net tag:odeo.com,2008-04-12,22411855 Sat, 12 Apr 2008 06:35:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22411875-Noircon-2008-The-Official-Podcast-Day-2-George-Lippard-and-Philly-Noir Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net tag:odeo.com,2008-04-12,22411875 Sat, 12 Apr 2008 06:35:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22411193-Noircon-2008-Official-Podcast-Day-2-George-Lippard-and-Philly-Noir Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net tag:odeo.com,2008-04-12,22411193 Sat, 12 Apr 2008 06:35:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22411214-Noircon-2008-Official-Podcast-Day-2-George-Lippard-and-Philly-Noir Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net Philadelphia noir is the focus of two panels at Noircon 2008. The first panel presents the historical moment, cultural milieu and writings of the 19th century Philly writer George Lippard. Ed Petit and Robert Polito make a compelling case to consider Lippard an important proto-noir author, an author whose writings look back towards 1798's gothic novel WIELAND and forward towards 20th century hardboiled. The second panel addresses the issue of Philly noir through a discussion among noir and crime writers currently living and working in Philadelphia. Clute and Edwards talk more with Philly authors William Lashner and Jon McGoran (D.H. Dublin) about what is Philadelphia noir and how does Philadelphia figure as one of the great American noir cities. For more information about  Noircon, visit the official conference website at www.noircon.com. For more information about the hard-boiled podcasts of Clute and Edwards, visit www.noircast.net tag:odeo.com,2008-04-12,22411214 Sat, 12 Apr 2008 06:35:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/25418619-Noircon-2008-The-Official-Podcast-Day-One Day One: Opening Night. Noircon 2008 opens at the Society Hill Playhouse in Philadelphia, PA. Clute and Edwards kick off this special podcast mini-series coverage with short interviews from the opening night reception. They talk with film critic Irv Slifkin, authors Gary Phillips, Seth Harwood, Ken Bruen, âThe Czar of Noirâ? Eddie Muller, publisher Dennis McMillan, conference organizer Lou Boxer, and author Duane Swierczynski. We finish with an interview of the first presenter of Noircon, Professor David Schmid, who gave a talk entitled âNoir and Its Heretics.â? Day One: Opening Night. Noircon 2008 opens at the Society Hill Playhouse in Philadelphia, PA. Clute and Edwards kick off this special podcast mini-series coverage with short interviews from the opening night reception. They talk with film critic Irv Slifkin, authors Gary Phillips, Seth Harwood, Ken Bruen, âThe Czar of Noirâ? Eddie Muller, publisher Dennis McMillan, conference organizer Lou Boxer, and author Duane Swierczynski. We finish with an interview of the first presenter of Noircon, Professor David Schmid, who gave a talk entitled âNoir and Its Heretics.â? Day One: Opening Night. Noircon 2008 opens at the Society Hill Playhouse in Philadelphia, PA. Clute and Edwards kick off this special podcast mini-series coverage with short interviews from the opening night reception. They talk with film critic Irv Slifkin, authors Gary Phillips, Seth Harwood, Ken Bruen, âThe Czar of Noirâ? Eddie Muller, publisher Dennis McMillan, conference organizer Lou Boxer, and author Duane Swierczynski. We finish with an interview of the first presenter of Noircon, Professor David Schmid, who gave a talk entitled âNoir and Its Heretics.â? tag:odeo.com,2008-04-03,25418619 Thu, 03 Apr 2008 22:39:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/25419150-Noircon-2008-The-Official-Podcast-Day-One Day One: Opening Night. Noircon 2008 opens at the Society Hill Playhouse in Philadelphia, PA. Clute and Edwards kick off this special podcast mini-series coverage with short interviews from the opening night reception. They talk with film critic Irv Slifkin, authors Gary Phillips, Seth Harwood, Ken Bruen, âThe Czar of Noirâ? Eddie Muller, publisher Dennis McMillan, conference organizer Lou Boxer, and author Duane Swierczynski. We finish with an interview of the first presenter of Noircon, Professor David Schmid, who gave a talk entitled âNoir and Its Heretics.â? Day One: Opening Night. Noircon 2008 opens at the Society Hill Playhouse in Philadelphia, PA. Clute and Edwards kick off this special podcast mini-series coverage with short interviews from the opening night reception. They talk with film critic Irv Slifkin, authors Gary Phillips, Seth Harwood, Ken Bruen, âThe Czar of Noirâ? Eddie Muller, publisher Dennis McMillan, conference organizer Lou Boxer, and author Duane Swierczynski. We finish with an interview of the first presenter of Noircon, Professor David Schmid, who gave a talk entitled âNoir and Its Heretics.â? Day One: Opening Night. Noircon 2008 opens at the Society Hill Playhouse in Philadelphia, PA. Clute and Edwards kick off this special podcast mini-series coverage with short interviews from the opening night reception. They talk with film critic Irv Slifkin, authors Gary Phillips, Seth Harwood, Ken Bruen, âThe Czar of Noirâ? Eddie Muller, publisher Dennis McMillan, conference organizer Lou Boxer, and author Duane Swierczynski. We finish with an interview of the first presenter of Noircon, Professor David Schmid, who gave a talk entitled âNoir and Its Heretics.â? tag:odeo.com,2008-04-03,25419150 Thu, 03 Apr 2008 22:39:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22229291-Noircon-2008-The-Official-Podcast-Day-One Day One: Opening Night. Noircon 2008 opens at the Society Hill Playhouse in Philadelphia, PA. Clute and Edwards kick off this special podcast mini-series coverage with short interviews from the opening night reception. They talk with film critic Irv Slifkin, authors Gary Phillips, Seth Harwood, Ken Bruen, âThe Czar of Noirâ Eddie Muller, publisher Dennis McMillan, conference organizer Lou Boxer, and author Duane Swierczynski. We finish with an interview of the first presenter of Noircon, Professor David Schmid, who gave a talk entitled âNoir and Its Heretics.â Day One: Opening Night. Noircon 2008 opens at the Society Hill Playhouse in Philadelphia, PA. Clute and Edwards kick off this special podcast mini-series coverage with short interviews from the opening night reception. They talk with film critic Irv Slifkin, authors Gary Phillips, Seth Harwood, Ken Bruen, âThe Czar of Noirâ Eddie Muller, publisher Dennis McMillan, conference organizer Lou Boxer, and author Duane Swierczynski. We finish with an interview of the first presenter of Noircon, Professor David Schmid, who gave a talk entitled âNoir and Its Heretics.â Day One: Opening Night. Noircon 2008 opens at the Society Hill Playhouse in Philadelphia, PA. Clute and Edwards kick off this special podcast mini-series coverage with short interviews from the opening night reception. They talk with film critic Irv Slifkin, authors Gary Phillips, Seth Harwood, Ken Bruen, âThe Czar of Noirâ Eddie Muller, publisher Dennis McMillan, conference organizer Lou Boxer, and author Duane Swierczynski. We finish with an interview of the first presenter of Noircon, Professor David Schmid, who gave a talk entitled âNoir and Its Heretics.â tag:odeo.com,2008-04-03,22229291 Thu, 03 Apr 2008 21:39:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22229172-Noircon-2008-The-Official-Podcast-Day-One Day One: Opening Night. Noircon 2008 opens at the Society Hill Playhouse in Philadelphia, PA. Clute and Edwards kick off this special podcast mini-series coverage with short interviews from the opening night reception. They talk with film critic Irv Slifkin, authors Gary Phillips, Seth Harwood, Ken Bruen, âThe Czar of Noirâ Eddie Muller, publisher Dennis McMillan, conference organizer Lou Boxer, and author Duane Swierczynski. We finish with an interview of the first presenter of Noircon, Professor David Schmid, who gave a talk entitled âNoir and Its Heretics.â Day One: Opening Night. Noircon 2008 opens at the Society Hill Playhouse in Philadelphia, PA. Clute and Edwards kick off this special podcast mini-series coverage with short interviews from the opening night reception. They talk with film critic Irv Slifkin, authors Gary Phillips, Seth Harwood, Ken Bruen, âThe Czar of Noirâ Eddie Muller, publisher Dennis McMillan, conference organizer Lou Boxer, and author Duane Swierczynski. We finish with an interview of the first presenter of Noircon, Professor David Schmid, who gave a talk entitled âNoir and Its Heretics.â Day One: Opening Night. Noircon 2008 opens at the Society Hill Playhouse in Philadelphia, PA. Clute and Edwards kick off this special podcast mini-series coverage with short interviews from the opening night reception. They talk with film critic Irv Slifkin, authors Gary Phillips, Seth Harwood, Ken Bruen, âThe Czar of Noirâ Eddie Muller, publisher Dennis McMillan, conference organizer Lou Boxer, and author Duane Swierczynski. We finish with an interview of the first presenter of Noircon, Professor David Schmid, who gave a talk entitled âNoir and Its Heretics.â tag:odeo.com,2008-04-03,22229172 Thu, 03 Apr 2008 21:39:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22202440-Noircon-Announcement-April-3-to-April-6-2008 Make travel plans now to join Clute and Edwards in Philadelphia, April third to sixth 2008, where they'll be podcasting from the NoirCon conference. The hottest noir writers, screenwriters, filmmakers, scholars, webmasters, graphic artists, and publishers will attend this unique conference, which attracts top-flight talent while retaining an intimate atmosphere. For more information on the conference, visit www.noircon.com. If you can't make it, be sure to tune in to Clute and Edwards's daily podcasts from the event, which will be posted through their noircast.net website, and through the the official NoirCon blog page at http://noircon.libsyn.com. Make travel plans now to join Clute and Edwards in Philadelphia, April third to sixth 2008, where they'll be podcasting from the NoirCon conference. The hottest noir writers, screenwriters, filmmakers, scholars, webmasters, graphic artists, and publishers will attend this unique conference, which attracts top-flight talent while retaining an intimate atmosphere. For more information on the conference, visit www.noircon.com. If you can't make it, be sure to tune in to Clute and Edwards's daily podcasts from the event, which will be posted through their noircast.net website, and through the the official NoirCon blog page at http://noircon.libsyn.com. Make travel plans now to join Clute and Edwards in Philadelphia, April third to sixth 2008, where they'll be podcasting from the NoirCon conference. The hottest noir writers, screenwriters, filmmakers, scholars, webmasters, graphic artists, and publishers will attend this unique conference, which attracts top-flight talent while retaining an intimate atmosphere. For more information on the conference, visit www.noircon.com. If you can't make it, be sure to tune in to Clute and Edwards's daily podcasts from the event, which will be posted through their noircast.net website, and through the the official NoirCon blog page at http://noircon.libsyn.com. tag:odeo.com,2008-03-30,22202440 Sun, 30 Mar 2008 18:41:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22202517-Noircon-Announcement-April-3-to-April-6-2008 Make travel plans now to join Clute and Edwards in Philadelphia, April third to sixth 2008, where they'll be podcasting from the NoirCon conference. The hottest noir writers, screenwriters, filmmakers, scholars, webmasters, graphic artists, and publishers will attend this unique conference, which attracts top-flight talent while retaining an intimate atmosphere. For more information on the conference, visit www.noircon.com. If you can't make it, be sure to tune in to Clute and Edwards's daily podcasts from the event, which will be posted through their noircast.net website, and through the the official NoirCon blog page at http://noircon.libsyn.com. Make travel plans now to join Clute and Edwards in Philadelphia, April third to sixth 2008, where they'll be podcasting from the NoirCon conference. The hottest noir writers, screenwriters, filmmakers, scholars, webmasters, graphic artists, and publishers will attend this unique conference, which attracts top-flight talent while retaining an intimate atmosphere. For more information on the conference, visit www.noircon.com. If you can't make it, be sure to tune in to Clute and Edwards's daily podcasts from the event, which will be posted through their noircast.net website, and through the the official NoirCon blog page at http://noircon.libsyn.com. Make travel plans now to join Clute and Edwards in Philadelphia, April third to sixth 2008, where they'll be podcasting from the NoirCon conference. The hottest noir writers, screenwriters, filmmakers, scholars, webmasters, graphic artists, and publishers will attend this unique conference, which attracts top-flight talent while retaining an intimate atmosphere. For more information on the conference, visit www.noircon.com. If you can't make it, be sure to tune in to Clute and Edwards's daily podcasts from the event, which will be posted through their noircast.net website, and through the the official NoirCon blog page at http://noircon.libsyn.com. tag:odeo.com,2008-03-30,22202517 Sun, 30 Mar 2008 18:41:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/25418620-Episode-45-Force-of-Evil FORCE OF EVIL shows us that small-time graft is less dangerous than big-time rackets that have the law, the trust of the public, and the appearance of respectability on their side. Ultimately, the crime is the system itself, and the very philosophical underpinnings of capitalism are liable. And while Abraham Polonsky's courage in addressing these themes is remarkable, the degree of craft he exhibits as a rookie director is nothing short of astonishing. With Ira Wolfert, he co-authors a script so rich in its ability to expose the poverty of our dreams, and so stylized and impossibly catchy in its dialogue, that it can't help but feel more real than the real. With this script, and uncommon directing talent, Polonsky coaxes career-best performance from John Garfield, Thomas Gomez, and Marie Windsor. And with Director of Photography George Barnes, Polonsky frames some of the most beautiful and narratively rich shots in film history. FORCE OF EVIL may be the noir that most perfectly capt... FORCE OF EVIL shows us that small-time graft is less dangerous than big-time rackets that have the law, the trust of the public, and the appearance of respectability on their side. Ultimately, the crime is the system itself, and the very philosophical underpinnings of capitalism are liable. And while Abraham Polonsky's courage in addressing these themes is remarkable, the degree of craft he exhibits as a rookie director is nothing short of astonishing. With Ira Wolfert, he co-authors a script so rich in its ability to expose the poverty of our dreams, and so stylized and impossibly catchy in its dialogue, that it can't help but feel more real than the real. With this script, and uncommon directing talent, Polonsky coaxes career-best performance from John Garfield, Thomas Gomez, and Marie Windsor. And with Director of Photography George Barnes, Polonsky frames some of the most beautiful and narratively rich shots in film history. FORCE OF EVIL may be the noir that most perfectly captures the ambivalent and fearful relationship Americans had to the great cities and great institutions that were the sclerotic backbone of the country after WWII. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at http://outofthepast.libsyn.com. FORCE OF EVIL shows us that small-time graft is less dangerous than big-time rackets that have the law, the trust of the public, and the appearance of respectability on their side. Ultimately, the crime is the system itself, and the very philosophical underpinnings of capitalism are liable. And while Abraham Polonsky's courage in addressing these themes is remarkable, the degree of craft he exhibits as a rookie director is nothing short of astonishing. With Ira Wolfert, he co-authors a script so rich in its ability to expose the poverty of our dreams, and so stylized and impossibly catchy in its dialogue, that it can't help but feel more real than the real. With this script, and uncommon directing talent, Polonsky coaxes career-best performance from John Garfield, Thomas Gomez, and Marie Windsor. And with Director of Photography George Barnes, Polonsky frames some of the most beautiful and narratively rich shots in film history. FORCE OF EVIL may be the noir that most perfectly captures the ambivalent and fearful relationship Americans had to the great cities and great institutions that were the sclerotic backbone of the country after WWII. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at http://outofthepast.libsyn.com. tag:odeo.com,2008-03-10,25418620 Mon, 10 Mar 2008 23:50:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/25419151-Episode-45-Force-of-Evil FORCE OF EVIL shows us that small-time graft is less dangerous than big-time rackets that have the law, the trust of the public, and the appearance of respectability on their side. Ultimately, the crime is the system itself, and the very philosophical underpinnings of capitalism are liable. And while Abraham Polonsky's courage in addressing these themes is remarkable, the degree of craft he exhibits as a rookie director is nothing short of astonishing. With Ira Wolfert, he co-authors a script so rich in its ability to expose the poverty of our dreams, and so stylized and impossibly catchy in its dialogue, that it can't help but feel more real than the real. With this script, and uncommon directing talent, Polonsky coaxes career-best performance from John Garfield, Thomas Gomez, and Marie Windsor. And with Director of Photography George Barnes, Polonsky frames some of the most beautiful and narratively rich shots in film history. FORCE OF EVIL may be the noir that most perfectly capt... FORCE OF EVIL shows us that small-time graft is less dangerous than big-time rackets that have the law, the trust of the public, and the appearance of respectability on their side. Ultimately, the crime is the system itself, and the very philosophical underpinnings of capitalism are liable. And while Abraham Polonsky's courage in addressing these themes is remarkable, the degree of craft he exhibits as a rookie director is nothing short of astonishing. With Ira Wolfert, he co-authors a script so rich in its ability to expose the poverty of our dreams, and so stylized and impossibly catchy in its dialogue, that it can't help but feel more real than the real. With this script, and uncommon directing talent, Polonsky coaxes career-best performance from John Garfield, Thomas Gomez, and Marie Windsor. And with Director of Photography George Barnes, Polonsky frames some of the most beautiful and narratively rich shots in film history. FORCE OF EVIL may be the noir that most perfectly captures the ambivalent and fearful relationship Americans had to the great cities and great institutions that were the sclerotic backbone of the country after WWII. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at http://outofthepast.libsyn.com. FORCE OF EVIL shows us that small-time graft is less dangerous than big-time rackets that have the law, the trust of the public, and the appearance of respectability on their side. Ultimately, the crime is the system itself, and the very philosophical underpinnings of capitalism are liable. And while Abraham Polonsky's courage in addressing these themes is remarkable, the degree of craft he exhibits as a rookie director is nothing short of astonishing. With Ira Wolfert, he co-authors a script so rich in its ability to expose the poverty of our dreams, and so stylized and impossibly catchy in its dialogue, that it can't help but feel more real than the real. With this script, and uncommon directing talent, Polonsky coaxes career-best performance from John Garfield, Thomas Gomez, and Marie Windsor. And with Director of Photography George Barnes, Polonsky frames some of the most beautiful and narratively rich shots in film history. FORCE OF EVIL may be the noir that most perfectly captures the ambivalent and fearful relationship Americans had to the great cities and great institutions that were the sclerotic backbone of the country after WWII. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at http://outofthepast.libsyn.com. tag:odeo.com,2008-03-10,25419151 Mon, 10 Mar 2008 23:50:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22160230-Episode-45-Force-of-Evil FORCE OF EVIL shows us that small-time graft is less dangerous than big-time rackets that have the law, the trust of the public, and the appearance of respectability on their side. Ultimately, the crime is the system itself, and the very philosophical underpinnings of capitalism are liable. And while Abraham Polonsky's courage in addressing these themes is remarkable, the degree of craft he exhibits as a rookie director is nothing short of astonishing. With Ira Wolfert, he co-authors a script so rich in its ability to expose the poverty of our dreams, and so stylized and impossibly catchy in its dialogue, that it can't help but feel more real than the real. With this script, and uncommon directing talent, Polonsky coaxes career-best performance from John Garfield, Thomas Gomez, and Marie Windsor. And with Director of Photography George Barnes, Polonsky frames some of the most beautiful and narratively rich shots in film history. FORCE OF EVIL may be the noir that most perfectly capt... FORCE OF EVIL shows us that small-time graft is less dangerous than big-time rackets that have the law, the trust of the public, and the appearance of respectability on their side. Ultimately, the crime is the system itself, and the very philosophical underpinnings of capitalism are liable. And while Abraham Polonsky's courage in addressing these themes is remarkable, the degree of craft he exhibits as a rookie director is nothing short of astonishing. With Ira Wolfert, he co-authors a script so rich in its ability to expose the poverty of our dreams, and so stylized and impossibly catchy in its dialogue, that it can't help but feel more real than the real. With this script, and uncommon directing talent, Polonsky coaxes career-best performance from John Garfield, Thomas Gomez, and Marie Windsor. And with Director of Photography George Barnes, Polonsky frames some of the most beautiful and narratively rich shots in film history. FORCE OF EVIL may be the noir that most perfectly captures the ambivalent and fearful relationship Americans had to the great cities and great institutions that were the sclerotic backbone of the country after WWII. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at http://outofthepast.libsyn.com. FORCE OF EVIL shows us that small-time graft is less dangerous than big-time rackets that have the law, the trust of the public, and the appearance of respectability on their side. Ultimately, the crime is the system itself, and the very philosophical underpinnings of capitalism are liable. And while Abraham Polonsky's courage in addressing these themes is remarkable, the degree of craft he exhibits as a rookie director is nothing short of astonishing. With Ira Wolfert, he co-authors a script so rich in its ability to expose the poverty of our dreams, and so stylized and impossibly catchy in its dialogue, that it can't help but feel more real than the real. With this script, and uncommon directing talent, Polonsky coaxes career-best performance from John Garfield, Thomas Gomez, and Marie Windsor. And with Director of Photography George Barnes, Polonsky frames some of the most beautiful and narratively rich shots in film history. FORCE OF EVIL may be the noir that most perfectly captures the ambivalent and fearful relationship Americans had to the great cities and great institutions that were the sclerotic backbone of the country after WWII. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at http://outofthepast.libsyn.com. tag:odeo.com,2008-03-10,22160230 Mon, 10 Mar 2008 22:50:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22160233-Episode-45-Force-of-Evil FORCE OF EVIL shows us that small-time graft is less dangerous than big-time rackets that have the law, the trust of the public, and the appearance of respectability on their side. Ultimately, the crime is the system itself, and the very philosophical underpinnings of capitalism are liable. And while Abraham Polonsky's courage in addressing these themes is remarkable, the degree of craft he exhibits as a rookie director is nothing short of astonishing. With Ira Wolfert, he co-authors a script so rich in its ability to expose the poverty of our dreams, and so stylized and impossibly catchy in its dialogue, that it can't help but feel more real than the real. With this script, and uncommon directing talent, Polonsky coaxes career-best performance from John Garfield, Thomas Gomez, and Marie Windsor. And with Director of Photography George Barnes, Polonsky frames some of the most beautiful and narratively rich shots in film history. FORCE OF EVIL may be the noir that most perfectly capt... FORCE OF EVIL shows us that small-time graft is less dangerous than big-time rackets that have the law, the trust of the public, and the appearance of respectability on their side. Ultimately, the crime is the system itself, and the very philosophical underpinnings of capitalism are liable. And while Abraham Polonsky's courage in addressing these themes is remarkable, the degree of craft he exhibits as a rookie director is nothing short of astonishing. With Ira Wolfert, he co-authors a script so rich in its ability to expose the poverty of our dreams, and so stylized and impossibly catchy in its dialogue, that it can't help but feel more real than the real. With this script, and uncommon directing talent, Polonsky coaxes career-best performance from John Garfield, Thomas Gomez, and Marie Windsor. And with Director of Photography George Barnes, Polonsky frames some of the most beautiful and narratively rich shots in film history. FORCE OF EVIL may be the noir that most perfectly captures the ambivalent and fearful relationship Americans had to the great cities and great institutions that were the sclerotic backbone of the country after WWII. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at http://outofthepast.libsyn.com. FORCE OF EVIL shows us that small-time graft is less dangerous than big-time rackets that have the law, the trust of the public, and the appearance of respectability on their side. Ultimately, the crime is the system itself, and the very philosophical underpinnings of capitalism are liable. And while Abraham Polonsky's courage in addressing these themes is remarkable, the degree of craft he exhibits as a rookie director is nothing short of astonishing. With Ira Wolfert, he co-authors a script so rich in its ability to expose the poverty of our dreams, and so stylized and impossibly catchy in its dialogue, that it can't help but feel more real than the real. With this script, and uncommon directing talent, Polonsky coaxes career-best performance from John Garfield, Thomas Gomez, and Marie Windsor. And with Director of Photography George Barnes, Polonsky frames some of the most beautiful and narratively rich shots in film history. FORCE OF EVIL may be the noir that most perfectly captures the ambivalent and fearful relationship Americans had to the great cities and great institutions that were the sclerotic backbone of the country after WWII. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at http://outofthepast.libsyn.com. tag:odeo.com,2008-03-10,22160233 Mon, 10 Mar 2008 22:50:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22125059-Episode-44-Brick Rian Johnson's superlative 2005 debut film BRICK is neither a nostalgic tribute nor a modern reaction to noir style. But due to the conditions surrounding its production, it has more in common with classic noir than most films that play overtly with noir tradition: stiletto-tongued hard-boiled dialogue, razor-sharp editing, on-location shooting, the creative use of ambient sound, and narratively-rich canted angle shots and high-contrast lighting allow BRICK to overcome the pitfalls of a small budget and limited crewâjust as these same techniques allowed classic films such as DETOUR or THE HITCH-HIKER to do. In fact, financial constraints lend BRICK an artistic coherency it might otherwise lack, for Johnson was forced to write, direct, and edit the entire picture, and to use family to finance and score it. The resulting work is as disarmingly familiar as classic noir and as surprisingly fresh and inventive as its creator, who clearly understands how to borrow from the past where appr... Rian Johnson's superlative 2005 debut film BRICK is neither a nostalgic tribute nor a modern reaction to noir style. But due to the conditions surrounding its production, it has more in common with classic noir than most films that play overtly with noir tradition: stiletto-tongued hard-boiled dialogue, razor-sharp editing, on-location shooting, the creative use of ambient sound, and narratively-rich canted angle shots and high-contrast lighting allow BRICK to overcome the pitfalls of a small budget and limited crewâjust as these same techniques allowed classic films such as DETOUR or THE HITCH-HIKER to do. In fact, financial constraints lend BRICK an artistic coherency it might otherwise lack, for Johnson was forced to write, direct, and edit the entire picture, and to use family to finance and score it. The resulting work is as disarmingly familiar as classic noir and as surprisingly fresh and inventive as its creator, who clearly understands how to borrow from the past where appropriate and innovate whenever possible. Like the work of all great artists, BRICK demonstrates that aesthetic leaps forward find their surest footing in the past.This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. Rian Johnson's superlative 2005 debut film BRICK is neither a nostalgic tribute nor a modern reaction to noir style. But due to the conditions surrounding its production, it has more in common with classic noir than most films that play overtly with noir tradition: stiletto-tongued hard-boiled dialogue, razor-sharp editing, on-location shooting, the creative use of ambient sound, and narratively-rich canted angle shots and high-contrast lighting allow BRICK to overcome the pitfalls of a small budget and limited crewâjust as these same techniques allowed classic films such as DETOUR or THE HITCH-HIKER to do. In fact, financial constraints lend BRICK an artistic coherency it might otherwise lack, for Johnson was forced to write, direct, and edit the entire picture, and to use family to finance and score it. The resulting work is as disarmingly familiar as classic noir and as surprisingly fresh and inventive as its creator, who clearly understands how to borrow from the past where appropriate and innovate whenever possible. Like the work of all great artists, BRICK demonstrates that aesthetic leaps forward find their surest footing in the past.This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. tag:odeo.com,2008-02-05,22125059 Tue, 05 Feb 2008 13:02:00 -0800 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22125165-Episode-44-Brick Rian Johnson's superlative 2005 debut film BRICK is neither a nostalgic tribute nor a modern reaction to noir style. But due to the conditions surrounding its production, it has more in common with classic noir than most films that play overtly with noir tradition: stiletto-tongued hard-boiled dialogue, razor-sharp editing, on-location shooting, the creative use of ambient sound, and narratively-rich canted angle shots and high-contrast lighting allow BRICK to overcome the pitfalls of a small budget and limited crewâjust as these same techniques allowed classic films such as DETOUR or THE HITCH-HIKER to do. In fact, financial constraints lend BRICK an artistic coherency it might otherwise lack, for Johnson was forced to write, direct, and edit the entire picture, and to use family to finance and score it. The resulting work is as disarmingly familiar as classic noir and as surprisingly fresh and inventive as its creator, who clearly understands how to borrow from the past where appr... Rian Johnson's superlative 2005 debut film BRICK is neither a nostalgic tribute nor a modern reaction to noir style. But due to the conditions surrounding its production, it has more in common with classic noir than most films that play overtly with noir tradition: stiletto-tongued hard-boiled dialogue, razor-sharp editing, on-location shooting, the creative use of ambient sound, and narratively-rich canted angle shots and high-contrast lighting allow BRICK to overcome the pitfalls of a small budget and limited crewâjust as these same techniques allowed classic films such as DETOUR or THE HITCH-HIKER to do. In fact, financial constraints lend BRICK an artistic coherency it might otherwise lack, for Johnson was forced to write, direct, and edit the entire picture, and to use family to finance and score it. The resulting work is as disarmingly familiar as classic noir and as surprisingly fresh and inventive as its creator, who clearly understands how to borrow from the past where appropriate and innovate whenever possible. Like the work of all great artists, BRICK demonstrates that aesthetic leaps forward find their surest footing in the past.This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. Rian Johnson's superlative 2005 debut film BRICK is neither a nostalgic tribute nor a modern reaction to noir style. But due to the conditions surrounding its production, it has more in common with classic noir than most films that play overtly with noir tradition: stiletto-tongued hard-boiled dialogue, razor-sharp editing, on-location shooting, the creative use of ambient sound, and narratively-rich canted angle shots and high-contrast lighting allow BRICK to overcome the pitfalls of a small budget and limited crewâjust as these same techniques allowed classic films such as DETOUR or THE HITCH-HIKER to do. In fact, financial constraints lend BRICK an artistic coherency it might otherwise lack, for Johnson was forced to write, direct, and edit the entire picture, and to use family to finance and score it. The resulting work is as disarmingly familiar as classic noir and as surprisingly fresh and inventive as its creator, who clearly understands how to borrow from the past where appropriate and innovate whenever possible. Like the work of all great artists, BRICK demonstrates that aesthetic leaps forward find their surest footing in the past.This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. tag:odeo.com,2008-02-05,22125165 Tue, 05 Feb 2008 13:02:00 -0800 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22080854-Eddie-Muller-Interview-Noir-City-6-and-More The Czar of Noir joins Clute and Edwards to discuss the upcoming Noir City film festival, and the various fiction and film projects he has in the works. The Czar of Noir joins Clute and Edwards to discuss the upcoming Noir City film festival, and the various fiction and film projects he has in the works. The Czar of Noir joins Clute and Edwards to discuss the upcoming Noir City film festival, and the various fiction and film projects he has in the works. tag:odeo.com,2008-01-18,22080854 Fri, 18 Jan 2008 14:00:00 -0800 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22080700-Eddie-Muller-Interview-Noir-City-6-and-More The Czar of Noir joins Clute and Edwards to discuss the upcoming Noir City film festival, and the various fiction and film projects he has in the works. The Czar of Noir joins Clute and Edwards to discuss the upcoming Noir City film festival, and the various fiction and film projects he has in the works. The Czar of Noir joins Clute and Edwards to discuss the upcoming Noir City film festival, and the various fiction and film projects he has in the works. tag:odeo.com,2008-01-18,22080700 Fri, 18 Jan 2008 14:00:00 -0800 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22006571-Episode-43-They-Live-By-Night THEY LIVE BY NIGHT is film noir at its best. Edward Anderson's little-known hard-boiled rural bandit novel is made into a screenplay as lean as the post-war dreams of its players. The shifty camera frames every sucker that comes its way, making them false promises then plunging each into a darkness more than night. Rookie director Nicholas Ray mercilessly rolls rising stars Farley Granger and Cathy O'Donnell in the existential muck, but manages nonetheless to show us the ethereal gold that lines their hearts and dreams. Beyond the sublime writing, acting, and directing, what truly sets the film apart is its ruthless humanity, its unwavering determination to show the full spectrum of good and bad in everyoneâthe shades of gray that haunt the war-battered world of black and white. It is as poignant now as it was upon its release sixty years ago.  This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the... THEY LIVE BY NIGHT is film noir at its best. Edward Anderson's little-known hard-boiled rural bandit novel is made into a screenplay as lean as the post-war dreams of its players. The shifty camera frames every sucker that comes its way, making them false promises then plunging each into a darkness more than night. Rookie director Nicholas Ray mercilessly rolls rising stars Farley Granger and Cathy O'Donnell in the existential muck, but manages nonetheless to show us the ethereal gold that lines their hearts and dreams. Beyond the sublime writing, acting, and directing, what truly sets the film apart is its ruthless humanity, its unwavering determination to show the full spectrum of good and bad in everyoneâthe shades of gray that haunt the war-battered world of black and white. It is as poignant now as it was upon its release sixty years ago.  This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. THEY LIVE BY NIGHT is film noir at its best. Edward Anderson's little-known hard-boiled rural bandit novel is made into a screenplay as lean as the post-war dreams of its players. The shifty camera frames every sucker that comes its way, making them false promises then plunging each into a darkness more than night. Rookie director Nicholas Ray mercilessly rolls rising stars Farley Granger and Cathy O'Donnell in the existential muck, but manages nonetheless to show us the ethereal gold that lines their hearts and dreams. Beyond the sublime writing, acting, and directing, what truly sets the film apart is its ruthless humanity, its unwavering determination to show the full spectrum of good and bad in everyoneâthe shades of gray that haunt the war-battered world of black and white. It is as poignant now as it was upon its release sixty years ago.  This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. tag:odeo.com,2008-01-03,22006571 Thu, 03 Jan 2008 20:23:00 -0800 no Out of the Past: Investigating Film Noir Movies http://www.odeo.com/episodes/22048301-Episode-43-They-Live-By-Night THEY LIVE BY NIGHT is film noir at its best. Edward Anderson's little-known hard-boiled rural bandit novel is made into a screenplay as lean as the post-war dreams of its players. The shifty camera frames every sucker that comes its way, making them false promises then plunging each into a darkness more than night. Rookie director Nicholas Ray mercilessly rolls rising stars Farley Granger and Cathy O'Donnell in the existential muck, but manages nonetheless to show us the ethereal gold that lines their hearts and dreams. Beyond the sublime writing, acting, and directing, what truly sets the film apart is its ruthless humanity, its unwavering determination to show the full spectrum of good and bad in everyoneâthe shades of gray that haunt the war-battered world of black and white. It is as poignant now as it was upon its release sixty years ago.  This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the... THEY LIVE BY NIGHT is film noir at its best. Edward Anderson's little-known hard-boiled rural bandit novel is made into a screenplay as lean as the post-war dreams of its players. The shifty camera frames every sucker that comes its way, making them false promises then plunging each into a darkness more than night. Rookie director Nicholas Ray mercilessly rolls rising stars Farley Granger and Cathy O'Donnell in the existential muck, but manages nonetheless to show us the ethereal gold that lines their hearts and dreams. Beyond the sublime writing, acting, and directing, what truly sets the film apart is its ruthless humanity, its unwavering determination to show the full spectrum of good and bad in everyoneâthe shades of gray that haunt the war-battered world of black and white. It is as poignant now as it was upon its release sixty years ago.  This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. THEY LIVE BY NIGHT is film noir at its best. Edward Anderson's little-known hard-boiled rural bandit novel is made into a screenplay as lean as the post-war dreams of its players. The shifty camera frames every sucker that comes its way, making them false promises then plunging each into a darkness more than night. Rookie director Nicholas Ray mercilessly rolls rising stars Farley Granger and Cathy O'Donnell in the existential muck, but manages nonetheless to show us the ethereal gold that lines their hearts and dreams. Beyond the sublime writing, acting, and directing, what truly sets the film apart is its ruthless humanity, its unwavering determination to show the full spectrum of good and bad in everyoneâthe shades of gray that haunt the war-battered world of black and white. It is as poignant now as it was upon its release sixty years ago.  This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. tag:odeo.com,2008-01-03,22048301 Thu, 03 Jan 2008 20:23:00 -0800 no Out of the Past: Investigating Film Noir Movies http://www.odeo.com/episodes/22048305-Episode-42-The-Ice-Harvest This special episode of OUT OF THE PAST is full of holiday surprises. Clute and Edwards investigate the 2005 neo-noir Christmas comedy THE ICE HARVEST, then speak with Scott Phillips, author of the 2000 hardboiled novel on which the film is based. While the book contains its share of dark humor, it is largely a tale of the moral tipping point in the life of Witchita Mob lawyer Charlie Arglist (played by John Cusack), who discovers his capacity for ruthlessness when backed into a corner. The movie plays down the moral crisis and plays up the comedy, but director Harold Ramis manages to recreate some of the brooding atmosphere of the original story by staging a series of noir tribute shots. Phillips, and Clute and Edwards, all weigh in how successfully the film adapts the book in this double-feature holiday special. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the P... This special episode of OUT OF THE PAST is full of holiday surprises. Clute and Edwards investigate the 2005 neo-noir Christmas comedy THE ICE HARVEST, then speak with Scott Phillips, author of the 2000 hardboiled novel on which the film is based. While the book contains its share of dark humor, it is largely a tale of the moral tipping point in the life of Witchita Mob lawyer Charlie Arglist (played by John Cusack), who discovers his capacity for ruthlessness when backed into a corner. The movie plays down the moral crisis and plays up the comedy, but director Harold Ramis manages to recreate some of the brooding atmosphere of the original story by staging a series of noir tribute shots. Phillips, and Clute and Edwards, all weigh in how successfully the film adapts the book in this double-feature holiday special. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. This special episode of OUT OF THE PAST is full of holiday surprises. Clute and Edwards investigate the 2005 neo-noir Christmas comedy THE ICE HARVEST, then speak with Scott Phillips, author of the 2000 hardboiled novel on which the film is based. While the book contains its share of dark humor, it is largely a tale of the moral tipping point in the life of Witchita Mob lawyer Charlie Arglist (played by John Cusack), who discovers his capacity for ruthlessness when backed into a corner. The movie plays down the moral crisis and plays up the comedy, but director Harold Ramis manages to recreate some of the brooding atmosphere of the original story by staging a series of noir tribute shots. Phillips, and Clute and Edwards, all weigh in how successfully the film adapts the book in this double-feature holiday special. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. tag:odeo.com,2007-12-05,22048305 Wed, 05 Dec 2007 09:46:00 -0800 no Out of the Past: Investigating Film Noir Movies http://www.odeo.com/episodes/22006601-Episode-42-The-Ice-Harvest This special episode of OUT OF THE PAST is full of holiday surprises. Clute and Edwards investigate the 2005 neo-noir Christmas comedy THE ICE HARVEST, then speak with Scott Phillips, author of the 2000 hardboiled novel on which the film is based. While the book contains its share of dark humor, it is largely a tale of the moral tipping point in the life of Witchita Mob lawyer Charlie Arglist (played by John Cusack), who discovers his capacity for ruthlessness when backed into a corner. The movie plays down the moral crisis and plays up the comedy, but director Harold Ramis manages to recreate some of the brooding atmosphere of the original story by staging a series of noir tribute shots. Phillips, and Clute and Edwards, all weigh in how successfully the film adapts the book in this double-feature holiday special. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the P... This special episode of OUT OF THE PAST is full of holiday surprises. Clute and Edwards investigate the 2005 neo-noir Christmas comedy THE ICE HARVEST, then speak with Scott Phillips, author of the 2000 hardboiled novel on which the film is based. While the book contains its share of dark humor, it is largely a tale of the moral tipping point in the life of Witchita Mob lawyer Charlie Arglist (played by John Cusack), who discovers his capacity for ruthlessness when backed into a corner. The movie plays down the moral crisis and plays up the comedy, but director Harold Ramis manages to recreate some of the brooding atmosphere of the original story by staging a series of noir tribute shots. Phillips, and Clute and Edwards, all weigh in how successfully the film adapts the book in this double-feature holiday special. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. This special episode of OUT OF THE PAST is full of holiday surprises. Clute and Edwards investigate the 2005 neo-noir Christmas comedy THE ICE HARVEST, then speak with Scott Phillips, author of the 2000 hardboiled novel on which the film is based. While the book contains its share of dark humor, it is largely a tale of the moral tipping point in the life of Witchita Mob lawyer Charlie Arglist (played by John Cusack), who discovers his capacity for ruthlessness when backed into a corner. The movie plays down the moral crisis and plays up the comedy, but director Harold Ramis manages to recreate some of the brooding atmosphere of the original story by staging a series of noir tribute shots. Phillips, and Clute and Edwards, all weigh in how successfully the film adapts the book in this double-feature holiday special. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. tag:odeo.com,2007-12-05,22006601 Wed, 05 Dec 2007 09:46:00 -0800 no Out of the Past: Investigating Film Noir Movies http://www.odeo.com/episodes/22048309-Episode-41-The-Glass-Key-and-Miller-s-Crossing Stuart Heisler's 1942 film THE GLASS KEY retained the personages and major plot twists of Dashiell Hammett's 1930 novel by the same name, but wiped the grim off the original tale. By cleaning up the characters and their motives, the film missed an opportunity to picture its stellar cast (Dunlevy, Ladd, and Lake) in a noir light. Instead, for much of its running time it looks and feels like the glamour whodunnit pictures, or populist clean-government reform films, of the 1930's. Hammett's novel finally received proper treatment in the Coens' 1990 masterpiece MILLER'S CROSSING. Though filmed in color, this movie borrows heavily from classical noir, and gives us characters as complex and morally flawed as any envisioned by Hammett. This podcastâthe third double-feature of "Out of the Past" to examine how the Coens' films have been inspired by the fiction of Cain, Chandler, and Hammett, as well as previous film adaptations of these masters of hardboiledâis brought to you by Clute and Ed... Stuart Heisler's 1942 film THE GLASS KEY retained the personages and major plot twists of Dashiell Hammett's 1930 novel by the same name, but wiped the grim off the original tale. By cleaning up the characters and their motives, the film missed an opportunity to picture its stellar cast (Dunlevy, Ladd, and Lake) in a noir light. Instead, for much of its running time it looks and feels like the glamour whodunnit pictures, or populist clean-government reform films, of the 1930's. Hammett's novel finally received proper treatment in the Coens' 1990 masterpiece MILLER'S CROSSING. Though filmed in color, this movie borrows heavily from classical noir, and gives us characters as complex and morally flawed as any envisioned by Hammett. This podcastâthe third double-feature of "Out of the Past" to examine how the Coens' films have been inspired by the fiction of Cain, Chandler, and Hammett, as well as previous film adaptations of these masters of hardboiledâis brought to you by Clute and Edwards of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. Stuart Heisler's 1942 film THE GLASS KEY retained the personages and major plot twists of Dashiell Hammett's 1930 novel by the same name, but wiped the grim off the original tale. By cleaning up the characters and their motives, the film missed an opportunity to picture its stellar cast (Dunlevy, Ladd, and Lake) in a noir light. Instead, for much of its running time it looks and feels like the glamour whodunnit pictures, or populist clean-government reform films, of the 1930's. Hammett's novel finally received proper treatment in the Coens' 1990 masterpiece MILLER'S CROSSING. Though filmed in color, this movie borrows heavily from classical noir, and gives us characters as complex and morally flawed as any envisioned by Hammett. This podcastâthe third double-feature of "Out of the Past" to examine how the Coens' films have been inspired by the fiction of Cain, Chandler, and Hammett, as well as previous film adaptations of these masters of hardboiledâis brought to you by Clute and Edwards of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. tag:odeo.com,2007-11-10,22048309 Sat, 10 Nov 2007 07:21:00 -0800 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22006657-Episode-41-The-Glass-Key-and-Miller-s-Crossing Stuart Heisler's 1942 film THE GLASS KEY retained the personages and major plot twists of Dashiell Hammett's 1930 novel by the same name, but wiped the grim off the original tale. By cleaning up the characters and their motives, the film missed an opportunity to picture its stellar cast (Dunlevy, Ladd, and Lake) in a noir light. Instead, for much of its running time it looks and feels like the glamour whodunnit pictures, or populist clean-government reform films, of the 1930's. Hammett's novel finally received proper treatment in the Coens' 1990 masterpiece MILLER'S CROSSING. Though filmed in color, this movie borrows heavily from classical noir, and gives us characters as complex and morally flawed as any envisioned by Hammett. This podcastâthe third double-feature of "Out of the Past" to examine how the Coens' films have been inspired by the fiction of Cain, Chandler, and Hammett, as well as previous film adaptations of these masters of hardboiledâis brought to you by Clute and Ed... Stuart Heisler's 1942 film THE GLASS KEY retained the personages and major plot twists of Dashiell Hammett's 1930 novel by the same name, but wiped the grim off the original tale. By cleaning up the characters and their motives, the film missed an opportunity to picture its stellar cast (Dunlevy, Ladd, and Lake) in a noir light. Instead, for much of its running time it looks and feels like the glamour whodunnit pictures, or populist clean-government reform films, of the 1930's. Hammett's novel finally received proper treatment in the Coens' 1990 masterpiece MILLER'S CROSSING. Though filmed in color, this movie borrows heavily from classical noir, and gives us characters as complex and morally flawed as any envisioned by Hammett. This podcastâthe third double-feature of "Out of the Past" to examine how the Coens' films have been inspired by the fiction of Cain, Chandler, and Hammett, as well as previous film adaptations of these masters of hardboiledâis brought to you by Clute and Edwards of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. Stuart Heisler's 1942 film THE GLASS KEY retained the personages and major plot twists of Dashiell Hammett's 1930 novel by the same name, but wiped the grim off the original tale. By cleaning up the characters and their motives, the film missed an opportunity to picture its stellar cast (Dunlevy, Ladd, and Lake) in a noir light. Instead, for much of its running time it looks and feels like the glamour whodunnit pictures, or populist clean-government reform films, of the 1930's. Hammett's novel finally received proper treatment in the Coens' 1990 masterpiece MILLER'S CROSSING. Though filmed in color, this movie borrows heavily from classical noir, and gives us characters as complex and morally flawed as any envisioned by Hammett. This podcastâthe third double-feature of "Out of the Past" to examine how the Coens' films have been inspired by the fiction of Cain, Chandler, and Hammett, as well as previous film adaptations of these masters of hardboiledâis brought to you by Clute and Edwards of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. tag:odeo.com,2007-11-10,22006657 Sat, 10 Nov 2007 07:21:00 -0800 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22048315-Episode-40-Gilda Rita Hayworth is GILDA. From the flip of her fiery hair to the reprise of her incendiary song, she sizzles the celluloid and burns herself indelibly into our collective consciousness. In fact, her presence so scorches that we are apt to miss the technical artistry of this film. Rudolph MatÃ's superlative cinematography uses banal objects pedagogically, to teach us to read the images: the blinds in Mundson's office make us aware of the fact we're looking, then show us how and where to look; the elaborate staging and framing of staircases make us wonder whether each character's fate is ascending or descending. While the Triad of superb players (Hayworth, Ford, and Macready) fleshes out the elaborate story, it is MatÃ's camera that builds the suspense. In then end, the cinematography combines with lines of dialogue pronounced by philosopher Uncle Pio to give us the world through noir-colored glassesâa "worm's eye view" that lends Hollywood's biggest stars a distinct earthiness. This po... Rita Hayworth is GILDA. From the flip of her fiery hair to the reprise of her incendiary song, she sizzles the celluloid and burns herself indelibly into our collective consciousness. In fact, her presence so scorches that we are apt to miss the technical artistry of this film. Rudolph MatÃ's superlative cinematography uses banal objects pedagogically, to teach us to read the images: the blinds in Mundson's office make us aware of the fact we're looking, then show us how and where to look; the elaborate staging and framing of staircases make us wonder whether each character's fate is ascending or descending. While the Triad of superb players (Hayworth, Ford, and Macready) fleshes out the elaborate story, it is MatÃ's camera that builds the suspense. In then end, the cinematography combines with lines of dialogue pronounced by philosopher Uncle Pio to give us the world through noir-colored glassesâa "worm's eye view" that lends Hollywood's biggest stars a distinct earthiness. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. Rita Hayworth is GILDA. From the flip of her fiery hair to the reprise of her incendiary song, she sizzles the celluloid and burns herself indelibly into our collective consciousness. In fact, her presence so scorches that we are apt to miss the technical artistry of this film. Rudolph MatÃ's superlative cinematography uses banal objects pedagogically, to teach us to read the images: the blinds in Mundson's office make us aware of the fact we're looking, then show us how and where to look; the elaborate staging and framing of staircases make us wonder whether each character's fate is ascending or descending. While the Triad of superb players (Hayworth, Ford, and Macready) fleshes out the elaborate story, it is MatÃ's camera that builds the suspense. In then end, the cinematography combines with lines of dialogue pronounced by philosopher Uncle Pio to give us the world through noir-colored glassesâa "worm's eye view" that lends Hollywood's biggest stars a distinct earthiness. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. tag:odeo.com,2007-10-08,22048315 Mon, 08 Oct 2007 12:55:00 -0700 no Out of the Past: Investigating Film Noir Movies http://www.odeo.com/episodes/22006664-Episode-40-Gilda Rita Hayworth is GILDA. From the flip of her fiery hair to the reprise of her incendiary song, she sizzles the celluloid and burns herself indelibly into our collective consciousness. In fact, her presence so scorches that we are apt to miss the technical artistry of this film. Rudolph MatÃ's superlative cinematography uses banal objects pedagogically, to teach us to read the images: the blinds in Mundson's office make us aware of the fact we're looking, then show us how and where to look; the elaborate staging and framing of staircases make us wonder whether each character's fate is ascending or descending. While the Triad of superb players (Hayworth, Ford, and Macready) fleshes out the elaborate story, it is MatÃ's camera that builds the suspense. In then end, the cinematography combines with lines of dialogue pronounced by philosopher Uncle Pio to give us the world through noir-colored glassesâa "worm's eye view" that lends Hollywood's biggest stars a distinct earthiness. This po... Rita Hayworth is GILDA. From the flip of her fiery hair to the reprise of her incendiary song, she sizzles the celluloid and burns herself indelibly into our collective consciousness. In fact, her presence so scorches that we are apt to miss the technical artistry of this film. Rudolph MatÃ's superlative cinematography uses banal objects pedagogically, to teach us to read the images: the blinds in Mundson's office make us aware of the fact we're looking, then show us how and where to look; the elaborate staging and framing of staircases make us wonder whether each character's fate is ascending or descending. While the Triad of superb players (Hayworth, Ford, and Macready) fleshes out the elaborate story, it is MatÃ's camera that builds the suspense. In then end, the cinematography combines with lines of dialogue pronounced by philosopher Uncle Pio to give us the world through noir-colored glassesâa "worm's eye view" that lends Hollywood's biggest stars a distinct earthiness. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. Rita Hayworth is GILDA. From the flip of her fiery hair to the reprise of her incendiary song, she sizzles the celluloid and burns herself indelibly into our collective consciousness. In fact, her presence so scorches that we are apt to miss the technical artistry of this film. Rudolph MatÃ's superlative cinematography uses banal objects pedagogically, to teach us to read the images: the blinds in Mundson's office make us aware of the fact we're looking, then show us how and where to look; the elaborate staging and framing of staircases make us wonder whether each character's fate is ascending or descending. While the Triad of superb players (Hayworth, Ford, and Macready) fleshes out the elaborate story, it is MatÃ's camera that builds the suspense. In then end, the cinematography combines with lines of dialogue pronounced by philosopher Uncle Pio to give us the world through noir-colored glassesâa "worm's eye view" that lends Hollywood's biggest stars a distinct earthiness. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. tag:odeo.com,2007-10-08,22006664 Mon, 08 Oct 2007 12:55:00 -0700 no Out of the Past: Investigating Film Noir Movies http://www.odeo.com/episodes/16588443-Episode-39-Kiss-Kiss-Bang-Bang tag:odeo.com,2007-09-01,16588443 Sat, 01 Sep 2007 04:01:00 -0700 no Out of the Past: Investigating Film Noir http://www.odeo.com/episodes/22048325-Episode-39-Kiss-Kiss-Bang-Bang Shane Black's 2005 KISS KISS BANG BANG is a film of delirious contradictions. It is part comedy, part tragedy, a bawdy pulp parody and a heartfelt hardboiled homage. The mix would be too eclectic if the film didn't constantly signal its awareness that it is doing something that should be impossible. Black's self-conscious screenplay uses the generic traits of hardboiled to examine the status of hardboiled stories and characters today, poking fun at itself all the while. In this vein, it could be likened to BRICK and THE ICE HARVEST, which similarly find comi-tragic inspiration in a literary tradition while largely abandoning the classic noir visual style. While noir fans may be tempted to track down the movie's numerous references to other novels and films, the greater payoff comes from simply appreciating Black's superb writing and the sublime comic acting of Robert Downey Jr. and Val Kilmer. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comme... Shane Black's 2005 KISS KISS BANG BANG is a film of delirious contradictions. It is part comedy, part tragedy, a bawdy pulp parody and a heartfelt hardboiled homage. The mix would be too eclectic if the film didn't constantly signal its awareness that it is doing something that should be impossible. Black's self-conscious screenplay uses the generic traits of hardboiled to examine the status of hardboiled stories and characters today, poking fun at itself all the while. In this vein, it could be likened to BRICK and THE ICE HARVEST, which similarly find comi-tragic inspiration in a literary tradition while largely abandoning the classic noir visual style. While noir fans may be tempted to track down the movie's numerous references to other novels and films, the greater payoff comes from simply appreciating Black's superb writing and the sublime comic acting of Robert Downey Jr. and Val Kilmer. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. Shane Black's 2005 KISS KISS BANG BANG is a film of delirious contradictions. It is part comedy, part tragedy, a bawdy pulp parody and a heartfelt hardboiled homage. The mix would be too eclectic if the film didn't constantly signal its awareness that it is doing something that should be impossible. Black's self-conscious screenplay uses the generic traits of hardboiled to examine the status of hardboiled stories and characters today, poking fun at itself all the while. In this vein, it could be likened to BRICK and THE ICE HARVEST, which similarly find comi-tragic inspiration in a literary tradition while largely abandoning the classic noir visual style. While noir fans may be tempted to track down the movie's numerous references to other novels and films, the greater payoff comes from simply appreciating Black's superb writing and the sublime comic acting of Robert Downey Jr. and Val Kilmer. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. tag:odeo.com,2007-08-31,22048325 Fri, 31 Aug 2007 21:01:00 -0700 no Out of the Past: Investigating Film Noir podcasts http://www.odeo.com/episodes/22006740-Episode-39-Kiss-Kiss-Bang-Bang Shane Black's 2005 KISS KISS BANG BANG is a film of delirious contradictions. It is part comedy, part tragedy, a bawdy pulp parody and a heartfelt hardboiled homage. The mix would be too eclectic if the film didn't constantly signal its awareness that it is doing something that should be impossible. Black's self-conscious screenplay uses the generic traits of hardboiled to examine the status of hardboiled stories and characters today, poking fun at itself all the while. In this vein, it could be likened to BRICK and THE ICE HARVEST, which similarly find comi-tragic inspiration in a literary tradition while largely abandoning the classic noir visual style. While noir fans may be tempted to track down the movie's numerous references to other novels and films, the greater payoff comes from simply appreciating Black's superb writing and the sublime comic acting of Robert Downey Jr. and Val Kilmer. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comme... Shane Black's 2005 KISS KISS BANG BANG is a film of delirious contradictions. It is part comedy, part tragedy, a bawdy pulp parody and a heartfelt hardboiled homage. The mix would be too eclectic if the film didn't constantly signal its awareness that it is doing something that should be impossible. Black's self-conscious screenplay uses the generic traits of hardboiled to examine the status of hardboiled stories and characters today, poking fun at itself all the while. In this vein, it could be likened to BRICK and THE ICE HARVEST, which similarly find comi-tragic inspiration in a literary tradition while largely abandoning the classic noir visual style. While noir fans may be tempted to track down the movie's numerous references to other novels and films, the greater payoff comes from simply appreciating Black's superb writing and the sublime comic acting of Robert Downey Jr. and Val Kilmer. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. Shane Black's 2005 KISS KISS BANG BANG is a film of delirious contradictions. It is part comedy, part tragedy, a bawdy pulp parody and a heartfelt hardboiled homage. The mix would be too eclectic if the film didn't constantly signal its awareness that it is doing something that should be impossible. Black's self-conscious screenplay uses the generic traits of hardboiled to examine the status of hardboiled stories and characters today, poking fun at itself all the while. In this vein, it could be likened to BRICK and THE ICE HARVEST, which similarly find comi-tragic inspiration in a literary tradition while largely abandoning the classic noir visual style. While noir fans may be tempted to track down the movie's numerous references to other novels and films, the greater payoff comes from simply appreciating Black's superb writing and the sublime comic acting of Robert Downey Jr. and Val Kilmer. This podcast is brought to you by Clute and Edwards, of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com. tag:odeo.com,2007-08-31,22006740 Fri, 31 Aug 2007 21:01:00 -0700 no Out of the Past: Investigating Film Noir podcasts