http://www.odeo.com/channels/4648-Music-of-the-Third-Millennium-Podcast no New and Experimental Music New and Experimental Music New and Experimental Music en 40 Tue, 06 Nov 2007 15:12:28 -0800 Tue, 06 Nov 2007 15:12:28 -0800 Society http://www.odeo.com/episodes/23266047-Untitled-for-three-bass-clarinets-by-Hiram-Navarrete From the composoer: “My [untitled] compositions started as a series of solos for differentVariationen von gratis poker spiele. instruments that focused on the use of a single idea or sound. I was interested in this because I wanted to have a set of compositions that I could easily juxtapose in different performing situations. All of these pieces are characterized by a sense of emptiness that allows them to work in this context. The second and foremost idea surrounding the composition of these pieces is the intention of writing pieces that could be endlessly looped, as if they were part of a sound installation. They are structured in way that is flexible enough to allow them to function in both the context of a sound installation or a performance. Hiram Navarrete’s home page. From the composoer: “My [untitled] compositions started as a series of solos for differentVariationen von gratis poker spiele. instruments that focused on the use of a single idea or sound. I was interested in this because I wanted to have a set of compositions that I could easily juxtapose in different performing situations. All of these pieces are characterized by a sense of emptiness that allows them to work in this context. The second and foremost idea surrounding the composition of these pieces is the intention of writing pieces that could be endlessly looped, as if they were part of a sound installation. They are structured in way that is flexible enough to allow them to function in both the context of a sound installation or a performance. Hiram Navarrete’s home page. From the composoer: “My [untitled] compositions started as a series of solos for differentVariationen von gratis poker spiele. instruments that focused on the use of a single idea or sound. I was interested in this because I wanted to have a set of compositions that I could easily juxtapose in different performing situations. All of these pieces are characterized by a sense of emptiness that allows them to work in this context. The second and foremost idea surrounding the composition of these pieces is the intention of writing pieces that could be endlessly looped, as if they were part of a sound installation. They are structured in way that is flexible enough to allow them to function in both the context of a sound installation or a performance. Hiram Navarrete’s home page. tag:odeo.com,2007-11-06,23266047 Tue, 06 Nov 2007 15:12:28 -0800 no Music of the Third Millennium Podcast podcasts http://www.odeo.com/episodes/23266049-Kalle-by-Carl-Testa This is a short Electronic/Ambient improvisation that was recorded live using SuperCollider by Kalle (Carl Testa). The piece uses sine tones, NES Noise tones, and granular manipulation of printers, scanners, and heaters. Thanks to Fredrik Olofsson for the NES/Atari UGens. This is a short Electronic/Ambient improvisation that was recorded live using SuperCollider by Kalle (Carl Testa). The piece uses sine tones, NES Noise tones, and granular manipulation of printers, scanners, and heaters. Thanks to Fredrik Olofsson for the NES/Atari UGens. This is a short Electronic/Ambient improvisation that was recorded live using SuperCollider by Kalle (Carl Testa). The piece uses sine tones, NES Noise tones, and granular manipulation of printers, scanners, and heaters. Thanks to Fredrik Olofsson for the NES/Atari UGens. tag:odeo.com,2007-10-12,23266049 Fri, 12 Oct 2007 06:36:19 -0700 no Music of the Third Millennium Podcast podcasts, Ambient, electronic http://www.odeo.com/episodes/15058973-Generative-Music-3 tag:odeo.com,2007-07-25,15058973 Wed, 25 Jul 2007 03:41:08 -0700 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/23266050-Generative-Music-3 A drift… fourteen minutes of pure automated strangeness. Our latest investigation as to who creates these pieces is leading us to Paris, France Ca. early 21st century… More to come as we uncover the ultimate truth. This is a long 14 minutes spacy drift. With thorns. A drift… fourteen minutes of pure automated strangeness. Our latest investigation as to who creates these pieces is leading us to Paris, France Ca. early 21st century… More to come as we uncover the ultimate truth. This is a long 14 minutes spacy drift. With thorns. A drift… fourteen minutes of pure automated strangeness. Our latest investigation as to who creates these pieces is leading us to Paris, France Ca. early 21st century… More to come as we uncover the ultimate truth. This is a long 14 minutes spacy drift. With thorns. tag:odeo.com,2007-07-24,23266050 Tue, 24 Jul 2007 20:41:08 -0700 no Music of the Third Millennium Podcast podcasts, Experimental, electronic http://www.odeo.com/episodes/11521123-12-Columbo-2007-by-Celeste-Hutchins tag:odeo.com,2007-03-29,11521123 Thu, 29 Mar 2007 17:54:33 -0700 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/23266052-12-Columbo-2007-by-Celeste-Hutchins #12 Columbo (2007) by Celeste Hutchins Created by Celeste Hutchins. Titled and commissioned by Jascha Narveson. Hutchins made this with my synthesizer, running pulsewaves through a logic gate and then through a low pass filter. Zie says zie’s not quite sure what a logic gate useful for in a synthesizer, but it does make very square attacks, which can be interesting. This is the 7th in a series of 40 short commissioned pieces. This commissioning project is intended to be a proof of concept of musical economic viability in the post copyright era. If you are intersted in commissioning a piece, please see http://myworld.ebay.com/celestehutchins , or for the manifesto, see http://celesteh.blogspot.com/2007/03/ebay.html #12 Columbo (2007) by Celeste Hutchins Created by Celeste Hutchins. Titled and commissioned by Jascha Narveson. Hutchins made this with my synthesizer, running pulsewaves through a logic gate and then through a low pass filter. Zie says zie’s not quite sure what a logic gate useful for in a synthesizer, but it does make very square attacks, which can be interesting. This is the 7th in a series of 40 short commissioned pieces. This commissioning project is intended to be a proof of concept of musical economic viability in the post copyright era. If you are intersted in commissioning a piece, please see http://myworld.ebay.com/celestehutchins , or for the manifesto, see http://celesteh.blogspot.com/2007/03/ebay.html #12 Columbo (2007) by Celeste Hutchins Created by Celeste Hutchins. Titled and commissioned by Jascha Narveson. Hutchins made this with my synthesizer, running pulsewaves through a logic gate and then through a low pass filter. Zie says zie’s not quite sure what a logic gate useful for in a synthesizer, but it does make very square attacks, which can be interesting. This is the 7th in a series of 40 short commissioned pieces. This commissioning project is intended to be a proof of concept of musical economic viability in the post copyright era. If you are intersted in commissioning a piece, please see http://myworld.ebay.com/celestehutchins , or for the manifesto, see http://celesteh.blogspot.com/2007/03/ebay.html tag:odeo.com,2007-03-29,23266052 Thu, 29 Mar 2007 09:54:33 -0700 no Music of the Third Millennium Podcast podcasts http://www.odeo.com/episodes/3821093-Generative-Music-2-of-%E2%80%A6 tag:odeo.com,2006-12-04,3821093 Mon, 04 Dec 2006 23:06:16 -0800 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/23266054-Generative-Music-2-of-%E2%80%A6 Generative 1 (still anonymous, but our research continues) The secondt installment of a series of pieces “parameterized” by a human and realized by a machine (in this case a 2003 apple computer). The duration of these pieces typically span between a few milliseconds and eternity. This is a friendly 7 minutes and 26 seconds selection Generative 1 (still anonymous, but our research continues) The secondt installment of a series of pieces “parameterized” by a human and realized by a machine (in this case a 2003 apple computer). The duration of these pieces typically span between a few milliseconds and eternity. This is a friendly 7 minutes and 26 seconds selection Generative 1 (still anonymous, but our research continues) The secondt installment of a series of pieces “parameterized” by a human and realized by a machine (in this case a 2003 apple computer). The duration of these pieces typically span between a few milliseconds and eternity. This is a friendly 7 minutes and 26 seconds selection tag:odeo.com,2006-12-04,23266054 Mon, 04 Dec 2006 15:06:16 -0800 no Music of the Third Millennium Podcast podcasts http://www.odeo.com/episodes/2004961-Generative-Music-1 tag:odeo.com,2006-09-28,2004961 Thu, 28 Sep 2006 16:21:58 -0700 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/23266055-Generative-Music-1 Generative 2 (anonymous) A first installment of a series of pieces “parameterized” by a human and realized by a machine (in this case a 2003 apple computer). The duration of these pieces typically span between a few millisecons and eternity. This is a friendly 5 minutes and 47 seconds selection Generative 2 (anonymous) A first installment of a series of pieces “parameterized” by a human and realized by a machine (in this case a 2003 apple computer). The duration of these pieces typically span between a few millisecons and eternity. This is a friendly 5 minutes and 47 seconds selection Generative 2 (anonymous) A first installment of a series of pieces “parameterized” by a human and realized by a machine (in this case a 2003 apple computer). The duration of these pieces typically span between a few millisecons and eternity. This is a friendly 5 minutes and 47 seconds selection tag:odeo.com,2006-09-28,23266055 Thu, 28 Sep 2006 09:21:58 -0700 no Music of the Third Millennium Podcast podcasts, Experimental, electronic http://www.odeo.com/episodes/11521043-Four-Cases-open-closed-by-Jonathan-Chen tag:odeo.com,2006-02-01,11521043 Wed, 01 Feb 2006 20:24:45 -0800 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/670356-Four-Cases-open-closed-by-Jonathan-Chen tag:odeo.com,2006-02-01,670356 Wed, 01 Feb 2006 20:24:45 -0800 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/23266057-Four-Cases-open-closed-by-Jonathan-Chen Four Cases: open, closed by Jonathan Chen Performed by the Flux String Quartet. Four Cases: open, closed by Jonathan Chen Performed by the Flux String Quartet. Four Cases: open, closed by Jonathan Chen Performed by the Flux String Quartet. tag:odeo.com,2006-02-01,23266057 Wed, 01 Feb 2006 12:24:45 -0800 no Music of the Third Millennium Podcast podcasts http://www.odeo.com/episodes/616359-The-Presage-by-David-Jensenius tag:odeo.com,2006-01-14,616359 Sat, 14 Jan 2006 18:08:50 -0800 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/11520973-The-Presage-by-David-Jensenius tag:odeo.com,2006-01-14,11520973 Sat, 14 Jan 2006 18:08:50 -0800 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/23266058-The-Presage-by-David-Jensenius The Presage by David Jensenius The Presage and Three Pages are a collaboration with Walter Frank. We each used the same graphical notation logics to create graphical scores. I interpreted them on the computer and Walter interpreted them on the piano. The enclosed file is “The Presage”, my score interpreted on the computer. David’s homepage The Presage by David Jensenius The Presage and Three Pages are a collaboration with Walter Frank. We each used the same graphical notation logics to create graphical scores. I interpreted them on the computer and Walter interpreted them on the piano. The enclosed file is “The Presage”, my score interpreted on the computer. David’s homepage The Presage by David Jensenius The Presage and Three Pages are a collaboration with Walter Frank. We each used the same graphical notation logics to create graphical scores. I interpreted them on the computer and Walter interpreted them on the piano. The enclosed file is “The Presage”, my score interpreted on the computer. David’s homepage tag:odeo.com,2006-01-14,23266058 Sat, 14 Jan 2006 10:08:50 -0800 no Music of the Third Millennium Podcast podcasts http://www.odeo.com/episodes/11520933-Track-4-by-Tom-Crean tag:odeo.com,2006-01-12,11520933 Thu, 12 Jan 2006 21:53:57 -0800 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/616358-Track-4-by-Tom-Crean tag:odeo.com,2006-01-12,616358 Thu, 12 Jan 2006 21:53:57 -0800 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/23266060-Track-4-by-Tom-Crean Track 4 by Tom Crean From the CD 4 Maps of Infinite Possibilities. Entire CD available here. Tom Crean’s homepage. Track 4 by Tom Crean From the CD 4 Maps of Infinite Possibilities. Entire CD available here. Tom Crean’s homepage. Track 4 by Tom Crean From the CD 4 Maps of Infinite Possibilities. Entire CD available here. Tom Crean’s homepage. tag:odeo.com,2006-01-12,23266060 Thu, 12 Jan 2006 13:53:57 -0800 no Music of the Third Millennium Podcast podcasts http://www.odeo.com/episodes/300930-Virtual-Memory-Excerpt-by-Celeste-Hutchins tag:odeo.com,2005-10-11,300930 Tue, 11 Oct 2005 22:11:55 -0700 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/11520903-Virtual-Memory-Excerpt-by-Celeste-Hutchins tag:odeo.com,2005-10-11,11520903 Tue, 11 Oct 2005 22:11:55 -0700 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/23266063-Virtual-Memory-Excerpt-by-Celeste-Hutchins Virtual Memory Excerpt by Celeste Hutchins Composed in 2001 using Macintosh Virtual Memory with an AIFF header added, a Jomox AirBase drum machine and a Midiverb. Celeste’s homepage Virtual Memory Excerpt by Celeste Hutchins Composed in 2001 using Macintosh Virtual Memory with an AIFF header added, a Jomox AirBase drum machine and a Midiverb. Celeste’s homepage Virtual Memory Excerpt by Celeste Hutchins Composed in 2001 using Macintosh Virtual Memory with an AIFF header added, a Jomox AirBase drum machine and a Midiverb. Celeste’s homepage tag:odeo.com,2005-10-11,23266063 Tue, 11 Oct 2005 15:11:55 -0700 no Music of the Third Millennium Podcast podcasts, Experimental, electronic http://www.odeo.com/episodes/11520853-De-by-Noriaki-Watanabe tag:odeo.com,2005-09-29,11520853 Thu, 29 Sep 2005 05:45:44 -0700 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/272383-De-by-Noriaki-Watanabe tag:odeo.com,2005-09-29,272383 Thu, 29 Sep 2005 05:45:44 -0700 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/11520813-Tether-by-Charlie-Wilmoth tag:odeo.com,2005-08-04,11520813 Thu, 04 Aug 2005 16:51:56 -0700 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/135077-Tether-by-Charlie-Wilmoth tag:odeo.com,2005-08-04,135077 Thu, 04 Aug 2005 16:51:56 -0700 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/110358-The-Enemy-is-the-Gramophone-Mind-by-Sabrina-Schroeder tag:odeo.com,2005-07-25,110358 Mon, 25 Jul 2005 02:20:32 -0700 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/11520753-The-Enemy-is-the-Gramophone-Mind-by-Sabrina-Schroeder tag:odeo.com,2005-07-25,11520753 Mon, 25 Jul 2005 02:20:32 -0700 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/86288-Improvisation-by-Andrew-Raffo-Dewar tag:odeo.com,2005-07-13,86288 Wed, 13 Jul 2005 03:27:36 -0700 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/77440-And-the-Next-Day-by-Tom-Crean tag:odeo.com,2005-07-06,77440 Wed, 06 Jul 2005 20:04:27 -0700 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/73208-Not-Made-of-Stone-by-Polly-Moller-Company tag:odeo.com,2005-07-03,73208 Sun, 03 Jul 2005 02:19:30 -0700 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/73207-Coulter-Shock-by-Celeste-Hutchins tag:odeo.com,2005-06-30,73207 Thu, 30 Jun 2005 16:55:50 -0700 no Music of the Third Millennium Podcast http://www.odeo.com/episodes/73206-Pop-Musics-by-David-Jensenius tag:odeo.com,2005-06-30,73206 Thu, 30 Jun 2005 14:37:47 -0700 no Music of the Third Millennium Podcast