http://www.odeo.com/channels/29705-Bad-at-Sports no Bad At Sports is a weekly podcast about contemporary art. Founded in 2005, badatsports.com focuses on presenting the practices of artists, curators, critics, dealers, various other arts professionals through an online audio format. Bad At Sports is a weekly podcast about contemporary art. Founded in 2005, badatsports.com focuses on presenting the practices of artists, curators, critics, dealers, various other arts professionals through an online audio format. Art and Culture from Chicago. en 40 Sun, 06 Dec 2009 11:33:00 -0800 Sun, 06 Dec 2009 11:33:00 -0800 Arts http://www.odeo.com/episodes/25500975-Bad-at-Sports-Episode-223-Jonathan-Watkins This week, another in the series of interviews Duncan and Christian did at the Banff Centre while they were on art vacation, Jonathan Watkins! Jonathan Watkins (born 1957) is an English curator, and is currently Director of the Ikon Gallery in Birmingham. Watkins emigrated to Australia with his family in 1969 and studied Philosophy and History of Art at the University of Sydney, where he later taught. He was curator of the Chisenhale Gallery in London during which period this relatively small local gallery became an internationally known centre of excellence - many of the Artists shown at that time later going on to major acclaim including a number of Turner Prize winners, Watkins later moved to the Serpentine Gallery from 1995 to 1997 and worked in a freelance capacity as curator of the Biennale of Sydney in 1998. Watkins now lives in Birmingham, England. He currently directs the Ikon Gallery, and recently unveiled plans for a new museum of modern art in Birmingham. This week, another in the series of interviews Duncan and Christian did at the Banff Centre while they were on art vacation, Jonathan Watkins! Jonathan Watkins (born 1957) is an English curator, and is currently Director of the Ikon Gallery in Birmingham. Watkins emigrated to Australia with his family in 1969 and studied Philosophy and History of Art at the University of Sydney, where he later taught. He was curator of the Chisenhale Gallery in London during which period this relatively small local gallery became an internationally known centre of excellence - many of the Artists shown at that time later going on to major acclaim including a number of Turner Prize winners, Watkins later moved to the Serpentine Gallery from 1995 to 1997 and worked in a freelance capacity as curator of the Biennale of Sydney in 1998. Watkins now lives in Birmingham, England. He currently directs the Ikon Gallery, and recently unveiled plans for a new museum of modern art in Birmingham. This week, another in the series of interviews Duncan and Christian did at the Banff Centre while they were on art vacation, Jonathan Watkins! Jonathan Watkins (born 1957) is an English curator, and is currently Director of the Ikon Gallery in Birmingham. Watkins emigrated to Australia with his family in 1969 and studied Philosophy and History of Art at the University of Sydney, where he later taught. He was curator of the Chisenhale Gallery in London during which period this relatively small local gallery became an internationally known centre of excellence - many of the Artists shown at that time later going on to major acclaim including a number of Turner Prize winners, Watkins later moved to the Serpentine Gallery from 1995 to 1997 and worked in a freelance capacity as curator of the Biennale of Sydney in 1998. Watkins now lives in Birmingham, England. He currently directs the Ikon Gallery, and recently unveiled plans for a new museum of modern art in Birmingham. tag:odeo.com,2009-12-06,25500975 Sun, 06 Dec 2009 11:33:00 -0800 yes Bad at Sports podcasts http://www.odeo.com/episodes/25500769-Bad-at-Sports-Episode-223-Jonathan-Watkins This week, another in the series of interviews Duncan and Christian did at the Banff Centre while they were on art vacation, Jonathan Watkins! Jonathan Watkins (born 1957) is an English curator, and is currently Director of the Ikon Gallery in Birmingham. Watkins emigrated to Australia with his family in 1969 and studied Philosophy and History of Art at the University of Sydney, where he later taught. He was curator of the Chisenhale Gallery in London during which period this relatively small local gallery became an internationally known centre of excellence - many of the Artists shown at that time later going on to major acclaim including a number of Turner Prize winners, Watkins later moved to the Serpentine Gallery from 1995 to 1997 and worked in a freelance capacity as curator of the Biennale of Sydney in 1998. Watkins now lives in Birmingham, England. He currently directs the Ikon Gallery, and recently unveiled plans for a new museum of modern art in Birmingham. This week, another in the series of interviews Duncan and Christian did at the Banff Centre while they were on art vacation, Jonathan Watkins! Jonathan Watkins (born 1957) is an English curator, and is currently Director of the Ikon Gallery in Birmingham. Watkins emigrated to Australia with his family in 1969 and studied Philosophy and History of Art at the University of Sydney, where he later taught. He was curator of the Chisenhale Gallery in London during which period this relatively small local gallery became an internationally known centre of excellence - many of the Artists shown at that time later going on to major acclaim including a number of Turner Prize winners, Watkins later moved to the Serpentine Gallery from 1995 to 1997 and worked in a freelance capacity as curator of the Biennale of Sydney in 1998. Watkins now lives in Birmingham, England. He currently directs the Ikon Gallery, and recently unveiled plans for a new museum of modern art in Birmingham. This week, another in the series of interviews Duncan and Christian did at the Banff Centre while they were on art vacation, Jonathan Watkins! Jonathan Watkins (born 1957) is an English curator, and is currently Director of the Ikon Gallery in Birmingham. Watkins emigrated to Australia with his family in 1969 and studied Philosophy and History of Art at the University of Sydney, where he later taught. He was curator of the Chisenhale Gallery in London during which period this relatively small local gallery became an internationally known centre of excellence - many of the Artists shown at that time later going on to major acclaim including a number of Turner Prize winners, Watkins later moved to the Serpentine Gallery from 1995 to 1997 and worked in a freelance capacity as curator of the Biennale of Sydney in 1998. Watkins now lives in Birmingham, England. He currently directs the Ikon Gallery, and recently unveiled plans for a new museum of modern art in Birmingham. tag:odeo.com,2009-12-06,25500769 Sun, 06 Dec 2009 11:33:00 -0800 yes Bad at Sports podcasts http://www.odeo.com/episodes/25472787-Bad-at-Sports-Episode-222-Ron-Terada This week Duncan and Christian talk to Ron Terada about art, hockey fights and Blade Runner (for the love of God, Edward James Olmos's character was named Gaff!!!). Ron Terada lives and works in Vancouver. Recent solo exhibitions include Voight-Kampff (2008), Catriona Jeffries Gallery, Vancouver; Stay Away From Lonely Places (2006), Ikon Gallery, Birmingham; and You Have Left the American Sector (2005), ArtGallery of Windsor. His work has been included in a number of group exhibitions including Tractatus Logico-Catalogicus (2008), VOX Centre de lâimageContemporaine, Montreal; Words Fail Me (2007), Museum of Contemporary Art, Detroit; The Show Will Be Open When the Show Will Be Closed (2006)Store, London and the Kadist Foundation, Paris; Intertidal (2005), Museum van Hedendaagse Kunst Antwerpen, Belgium; and General Ideas: Rethinking Conceptual Art 1990-2005 (2005), CCA Wattis Institute for Contemporary Arts, San Francisco. Terada was a recipient of the Victor Martyn Lynch-Staunton A... This week Duncan and Christian talk to Ron Terada about art, hockey fights and Blade Runner (for the love of God, Edward James Olmos's character was named Gaff!!!). Ron Terada lives and works in Vancouver. Recent solo exhibitions include Voight-Kampff (2008), Catriona Jeffries Gallery, Vancouver; Stay Away From Lonely Places (2006), Ikon Gallery, Birmingham; and You Have Left the American Sector (2005), ArtGallery of Windsor. His work has been included in a number of group exhibitions including Tractatus Logico-Catalogicus (2008), VOX Centre de lâimageContemporaine, Montreal; Words Fail Me (2007), Museum of Contemporary Art, Detroit; The Show Will Be Open When the Show Will Be Closed (2006)Store, London and the Kadist Foundation, Paris; Intertidal (2005), Museum van Hedendaagse Kunst Antwerpen, Belgium; and General Ideas: Rethinking Conceptual Art 1990-2005 (2005), CCA Wattis Institute for Contemporary Arts, San Francisco. Terada was a recipient of the Victor Martyn Lynch-Staunton Award, Canada Council for the Arts (2006); and the VIVA Award, Jack and Doris Shadbolt Foundation (2004); and was nominated for a Sobey Art Award (2007). Terada is represented by Catriona Jeffries Gallery, Vancouver. This week Duncan and Christian talk to Ron Terada about art, hockey fights and Blade Runner (for the love of God, Edward James Olmos's character was named Gaff!!!). Ron Terada lives and works in Vancouver. Recent solo exhibitions include Voight-Kampff (2008), Catriona Jeffries Gallery, Vancouver; Stay Away From Lonely Places (2006), Ikon Gallery, Birmingham; and You Have Left the American Sector (2005), ArtGallery of Windsor. His work has been included in a number of group exhibitions including Tractatus Logico-Catalogicus (2008), VOX Centre de lâimageContemporaine, Montreal; Words Fail Me (2007), Museum of Contemporary Art, Detroit; The Show Will Be Open When the Show Will Be Closed (2006)Store, London and the Kadist Foundation, Paris; Intertidal (2005), Museum van Hedendaagse Kunst Antwerpen, Belgium; and General Ideas: Rethinking Conceptual Art 1990-2005 (2005), CCA Wattis Institute for Contemporary Arts, San Francisco. Terada was a recipient of the Victor Martyn Lynch-Staunton Award, Canada Council for the Arts (2006); and the VIVA Award, Jack and Doris Shadbolt Foundation (2004); and was nominated for a Sobey Art Award (2007). Terada is represented by Catriona Jeffries Gallery, Vancouver. tag:odeo.com,2009-11-28,25472787 Sat, 28 Nov 2009 20:59:00 -0800 yes Bad at Sports podcasts http://www.odeo.com/episodes/25467098-Bad-at-Sports-Episode-222-Ron-Terada This week Duncan and Christian talk to Ron Terada about art, hockey fights and Blade Runner (for the love of God, Edward James Olmos's character was named Gaff!!!). Ron Terada lives and works in Vancouver. Recent solo exhibitions include Voight-Kampff (2008), Catriona Jeffries Gallery, Vancouver; Stay Away From Lonely Places (2006), Ikon Gallery, Birmingham; and You Have Left the American Sector (2005), ArtGallery of Windsor. His work has been included in a number of group exhibitions including Tractatus Logico-Catalogicus (2008), VOX Centre de lâimageContemporaine, Montreal; Words Fail Me (2007), Museum of Contemporary Art, Detroit; The Show Will Be Open When the Show Will Be Closed (2006)Store, London and the Kadist Foundation, Paris; Intertidal (2005), Museum van Hedendaagse Kunst Antwerpen, Belgium; and General Ideas: Rethinking Conceptual Art 1990-2005 (2005), CCA Wattis Institute for Contemporary Arts, San Francisco. Terada was a recipient of the Victor Martyn Lynch-Staunton A... This week Duncan and Christian talk to Ron Terada about art, hockey fights and Blade Runner (for the love of God, Edward James Olmos's character was named Gaff!!!). Ron Terada lives and works in Vancouver. Recent solo exhibitions include Voight-Kampff (2008), Catriona Jeffries Gallery, Vancouver; Stay Away From Lonely Places (2006), Ikon Gallery, Birmingham; and You Have Left the American Sector (2005), ArtGallery of Windsor. His work has been included in a number of group exhibitions including Tractatus Logico-Catalogicus (2008), VOX Centre de lâimageContemporaine, Montreal; Words Fail Me (2007), Museum of Contemporary Art, Detroit; The Show Will Be Open When the Show Will Be Closed (2006)Store, London and the Kadist Foundation, Paris; Intertidal (2005), Museum van Hedendaagse Kunst Antwerpen, Belgium; and General Ideas: Rethinking Conceptual Art 1990-2005 (2005), CCA Wattis Institute for Contemporary Arts, San Francisco. Terada was a recipient of the Victor Martyn Lynch-Staunton Award, Canada Council for the Arts (2006); and the VIVA Award, Jack and Doris Shadbolt Foundation (2004); and was nominated for a Sobey Art Award (2007). Terada is represented by Catriona Jeffries Gallery, Vancouver. This week Duncan and Christian talk to Ron Terada about art, hockey fights and Blade Runner (for the love of God, Edward James Olmos's character was named Gaff!!!). Ron Terada lives and works in Vancouver. Recent solo exhibitions include Voight-Kampff (2008), Catriona Jeffries Gallery, Vancouver; Stay Away From Lonely Places (2006), Ikon Gallery, Birmingham; and You Have Left the American Sector (2005), ArtGallery of Windsor. His work has been included in a number of group exhibitions including Tractatus Logico-Catalogicus (2008), VOX Centre de lâimageContemporaine, Montreal; Words Fail Me (2007), Museum of Contemporary Art, Detroit; The Show Will Be Open When the Show Will Be Closed (2006)Store, London and the Kadist Foundation, Paris; Intertidal (2005), Museum van Hedendaagse Kunst Antwerpen, Belgium; and General Ideas: Rethinking Conceptual Art 1990-2005 (2005), CCA Wattis Institute for Contemporary Arts, San Francisco. Terada was a recipient of the Victor Martyn Lynch-Staunton Award, Canada Council for the Arts (2006); and the VIVA Award, Jack and Doris Shadbolt Foundation (2004); and was nominated for a Sobey Art Award (2007). Terada is represented by Catriona Jeffries Gallery, Vancouver. tag:odeo.com,2009-11-28,25467098 Sat, 28 Nov 2009 20:59:00 -0800 yes Bad at Sports podcasts http://www.odeo.com/episodes/25472789-Bad-at-Sports-Episode-221-Heartland This week Duncan talks to Charles Esche, Director of the Van Abbemuseum, Kerstin Niemann, Research Curator at the Van Abbemuseum, and Stephanie Smith, Director of Collections and Exhibitions and Curator of Contemporary Art at the Smart Museum of Art about the current Smart Museum exhibition, Heartland. Project background In 2007 and 2008, the Heartland curators, eschewing traditional research methods, set out on a series of old-fashioned road trips through the vast center of the United States. These research trips informed two distinct exhibitions. The first presentation, which opened in October 2008 at the Van Abbemuseum in the Netherlands, sought to uncover new ways of thinking about the American interior during the U.S. presidential election and gave European audiences access to a broad survey of the Heartlandâs culture, art, and music. The second, reconceived presentation at the Smart Museum, offers U.S. audiences a more focused look at the ideals of resourcefulness and inventio... This week Duncan talks to Charles Esche, Director of the Van Abbemuseum, Kerstin Niemann, Research Curator at the Van Abbemuseum, and Stephanie Smith, Director of Collections and Exhibitions and Curator of Contemporary Art at the Smart Museum of Art about the current Smart Museum exhibition, Heartland. Project background In 2007 and 2008, the Heartland curators, eschewing traditional research methods, set out on a series of old-fashioned road trips through the vast center of the United States. These research trips informed two distinct exhibitions. The first presentation, which opened in October 2008 at the Van Abbemuseum in the Netherlands, sought to uncover new ways of thinking about the American interior during the U.S. presidential election and gave European audiences access to a broad survey of the Heartlandâs culture, art, and music. The second, reconceived presentation at the Smart Museum, offers U.S. audiences a more focused look at the ideals of resourcefulness and invention that permeate the Heartland. Together, the two presentations offer a richly layered reading of a region that has too often been overlooked. The exhibition is co-organized by the Smart Museum of Art and the Van Abbemuseum, Eindhoven, the Netherlands. The Van Abbemuseum's presentation of Heartland took place from October 3, 2008 to February 8, 2009. In Eindhoven, the project consisted of a group exhibition in the Van Abbemuseum together with a musical program in the Muziekcentrum Frits Philips. This week Duncan talks to Charles Esche, Director of the Van Abbemuseum, Kerstin Niemann, Research Curator at the Van Abbemuseum, and Stephanie Smith, Director of Collections and Exhibitions and Curator of Contemporary Art at the Smart Museum of Art about the current Smart Museum exhibition, Heartland. Project background In 2007 and 2008, the Heartland curators, eschewing traditional research methods, set out on a series of old-fashioned road trips through the vast center of the United States. These research trips informed two distinct exhibitions. The first presentation, which opened in October 2008 at the Van Abbemuseum in the Netherlands, sought to uncover new ways of thinking about the American interior during the U.S. presidential election and gave European audiences access to a broad survey of the Heartlandâs culture, art, and music. The second, reconceived presentation at the Smart Museum, offers U.S. audiences a more focused look at the ideals of resourcefulness and invention that permeate the Heartland. Together, the two presentations offer a richly layered reading of a region that has too often been overlooked. The exhibition is co-organized by the Smart Museum of Art and the Van Abbemuseum, Eindhoven, the Netherlands. The Van Abbemuseum's presentation of Heartland took place from October 3, 2008 to February 8, 2009. In Eindhoven, the project consisted of a group exhibition in the Van Abbemuseum together with a musical program in the Muziekcentrum Frits Philips. tag:odeo.com,2009-11-22,25472789 Sun, 22 Nov 2009 14:21:00 -0800 yes Bad at Sports podcasts http://www.odeo.com/episodes/25467099-Bad-at-Sports-Episode-221-Heartland This week Duncan talks to Charles Esche, Director of the Van Abbemuseum, Kerstin Niemann, Research Curator at the Van Abbemuseum, and Stephanie Smith, Director of Collections and Exhibitions and Curator of Contemporary Art at the Smart Museum of Art about the current Smart Museum exhibition, Heartland. Project background In 2007 and 2008, the Heartland curators, eschewing traditional research methods, set out on a series of old-fashioned road trips through the vast center of the United States. These research trips informed two distinct exhibitions. The first presentation, which opened in October 2008 at the Van Abbemuseum in the Netherlands, sought to uncover new ways of thinking about the American interior during the U.S. presidential election and gave European audiences access to a broad survey of the Heartlandâs culture, art, and music. The second, reconceived presentation at the Smart Museum, offers U.S. audiences a more focused look at the ideals of resourcefulness and inventio... This week Duncan talks to Charles Esche, Director of the Van Abbemuseum, Kerstin Niemann, Research Curator at the Van Abbemuseum, and Stephanie Smith, Director of Collections and Exhibitions and Curator of Contemporary Art at the Smart Museum of Art about the current Smart Museum exhibition, Heartland. Project background In 2007 and 2008, the Heartland curators, eschewing traditional research methods, set out on a series of old-fashioned road trips through the vast center of the United States. These research trips informed two distinct exhibitions. The first presentation, which opened in October 2008 at the Van Abbemuseum in the Netherlands, sought to uncover new ways of thinking about the American interior during the U.S. presidential election and gave European audiences access to a broad survey of the Heartlandâs culture, art, and music. The second, reconceived presentation at the Smart Museum, offers U.S. audiences a more focused look at the ideals of resourcefulness and invention that permeate the Heartland. Together, the two presentations offer a richly layered reading of a region that has too often been overlooked. The exhibition is co-organized by the Smart Museum of Art and the Van Abbemuseum, Eindhoven, the Netherlands. The Van Abbemuseum's presentation of Heartland took place from October 3, 2008 to February 8, 2009. In Eindhoven, the project consisted of a group exhibition in the Van Abbemuseum together with a musical program in the Muziekcentrum Frits Philips. This week Duncan talks to Charles Esche, Director of the Van Abbemuseum, Kerstin Niemann, Research Curator at the Van Abbemuseum, and Stephanie Smith, Director of Collections and Exhibitions and Curator of Contemporary Art at the Smart Museum of Art about the current Smart Museum exhibition, Heartland. Project background In 2007 and 2008, the Heartland curators, eschewing traditional research methods, set out on a series of old-fashioned road trips through the vast center of the United States. These research trips informed two distinct exhibitions. The first presentation, which opened in October 2008 at the Van Abbemuseum in the Netherlands, sought to uncover new ways of thinking about the American interior during the U.S. presidential election and gave European audiences access to a broad survey of the Heartlandâs culture, art, and music. The second, reconceived presentation at the Smart Museum, offers U.S. audiences a more focused look at the ideals of resourcefulness and invention that permeate the Heartland. Together, the two presentations offer a richly layered reading of a region that has too often been overlooked. The exhibition is co-organized by the Smart Museum of Art and the Van Abbemuseum, Eindhoven, the Netherlands. The Van Abbemuseum's presentation of Heartland took place from October 3, 2008 to February 8, 2009. In Eindhoven, the project consisted of a group exhibition in the Van Abbemuseum together with a musical program in the Muziekcentrum Frits Philips. tag:odeo.com,2009-11-22,25467099 Sun, 22 Nov 2009 14:21:00 -0800 yes Bad at Sports podcasts http://www.odeo.com/episodes/25472791-Bad-at-Sports-Episode-220-Liam-Gillick Liam Gillick. That is right, the man whose imagination can take him anywhere. A transparent master of the question of Modernity? Cat lover? Designer/author/theorist/artist/architect? The son Donald Judd never wanted? Enigma cloaked in riddle? Relational Aesthetic celebrity? All these things and more... We at Bad at Sports try and get to the bottom of Liam's magic in this hour-long interview. The last element in Liam Gillick's 4 part global retrospective, "Three perspectives and a short scenario" will run through January 10th at Chicago's Museum of Contemporary Art.  Accompanying that exhibition, Gillick has produced "The one hundred and sixty-third floor: Liam Gillick Curates the Collection," which is also be on view. Liam Gillick emerged in the early 1990s as part of a re-energized British art scene, producing a sophisticated body of work ranging from his signature "platform" sculptures -- architectural structures made of aluminum and colored Plex... Liam Gillick. That is right, the man whose imagination can take him anywhere. A transparent master of the question of Modernity? Cat lover? Designer/author/theorist/artist/architect? The son Donald Judd never wanted? Enigma cloaked in riddle? Relational Aesthetic celebrity? All these things and more... We at Bad at Sports try and get to the bottom of Liam's magic in this hour-long interview. The last element in Liam Gillick's 4 part global retrospective, "Three perspectives and a short scenario" will run through January 10th at Chicago's Museum of Contemporary Art.  Accompanying that exhibition, Gillick has produced "The one hundred and sixty-third floor: Liam Gillick Curates the Collection," which is also be on view. Liam Gillick emerged in the early 1990s as part of a re-energized British art scene, producing a sophisticated body of work ranging from his signature "platform" sculptures -- architectural structures made of aluminum and colored Plexiglas that facilitate or complicate social interaction -- to wall paintings, text sculptures, and published texts that reflect on the increasing gap between utopian idealism and the actualities of the world. His work joins that of generational peers such as Rirkrit Tiravanija and Philippe Parreno in defining what critic Nicholas Bourriaud described as "relational aesthetics," an approach that emphasizes the shifting social role and function of art at the turn of the millennium. Gillick's work has had a profound impact on a contemporary understanding of how art and architecture influence, and are themselves influenced by, interpersonal communication and interactions in the public sphere. This exhibition is presented in association with the Witte de With in Rotterdam, Kunsthalle Zurich, and the Kunstverein in Munich. It is the most significant and comprehensive exhibition of Gillick's work in an American museum to date, comprising a major site-specific installation in the gallery ceiling as well as a presentation of his design and published works, and a film documenting projects from the entirety of his career. The MCA is the only American venue for the exhibition. Liam Gillick. That is right, the man whose imagination can take him anywhere. A transparent master of the question of Modernity? Cat lover? Designer/author/theorist/artist/architect? The son Donald Judd never wanted? Enigma cloaked in riddle? Relational Aesthetic celebrity? All these things and more... We at Bad at Sports try and get to the bottom of Liam's magic in this hour-long interview. The last element in Liam Gillick's 4 part global retrospective, "Three perspectives and a short scenario" will run through January 10th at Chicago's Museum of Contemporary Art.  Accompanying that exhibition, Gillick has produced "The one hundred and sixty-third floor: Liam Gillick Curates the Collection," which is also be on view. Liam Gillick emerged in the early 1990s as part of a re-energized British art scene, producing a sophisticated body of work ranging from his signature "platform" sculptures -- architectural structures made of aluminum and colored Plexiglas that facilitate or complicate social interaction -- to wall paintings, text sculptures, and published texts that reflect on the increasing gap between utopian idealism and the actualities of the world. His work joins that of generational peers such as Rirkrit Tiravanija and Philippe Parreno in defining what critic Nicholas Bourriaud described as "relational aesthetics," an approach that emphasizes the shifting social role and function of art at the turn of the millennium. Gillick's work has had a profound impact on a contemporary understanding of how art and architecture influence, and are themselves influenced by, interpersonal communication and interactions in the public sphere. This exhibition is presented in association with the Witte de With in Rotterdam, Kunsthalle Zurich, and the Kunstverein in Munich. It is the most significant and comprehensive exhibition of Gillick's work in an American museum to date, comprising a major site-specific installation in the gallery ceiling as well as a presentation of his design and published works, and a film documenting projects from the entirety of his career. The MCA is the only American venue for the exhibition. tag:odeo.com,2009-11-15,25472791 Sun, 15 Nov 2009 16:42:00 -0800 yes Bad at Sports podcasts http://www.odeo.com/episodes/25467104-Bad-at-Sports-Episode-220-Liam-Gillick Liam Gillick. That is right, the man whose imagination can take him anywhere. A transparent master of the question of Modernity? Cat lover? Designer/author/theorist/artist/architect? The son Donald Judd never wanted? Enigma cloaked in riddle? Relational Aesthetic celebrity? All these things and more... We at Bad at Sports try and get to the bottom of Liam's magic in this hour-long interview. The last element in Liam Gillick's 4 part global retrospective, "Three perspectives and a short scenario" will run through January 10th at Chicago's Museum of Contemporary Art.  Accompanying that exhibition, Gillick has produced "The one hundred and sixty-third floor: Liam Gillick Curates the Collection," which is also be on view. Liam Gillick emerged in the early 1990s as part of a re-energized British art scene, producing a sophisticated body of work ranging from his signature "platform" sculptures -- architectural structures made of aluminum and colored Plex... Liam Gillick. That is right, the man whose imagination can take him anywhere. A transparent master of the question of Modernity? Cat lover? Designer/author/theorist/artist/architect? The son Donald Judd never wanted? Enigma cloaked in riddle? Relational Aesthetic celebrity? All these things and more... We at Bad at Sports try and get to the bottom of Liam's magic in this hour-long interview. The last element in Liam Gillick's 4 part global retrospective, "Three perspectives and a short scenario" will run through January 10th at Chicago's Museum of Contemporary Art.  Accompanying that exhibition, Gillick has produced "The one hundred and sixty-third floor: Liam Gillick Curates the Collection," which is also be on view. Liam Gillick emerged in the early 1990s as part of a re-energized British art scene, producing a sophisticated body of work ranging from his signature "platform" sculptures -- architectural structures made of aluminum and colored Plexiglas that facilitate or complicate social interaction -- to wall paintings, text sculptures, and published texts that reflect on the increasing gap between utopian idealism and the actualities of the world. His work joins that of generational peers such as Rirkrit Tiravanija and Philippe Parreno in defining what critic Nicholas Bourriaud described as "relational aesthetics," an approach that emphasizes the shifting social role and function of art at the turn of the millennium. Gillick's work has had a profound impact on a contemporary understanding of how art and architecture influence, and are themselves influenced by, interpersonal communication and interactions in the public sphere. This exhibition is presented in association with the Witte de With in Rotterdam, Kunsthalle Zurich, and the Kunstverein in Munich. It is the most significant and comprehensive exhibition of Gillick's work in an American museum to date, comprising a major site-specific installation in the gallery ceiling as well as a presentation of his design and published works, and a film documenting projects from the entirety of his career. The MCA is the only American venue for the exhibition. Liam Gillick. That is right, the man whose imagination can take him anywhere. A transparent master of the question of Modernity? Cat lover? Designer/author/theorist/artist/architect? The son Donald Judd never wanted? Enigma cloaked in riddle? Relational Aesthetic celebrity? All these things and more... We at Bad at Sports try and get to the bottom of Liam's magic in this hour-long interview. The last element in Liam Gillick's 4 part global retrospective, "Three perspectives and a short scenario" will run through January 10th at Chicago's Museum of Contemporary Art.  Accompanying that exhibition, Gillick has produced "The one hundred and sixty-third floor: Liam Gillick Curates the Collection," which is also be on view. Liam Gillick emerged in the early 1990s as part of a re-energized British art scene, producing a sophisticated body of work ranging from his signature "platform" sculptures -- architectural structures made of aluminum and colored Plexiglas that facilitate or complicate social interaction -- to wall paintings, text sculptures, and published texts that reflect on the increasing gap between utopian idealism and the actualities of the world. His work joins that of generational peers such as Rirkrit Tiravanija and Philippe Parreno in defining what critic Nicholas Bourriaud described as "relational aesthetics," an approach that emphasizes the shifting social role and function of art at the turn of the millennium. Gillick's work has had a profound impact on a contemporary understanding of how art and architecture influence, and are themselves influenced by, interpersonal communication and interactions in the public sphere. This exhibition is presented in association with the Witte de With in Rotterdam, Kunsthalle Zurich, and the Kunstverein in Munich. It is the most significant and comprehensive exhibition of Gillick's work in an American museum to date, comprising a major site-specific installation in the gallery ceiling as well as a presentation of his design and published works, and a film documenting projects from the entirety of his career. The MCA is the only American venue for the exhibition. tag:odeo.com,2009-11-15,25467104 Sun, 15 Nov 2009 16:42:00 -0800 yes Bad at Sports podcasts http://www.odeo.com/episodes/25424397-Bad-at-Sports-Episode-219-Jeremy-Deller-and-Esam-Pasha Jeremy Deller. That's right, this week we have one of the world's most interesting contemporary artists talking about "What It Is," a show and tour he has worked on, that appeared at The Hammer, the New Museum and now, Chicago's MCA, featuring a car that was bombed-out during the Iraq war. He is joined by artist Esam Pasha to talk about "What It Is" Deller's work often challenges our assumptions about what "is" and "is not" art and uses the banner term "art" to gain access to, extend, push, and develop local cultures.  Deller is also the first Turner Prize-winner to appear in the 230 hours of the Bad at Sports show. Schedule of Participants at the MCA http://www.mcachicago.org/deller/ Jeremy Deller http://www.jeremydeller.org/ Esam Pasha http://www.artvitae.com/artist_portfolio.asp?aist_id=217 MCA Release about the show http://www.mcachicago.org/exhibitions/exh_detail.php?id=219 Jeremy Deller. That's right, this week we have one of the world's most interesting contemporary artists talking about "What It Is," a show and tour he has worked on, that appeared at The Hammer, the New Museum and now, Chicago's MCA, featuring a car that was bombed-out during the Iraq war. He is joined by artist Esam Pasha to talk about "What It Is" Deller's work often challenges our assumptions about what "is" and "is not" art and uses the banner term "art" to gain access to, extend, push, and develop local cultures.  Deller is also the first Turner Prize-winner to appear in the 230 hours of the Bad at Sports show. Schedule of Participants at the MCA http://www.mcachicago.org/deller/ Jeremy Deller http://www.jeremydeller.org/ Esam Pasha http://www.artvitae.com/artist_portfolio.asp?aist_id=217 MCA Release about the show http://www.mcachicago.org/exhibitions/exh_detail.php?id=219 Jeremy Deller. That's right, this week we have one of the world's most interesting contemporary artists talking about "What It Is," a show and tour he has worked on, that appeared at The Hammer, the New Museum and now, Chicago's MCA, featuring a car that was bombed-out during the Iraq war. He is joined by artist Esam Pasha to talk about "What It Is" Deller's work often challenges our assumptions about what "is" and "is not" art and uses the banner term "art" to gain access to, extend, push, and develop local cultures.  Deller is also the first Turner Prize-winner to appear in the 230 hours of the Bad at Sports show. Schedule of Participants at the MCA http://www.mcachicago.org/deller/ Jeremy Deller http://www.jeremydeller.org/ Esam Pasha http://www.artvitae.com/artist_portfolio.asp?aist_id=217 MCA Release about the show http://www.mcachicago.org/exhibitions/exh_detail.php?id=219 tag:odeo.com,2009-11-08,25424397 Sun, 08 Nov 2009 21:59:00 -0800 no Bad at Sports podcasts http://www.odeo.com/episodes/25424224-Bad-at-Sports-Episode-219-Jeremy-Deller-and-Esam-Pasha Jeremy Deller. That's right, this week we have one of the world's most interesting contemporary artists talking about "What It Is," a show and tour he has worked on, that appeared at The Hammer, the New Museum and now, Chicago's MCA, featuring a car that was bombed-out during the Iraq war. He is joined by artist Esam Pasha to talk about "What It Is" Deller's work often challenges our assumptions about what "is" and "is not" art and uses the banner term "art" to gain access to, extend, push, and develop local cultures.  Deller is also the first Turner Prize-winner to appear in the 230 hours of the Bad at Sports show. Schedule of Participants at the MCA http://www.mcachicago.org/deller/ Jeremy Deller http://www.jeremydeller.org/ Esam Pasha http://www.artvitae.com/artist_portfolio.asp?aist_id=217 MCA Release about the show http://www.mcachicago.org/exhibitions/exh_detail.php?id=219 Jeremy Deller. That's right, this week we have one of the world's most interesting contemporary artists talking about "What It Is," a show and tour he has worked on, that appeared at The Hammer, the New Museum and now, Chicago's MCA, featuring a car that was bombed-out during the Iraq war. He is joined by artist Esam Pasha to talk about "What It Is" Deller's work often challenges our assumptions about what "is" and "is not" art and uses the banner term "art" to gain access to, extend, push, and develop local cultures.  Deller is also the first Turner Prize-winner to appear in the 230 hours of the Bad at Sports show. Schedule of Participants at the MCA http://www.mcachicago.org/deller/ Jeremy Deller http://www.jeremydeller.org/ Esam Pasha http://www.artvitae.com/artist_portfolio.asp?aist_id=217 MCA Release about the show http://www.mcachicago.org/exhibitions/exh_detail.php?id=219 Jeremy Deller. That's right, this week we have one of the world's most interesting contemporary artists talking about "What It Is," a show and tour he has worked on, that appeared at The Hammer, the New Museum and now, Chicago's MCA, featuring a car that was bombed-out during the Iraq war. He is joined by artist Esam Pasha to talk about "What It Is" Deller's work often challenges our assumptions about what "is" and "is not" art and uses the banner term "art" to gain access to, extend, push, and develop local cultures.  Deller is also the first Turner Prize-winner to appear in the 230 hours of the Bad at Sports show. Schedule of Participants at the MCA http://www.mcachicago.org/deller/ Jeremy Deller http://www.jeremydeller.org/ Esam Pasha http://www.artvitae.com/artist_portfolio.asp?aist_id=217 MCA Release about the show http://www.mcachicago.org/exhibitions/exh_detail.php?id=219 tag:odeo.com,2009-11-08,25424224 Sun, 08 Nov 2009 21:59:00 -0800 no Bad at Sports podcasts http://www.odeo.com/episodes/25391074-Bad-at-Sports-Episode-218-Temporary-Services This week for your listening pleasure Bad at Sports has dispatched Shannon Stratton and Duncan MacKenzie to Illinois' glorious Kankakee to meet up with the artists of Temporary Services. They query Brett Bloom, Salem Collo-Julin, and Marc Fischer about social practice and the group's decade long history. The new www.badatsports.com is here! Come check out our redesign! Sunday the 8th we all need to once again make a trek down to Hyde Park to pick up the Artists Run Chicago Digest. In it you will find contributions by Lori Waxman, Dan Gunn, and little ole Bad at Sports! What follows is from http://www.studiochicago.org/arc-release/ Artists Run Chicago Digest Release Sunday, November 8, 2:00 - 5:00pm Hyde Park Art Center 5020 S. Cornell Chicago, IL 60615 Join the Hyde Park Art Center, threewalls and The Green Lantern Press, as they celebrate the release of the Artists Run Chicago Digest. The A.R.C. Digest: Published by threewalls and The Green Lantern Press, The Artists Run Chicago Di... This week for your listening pleasure Bad at Sports has dispatched Shannon Stratton and Duncan MacKenzie to Illinois' glorious Kankakee to meet up with the artists of Temporary Services. They query Brett Bloom, Salem Collo-Julin, and Marc Fischer about social practice and the group's decade long history. The new www.badatsports.com is here! Come check out our redesign! Sunday the 8th we all need to once again make a trek down to Hyde Park to pick up the Artists Run Chicago Digest. In it you will find contributions by Lori Waxman, Dan Gunn, and little ole Bad at Sports! What follows is from http://www.studiochicago.org/arc-release/ Artists Run Chicago Digest Release Sunday, November 8, 2:00 - 5:00pm Hyde Park Art Center 5020 S. Cornell Chicago, IL 60615 Join the Hyde Park Art Center, threewalls and The Green Lantern Press, as they celebrate the release of the Artists Run Chicago Digest. The A.R.C. Digest: Published by threewalls and The Green Lantern Press, The Artists Run Chicago Digest documents Chicago artist-run 'spaces' active between 1999 and 2009 offering a look at the various platforms that often act as extensions to studio practice. As the official catalog of Artists Run Chicago, an exhibition that featured 34 artist-run spaces from around the city from May 10-July 5, 2009 at the Hyde Park Art Center, The A.R.C. Digest acts as compliment to and extension of the exhibition, with interviews, essays, and an audio supplement presenting a 10-year time period in Chicagoâs artist-run culture while providing history, reflection, critique and dialog about artist-run culture, its importance, difficulties, sustainability and necessity as well as its specificity to a community and generation. This week for your listening pleasure Bad at Sports has dispatched Shannon Stratton and Duncan MacKenzie to Illinois' glorious Kankakee to meet up with the artists of Temporary Services. They query Brett Bloom, Salem Collo-Julin, and Marc Fischer about social practice and the group's decade long history. The new www.badatsports.com is here! Come check out our redesign! Sunday the 8th we all need to once again make a trek down to Hyde Park to pick up the Artists Run Chicago Digest. In it you will find contributions by Lori Waxman, Dan Gunn, and little ole Bad at Sports! What follows is from http://www.studiochicago.org/arc-release/ Artists Run Chicago Digest Release Sunday, November 8, 2:00 - 5:00pm Hyde Park Art Center 5020 S. Cornell Chicago, IL 60615 Join the Hyde Park Art Center, threewalls and The Green Lantern Press, as they celebrate the release of the Artists Run Chicago Digest. The A.R.C. Digest: Published by threewalls and The Green Lantern Press, The Artists Run Chicago Digest documents Chicago artist-run 'spaces' active between 1999 and 2009 offering a look at the various platforms that often act as extensions to studio practice. As the official catalog of Artists Run Chicago, an exhibition that featured 34 artist-run spaces from around the city from May 10-July 5, 2009 at the Hyde Park Art Center, The A.R.C. Digest acts as compliment to and extension of the exhibition, with interviews, essays, and an audio supplement presenting a 10-year time period in Chicagoâs artist-run culture while providing history, reflection, critique and dialog about artist-run culture, its importance, difficulties, sustainability and necessity as well as its specificity to a community and generation. tag:odeo.com,2009-11-01,25391074 Sun, 01 Nov 2009 09:25:00 -0800 yes Bad at Sports podcasts http://www.odeo.com/episodes/25386991-Bad-at-Sports-Episode-218-Temporary-Services This week for your listening pleasure Bad at Sports has dispatched Shannon Stratton and Duncan MacKenzie to Illinois' glorious Kankakee to meet up with the artists of Temporary Services. They query Brett Bloom, Salem Collo-Julin, and Marc Fischer about social practice and the group's decade long history. The new www.badatsports.com is here! Come check out our redesign! Sunday the 8th we all need to once again make a trek down to Hyde Park to pick up the Artists Run Chicago Digest. In it you will find contributions by Lori Waxman, Dan Gunn, and little ole Bad at Sports! What follows is from http://www.studiochicago.org/arc-release/ Artists Run Chicago Digest Release Sunday, November 8, 2:00 - 5:00pm Hyde Park Art Center 5020 S. Cornell Chicago, IL 60615 Join the Hyde Park Art Center, threewalls and The Green Lantern Press, as they celebrate the release of the Artists Run Chicago Digest. The A.R.C. Digest: Published by threewalls and The Green Lantern Press, The Artists Run Chicago Di... This week for your listening pleasure Bad at Sports has dispatched Shannon Stratton and Duncan MacKenzie to Illinois' glorious Kankakee to meet up with the artists of Temporary Services. They query Brett Bloom, Salem Collo-Julin, and Marc Fischer about social practice and the group's decade long history. The new www.badatsports.com is here! Come check out our redesign! Sunday the 8th we all need to once again make a trek down to Hyde Park to pick up the Artists Run Chicago Digest. In it you will find contributions by Lori Waxman, Dan Gunn, and little ole Bad at Sports! What follows is from http://www.studiochicago.org/arc-release/ Artists Run Chicago Digest Release Sunday, November 8, 2:00 - 5:00pm Hyde Park Art Center 5020 S. Cornell Chicago, IL 60615 Join the Hyde Park Art Center, threewalls and The Green Lantern Press, as they celebrate the release of the Artists Run Chicago Digest. The A.R.C. Digest: Published by threewalls and The Green Lantern Press, The Artists Run Chicago Digest documents Chicago artist-run 'spaces' active between 1999 and 2009 offering a look at the various platforms that often act as extensions to studio practice. As the official catalog of Artists Run Chicago, an exhibition that featured 34 artist-run spaces from around the city from May 10-July 5, 2009 at the Hyde Park Art Center, The A.R.C. Digest acts as compliment to and extension of the exhibition, with interviews, essays, and an audio supplement presenting a 10-year time period in Chicagoâs artist-run culture while providing history, reflection, critique and dialog about artist-run culture, its importance, difficulties, sustainability and necessity as well as its specificity to a community and generation. This week for your listening pleasure Bad at Sports has dispatched Shannon Stratton and Duncan MacKenzie to Illinois' glorious Kankakee to meet up with the artists of Temporary Services. They query Brett Bloom, Salem Collo-Julin, and Marc Fischer about social practice and the group's decade long history. The new www.badatsports.com is here! Come check out our redesign! Sunday the 8th we all need to once again make a trek down to Hyde Park to pick up the Artists Run Chicago Digest. In it you will find contributions by Lori Waxman, Dan Gunn, and little ole Bad at Sports! What follows is from http://www.studiochicago.org/arc-release/ Artists Run Chicago Digest Release Sunday, November 8, 2:00 - 5:00pm Hyde Park Art Center 5020 S. Cornell Chicago, IL 60615 Join the Hyde Park Art Center, threewalls and The Green Lantern Press, as they celebrate the release of the Artists Run Chicago Digest. The A.R.C. Digest: Published by threewalls and The Green Lantern Press, The Artists Run Chicago Digest documents Chicago artist-run 'spaces' active between 1999 and 2009 offering a look at the various platforms that often act as extensions to studio practice. As the official catalog of Artists Run Chicago, an exhibition that featured 34 artist-run spaces from around the city from May 10-July 5, 2009 at the Hyde Park Art Center, The A.R.C. Digest acts as compliment to and extension of the exhibition, with interviews, essays, and an audio supplement presenting a 10-year time period in Chicagoâs artist-run culture while providing history, reflection, critique and dialog about artist-run culture, its importance, difficulties, sustainability and necessity as well as its specificity to a community and generation. tag:odeo.com,2009-11-01,25386991 Sun, 01 Nov 2009 09:25:00 -0800 yes Bad at Sports podcasts http://www.odeo.com/episodes/25364337-Bad-at-Sports-Episode-217-Kitty-Scott-and-Jan-Verwoert-at-the-Banff-Centre-for-the-Arts This week Duncan and Christian check in from the Banff Centre for the Arts. They sit down with the Director of Visual Arts, Kitty Scott to discuss what the Banff Centre is and does. Then they hijack a moment of performance art to "guerrilla" style interview Jan Verwoert, a contributing editor to Frieze magazine, a regular writer for Afterall and Metropolis M, and the leader of their summer residency. This week Duncan and Christian check in from the Banff Centre for the Arts. They sit down with the Director of Visual Arts, Kitty Scott to discuss what the Banff Centre is and does. Then they hijack a moment of performance art to "guerrilla" style interview Jan Verwoert, a contributing editor to Frieze magazine, a regular writer for Afterall and Metropolis M, and the leader of their summer residency. This week Duncan and Christian check in from the Banff Centre for the Arts. They sit down with the Director of Visual Arts, Kitty Scott to discuss what the Banff Centre is and does. Then they hijack a moment of performance art to "guerrilla" style interview Jan Verwoert, a contributing editor to Frieze magazine, a regular writer for Afterall and Metropolis M, and the leader of their summer residency. tag:odeo.com,2009-10-24,25364337 Sat, 24 Oct 2009 09:59:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/25364467-Bad-at-Sports-Episode-217-Kitty-Scott-and-Jan-Verwoert-at-the-Banff-Centre-for-the-Arts This week Duncan and Christian check in from the Banff Centre for the Arts. They sit down with the Director of Visual Arts, Kitty Scott to discuss what the Banff Centre is and does. Then they hijack a moment of performance art to "guerrilla" style interview Jan Verwoert, a contributing editor to Frieze magazine, a regular writer for Afterall and Metropolis M, and the leader of their summer residency. This week Duncan and Christian check in from the Banff Centre for the Arts. They sit down with the Director of Visual Arts, Kitty Scott to discuss what the Banff Centre is and does. Then they hijack a moment of performance art to "guerrilla" style interview Jan Verwoert, a contributing editor to Frieze magazine, a regular writer for Afterall and Metropolis M, and the leader of their summer residency. This week Duncan and Christian check in from the Banff Centre for the Arts. They sit down with the Director of Visual Arts, Kitty Scott to discuss what the Banff Centre is and does. Then they hijack a moment of performance art to "guerrilla" style interview Jan Verwoert, a contributing editor to Frieze magazine, a regular writer for Afterall and Metropolis M, and the leader of their summer residency. tag:odeo.com,2009-10-24,25364467 Sat, 24 Oct 2009 09:59:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/25305360-Bad-at-Sports-Episode-216-WhiteWalls-The-Return-of-the-Book-Review This week Duncan and Richard talk to Anthony Elms about WhiteWalls! Also the book review has made its glorious return. Terri and Joanna review âThe American Painter Emma Dialâ by Samantha Peale. Rejoice and be glad! This week Duncan and Richard talk to Anthony Elms about WhiteWalls! Also the book review has made its glorious return. Terri and Joanna review âThe American Painter Emma Dialâ by Samantha Peale. Rejoice and be glad! This week Duncan and Richard talk to Anthony Elms about WhiteWalls! Also the book review has made its glorious return. Terri and Joanna review âThe American Painter Emma Dialâ by Samantha Peale. Rejoice and be glad! tag:odeo.com,2009-10-17,25305360 Sat, 17 Oct 2009 21:01:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/25305324-Bad-at-Sports-Episode-216-WhiteWalls-The-Return-of-the-Book-Review This week Duncan and Richard talk to Anthony Elms about WhiteWalls! Also the book review has made its glorious return. Terri and Joanna review âThe American Painter Emma Dialâ by Samantha Peale. Rejoice and be glad! This week Duncan and Richard talk to Anthony Elms about WhiteWalls! Also the book review has made its glorious return. Terri and Joanna review âThe American Painter Emma Dialâ by Samantha Peale. Rejoice and be glad! This week Duncan and Richard talk to Anthony Elms about WhiteWalls! Also the book review has made its glorious return. Terri and Joanna review âThe American Painter Emma Dialâ by Samantha Peale. Rejoice and be glad! tag:odeo.com,2009-10-17,25305324 Sat, 17 Oct 2009 21:01:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/25266900-Bad-at-Sports-Episode-215-Paul-Urich This week Bad at Sports has it all: tattoos, surfing accidents, sexual deviants, motorcycle races, newborn babies, starring death in the eye, and a walk down the red carpet at the Emmy's. Brian and Patricia probe artist Paul Urich about the connections between his studio practice and the craft of tattooing. Paul Urich has had exhibtions at the Headlands Center for the Arts, Yerba Buena Center for the Arts, Eleanor Harwood Gallery, Fecal Face Dot Gallery, and created a limited edition sneaker for Nike. This week Bad at Sports has it all: tattoos, surfing accidents, sexual deviants, motorcycle races, newborn babies, starring death in the eye, and a walk down the red carpet at the Emmy's. Brian and Patricia probe artist Paul Urich about the connections between his studio practice and the craft of tattooing. Paul Urich has had exhibtions at the Headlands Center for the Arts, Yerba Buena Center for the Arts, Eleanor Harwood Gallery, Fecal Face Dot Gallery, and created a limited edition sneaker for Nike. This week Bad at Sports has it all: tattoos, surfing accidents, sexual deviants, motorcycle races, newborn babies, starring death in the eye, and a walk down the red carpet at the Emmy's. Brian and Patricia probe artist Paul Urich about the connections between his studio practice and the craft of tattooing. Paul Urich has had exhibtions at the Headlands Center for the Arts, Yerba Buena Center for the Arts, Eleanor Harwood Gallery, Fecal Face Dot Gallery, and created a limited edition sneaker for Nike. tag:odeo.com,2009-10-10,25266900 Sat, 10 Oct 2009 21:01:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/25266902-Bad-at-Sports-Episode-215-Paul-Urich This week Bad at Sports has it all: tattoos, surfing accidents, sexual deviants, motorcycle races, newborn babies, starring death in the eye, and a walk down the red carpet at the Emmy's. Brian and Patricia probe artist Paul Urich about the connections between his studio practice and the craft of tattooing. Paul Urich has had exhibtions at the Headlands Center for the Arts, Yerba Buena Center for the Arts, Eleanor Harwood Gallery, Fecal Face Dot Gallery, and created a limited edition sneaker for Nike. This week Bad at Sports has it all: tattoos, surfing accidents, sexual deviants, motorcycle races, newborn babies, starring death in the eye, and a walk down the red carpet at the Emmy's. Brian and Patricia probe artist Paul Urich about the connections between his studio practice and the craft of tattooing. Paul Urich has had exhibtions at the Headlands Center for the Arts, Yerba Buena Center for the Arts, Eleanor Harwood Gallery, Fecal Face Dot Gallery, and created a limited edition sneaker for Nike. This week Bad at Sports has it all: tattoos, surfing accidents, sexual deviants, motorcycle races, newborn babies, starring death in the eye, and a walk down the red carpet at the Emmy's. Brian and Patricia probe artist Paul Urich about the connections between his studio practice and the craft of tattooing. Paul Urich has had exhibtions at the Headlands Center for the Arts, Yerba Buena Center for the Arts, Eleanor Harwood Gallery, Fecal Face Dot Gallery, and created a limited edition sneaker for Nike. tag:odeo.com,2009-10-10,25266902 Sat, 10 Oct 2009 21:01:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/25232095-Bad-at-Sports-Episode-214-Constellations-Paintings-from-the-MCA-Collection Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:1; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:0 0 0 0 0 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-1610611985 1073750139 0 0 159 0;} @font-face {font-family:Consolas; panose-1:2 11 6 9 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:modern; mso-font-pitch:fixed; mso-font-signature:-1610611985 1073750091 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0in; margin-right:0in; margin-bottom:10.0pt; margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11... 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Stolen liberally from the MCA website: This exhibition explores various approaches to painting and how it communicates ideas about life and art from the 1940s to the present. Arranged in a series of constellations, or groupings, the exhibition highlights for the first time the MCA Collection's particular strengths in this medium. Augmented by major works from important private collections to fill gaps in the MCA Collection and to provide examples of recent works made during the last few years, the exhibition includes work by approximately 75 of the most important artists of the last sixty years including Chuck Close, Andy Warhol, Gerhard Richter, Jasper Johns, Lari Pittman, Rudolf Stingel, Clare Rojas, Laura Owens, Josef Albers, Rene Magritte, Francis Bacon, Brice Marden, Caroll Dunham, Thomas Scheibitz, Jean Dubuffet, Sherrie Levine, Jules Olitski, Kenneth Noland, Sigmar Polke, Rebecca Morris, Roberto Matta, and Yves Tanguy, among others. Featured Chicago artists include Angel Otero, Wesley Kimler, Kerry James Marshall, Judy Ledgerwood, Scott Reeder, Michelle Grabner, Marie Krane Bergman, and Vera Klement. This exhibition explores questions about the current state and future of painting by creating a dialogue with works from the past. These conversations within each section stimulate ideas about painting that are not limited to chronology or specific art historical narratives, but follow lines of thought. Within the exhibition, the constellations aim to make connections through the various interests, positions, styles, and histories that artists address within their approach to painting. For example, Constellations explores approaches to the landscape and figure, so-called "bad" painting, appropriation and collage in painting, the critique of illusion in painting, form and color, and paintings that exist in-between representation and abstraction. All of the works in this exhibition are united by the use of paint, a brush, and a support to emphasize the complex and varied manner in which artists use similar materials. This exhibition does not seek to redefine what can be considered a painting, but rather examines how it endures as a vibrant art form, more than 100 years after it was proclaimed "dead" at the advent of photography. Clearly there is no correct way, which is why painting continues to be a source of stimulating conversation and debate. From the perspective of the artist and viewer, painting is a subjective experience. This exhibition is organized by Julie Rodrigues Widholm, Pamela Alper Associate Curator. Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:1; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:0 0 0 0 0 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-1610611985 1073750139 0 0 159 0;} @font-face {font-family:Consolas; panose-1:2 11 6 9 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:modern; mso-font-pitch:fixed; mso-font-signature:-1610611985 1073750091 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0in; margin-right:0in; margin-bottom:10.0pt; margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} p.MsoPlainText, li.MsoPlainText, div.MsoPlainText {mso-style-priority:99; mso-style-link:"Plain Text Char"; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.5pt; font-family:Consolas; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} span.PlainTextChar {mso-style-name:"Plain Text Char"; mso-style-priority:99; mso-style-unhide:no; mso-style-locked:yes; mso-style-link:"Plain Text"; mso-ansi-font-size:10.5pt; mso-bidi-font-size:10.5pt; font-family:Consolas; mso-ascii-font-family:Consolas; mso-hansi-font-family:Consolas;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} .MsoPapDefault {mso-style-type:export-only; margin-bottom:10.0pt; line-height:115%;} @page Section1 {size:8.5in 11.0in; margin:1.0in 75.1pt 1.0in 75.05pt; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin;} This week: Duncan leads a panel discussion on the the state of painting and current MCA exhibition Constellations: Paintings from the MCA Collection(which closes October 18th!) the panel consists of Artists Vera Klement and Wesley Kimler, Artletter.com's Paul Klein and exhibition curator Julie Rodrigues Widholm! Stolen liberally from the MCA website: This exhibition explores various approaches to painting and how it communicates ideas about life and art from the 1940s to the present. Arranged in a series of constellations, or groupings, the exhibition highlights for the first time the MCA Collection's particular strengths in this medium. Augmented by major works from important private collections to fill gaps in the MCA Collection and to provide examples of recent works made during the last few years, the exhibition includes work by approximately 75 of the most important artists of the last sixty years including Chuck Close, Andy Warhol, Gerhard Richter, Jasper Johns, Lari Pittman, Rudolf Stingel, Clare Rojas, Laura Owens, Josef Albers, Rene Magritte, Francis Bacon, Brice Marden, Caroll Dunham, Thomas Scheibitz, Jean Dubuffet, Sherrie Levine, Jules Olitski, Kenneth Noland, Sigmar Polke, Rebecca Morris, Roberto Matta, and Yves Tanguy, among others. Featured Chicago artists include Angel Otero, Wesley Kimler, Kerry James Marshall, Judy Ledgerwood, Scott Reeder, Michelle Grabner, Marie Krane Bergman, and Vera Klement. This exhibition explores questions about the current state and future of painting by creating a dialogue with works from the past. These conversations within each section stimulate ideas about painting that are not limited to chronology or specific art historical narratives, but follow lines of thought. Within the exhibition, the constellations aim to make connections through the various interests, positions, styles, and histories that artists address within their approach to painting. For example, Constellations explores approaches to the landscape and figure, so-called "bad" painting, appropriation and collage in painting, the critique of illusion in painting, form and color, and paintings that exist in-between representation and abstraction. All of the works in this exhibition are united by the use of paint, a brush, and a support to emphasize the complex and varied manner in which artists use similar materials. This exhibition does not seek to redefine what can be considered a painting, but rather examines how it endures as a vibrant art form, more than 100 years after it was proclaimed "dead" at the advent of photography. Clearly there is no correct way, which is why painting continues to be a source of stimulating conversation and debate. From the perspective of the artist and viewer, painting is a subjective experience. This exhibition is organized by Julie Rodrigues Widholm, Pamela Alper Associate Curator. tag:odeo.com,2009-10-04,25232095 Sun, 04 Oct 2009 11:50:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/25232106-Bad-at-Sports-Episode-214-Constellations-Paintings-from-the-MCA-Collection Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:1; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:0 0 0 0 0 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-1610611985 1073750139 0 0 159 0;} @font-face {font-family:Consolas; panose-1:2 11 6 9 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:modern; mso-font-pitch:fixed; mso-font-signature:-1610611985 1073750091 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0in; margin-right:0in; margin-bottom:10.0pt; margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11... 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Stolen liberally from the MCA website: This exhibition explores various approaches to painting and how it communicates ideas about life and art from the 1940s to the present. Arranged in a series of constellations, or groupings, the exhibition highlights for the first time the MCA Collection's particular strengths in this medium. Augmented by major works from important private collections to fill gaps in the MCA Collection and to provide examples of recent works made during the last few years, the exhibition includes work by approximately 75 of the most important artists of the last sixty years including Chuck Close, Andy Warhol, Gerhard Richter, Jasper Johns, Lari Pittman, Rudolf Stingel, Clare Rojas, Laura Owens, Josef Albers, Rene Magritte, Francis Bacon, Brice Marden, Caroll Dunham, Thomas Scheibitz, Jean Dubuffet, Sherrie Levine, Jules Olitski, Kenneth Noland, Sigmar Polke, Rebecca Morris, Roberto Matta, and Yves Tanguy, among others. Featured Chicago artists include Angel Otero, Wesley Kimler, Kerry James Marshall, Judy Ledgerwood, Scott Reeder, Michelle Grabner, Marie Krane Bergman, and Vera Klement. This exhibition explores questions about the current state and future of painting by creating a dialogue with works from the past. These conversations within each section stimulate ideas about painting that are not limited to chronology or specific art historical narratives, but follow lines of thought. Within the exhibition, the constellations aim to make connections through the various interests, positions, styles, and histories that artists address within their approach to painting. For example, Constellations explores approaches to the landscape and figure, so-called "bad" painting, appropriation and collage in painting, the critique of illusion in painting, form and color, and paintings that exist in-between representation and abstraction. All of the works in this exhibition are united by the use of paint, a brush, and a support to emphasize the complex and varied manner in which artists use similar materials. This exhibition does not seek to redefine what can be considered a painting, but rather examines how it endures as a vibrant art form, more than 100 years after it was proclaimed "dead" at the advent of photography. Clearly there is no correct way, which is why painting continues to be a source of stimulating conversation and debate. From the perspective of the artist and viewer, painting is a subjective experience. This exhibition is organized by Julie Rodrigues Widholm, Pamela Alper Associate Curator. Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:1; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:0 0 0 0 0 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-1610611985 1073750139 0 0 159 0;} @font-face {font-family:Consolas; panose-1:2 11 6 9 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:modern; mso-font-pitch:fixed; mso-font-signature:-1610611985 1073750091 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0in; margin-right:0in; margin-bottom:10.0pt; margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} p.MsoPlainText, li.MsoPlainText, div.MsoPlainText {mso-style-priority:99; mso-style-link:"Plain Text Char"; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.5pt; font-family:Consolas; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} span.PlainTextChar {mso-style-name:"Plain Text Char"; mso-style-priority:99; mso-style-unhide:no; mso-style-locked:yes; mso-style-link:"Plain Text"; mso-ansi-font-size:10.5pt; mso-bidi-font-size:10.5pt; font-family:Consolas; mso-ascii-font-family:Consolas; mso-hansi-font-family:Consolas;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} .MsoPapDefault {mso-style-type:export-only; margin-bottom:10.0pt; line-height:115%;} @page Section1 {size:8.5in 11.0in; margin:1.0in 75.1pt 1.0in 75.05pt; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin;} This week: Duncan leads a panel discussion on the the state of painting and current MCA exhibition Constellations: Paintings from the MCA Collection(which closes October 18th!) the panel consists of Artists Vera Klement and Wesley Kimler, Artletter.com's Paul Klein and exhibition curator Julie Rodrigues Widholm! Stolen liberally from the MCA website: This exhibition explores various approaches to painting and how it communicates ideas about life and art from the 1940s to the present. Arranged in a series of constellations, or groupings, the exhibition highlights for the first time the MCA Collection's particular strengths in this medium. Augmented by major works from important private collections to fill gaps in the MCA Collection and to provide examples of recent works made during the last few years, the exhibition includes work by approximately 75 of the most important artists of the last sixty years including Chuck Close, Andy Warhol, Gerhard Richter, Jasper Johns, Lari Pittman, Rudolf Stingel, Clare Rojas, Laura Owens, Josef Albers, Rene Magritte, Francis Bacon, Brice Marden, Caroll Dunham, Thomas Scheibitz, Jean Dubuffet, Sherrie Levine, Jules Olitski, Kenneth Noland, Sigmar Polke, Rebecca Morris, Roberto Matta, and Yves Tanguy, among others. Featured Chicago artists include Angel Otero, Wesley Kimler, Kerry James Marshall, Judy Ledgerwood, Scott Reeder, Michelle Grabner, Marie Krane Bergman, and Vera Klement. This exhibition explores questions about the current state and future of painting by creating a dialogue with works from the past. These conversations within each section stimulate ideas about painting that are not limited to chronology or specific art historical narratives, but follow lines of thought. Within the exhibition, the constellations aim to make connections through the various interests, positions, styles, and histories that artists address within their approach to painting. For example, Constellations explores approaches to the landscape and figure, so-called "bad" painting, appropriation and collage in painting, the critique of illusion in painting, form and color, and paintings that exist in-between representation and abstraction. All of the works in this exhibition are united by the use of paint, a brush, and a support to emphasize the complex and varied manner in which artists use similar materials. This exhibition does not seek to redefine what can be considered a painting, but rather examines how it endures as a vibrant art form, more than 100 years after it was proclaimed "dead" at the advent of photography. Clearly there is no correct way, which is why painting continues to be a source of stimulating conversation and debate. From the perspective of the artist and viewer, painting is a subjective experience. This exhibition is organized by Julie Rodrigues Widholm, Pamela Alper Associate Curator. tag:odeo.com,2009-10-04,25232106 Sun, 04 Oct 2009 11:50:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/25193690-Bad-at-Sports-Episode-213-Rob-Davis-and-Michael-Langlois This week we return to Chicago's magic love and check in with a few local heroes, Rob Davis and Michael Langlois. Fresh from shows in New York and Berlin, they have returned home to a run of great exhibitions starting with the Cultural Center in January and rolling up to the current 12 x 12 at the MCA. They join us to chat about painting, perspectives on art history, collaboration and show making in the contemporary context, while always draping one hand back to tradition. The outro has a guest commentator with a message for Joseph Mohan. After that there is a special surprise for those who hang about for end of the credits. Or maybe not. I thought it was funny. This week we return to Chicago's magic love and check in with a few local heroes, Rob Davis and Michael Langlois. Fresh from shows in New York and Berlin, they have returned home to a run of great exhibitions starting with the Cultural Center in January and rolling up to the current 12 x 12 at the MCA. They join us to chat about painting, perspectives on art history, collaboration and show making in the contemporary context, while always draping one hand back to tradition. The outro has a guest commentator with a message for Joseph Mohan. After that there is a special surprise for those who hang about for end of the credits. Or maybe not. I thought it was funny. This week we return to Chicago's magic love and check in with a few local heroes, Rob Davis and Michael Langlois. Fresh from shows in New York and Berlin, they have returned home to a run of great exhibitions starting with the Cultural Center in January and rolling up to the current 12 x 12 at the MCA. They join us to chat about painting, perspectives on art history, collaboration and show making in the contemporary context, while always draping one hand back to tradition. The outro has a guest commentator with a message for Joseph Mohan. After that there is a special surprise for those who hang about for end of the credits. Or maybe not. I thought it was funny. tag:odeo.com,2009-09-26,25193690 Sat, 26 Sep 2009 22:59:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/25193705-Bad-at-Sports-Episode-213-Rob-Davis-and-Michael-Langlois This week we return to Chicago's magic love and check in with a few local heroes, Rob Davis and Michael Langlois. Fresh from shows in New York and Berlin, they have returned home to a run of great exhibitions starting with the Cultural Center in January and rolling up to the current 12 x 12 at the MCA. They join us to chat about painting, perspectives on art history, collaboration and show making in the contemporary context, while always draping one hand back to tradition. The outro has a guest commentator with a message for Joseph Mohan. After that there is a special surprise for those who hang about for end of the credits. Or maybe not. I thought it was funny. This week we return to Chicago's magic love and check in with a few local heroes, Rob Davis and Michael Langlois. Fresh from shows in New York and Berlin, they have returned home to a run of great exhibitions starting with the Cultural Center in January and rolling up to the current 12 x 12 at the MCA. They join us to chat about painting, perspectives on art history, collaboration and show making in the contemporary context, while always draping one hand back to tradition. The outro has a guest commentator with a message for Joseph Mohan. After that there is a special surprise for those who hang about for end of the credits. Or maybe not. I thought it was funny. This week we return to Chicago's magic love and check in with a few local heroes, Rob Davis and Michael Langlois. Fresh from shows in New York and Berlin, they have returned home to a run of great exhibitions starting with the Cultural Center in January and rolling up to the current 12 x 12 at the MCA. They join us to chat about painting, perspectives on art history, collaboration and show making in the contemporary context, while always draping one hand back to tradition. The outro has a guest commentator with a message for Joseph Mohan. After that there is a special surprise for those who hang about for end of the credits. Or maybe not. I thought it was funny. tag:odeo.com,2009-09-26,25193705 Sat, 26 Sep 2009 22:59:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/25155144-Bad-at-Sports-Episode-212-Jay-Wolke This week: Duncan and guest interviewer (who really does most of the interviewing while Duncan slumbers) Anna Kunz talk to artist and educator Jay Wolke! This entertaining and at times wacky interview is not to be missed. As you listen to this you can think to yourself; "I wonder what general zaniness was in the 10 minutes Richard chopped out of this show for the purposes of brevity and flow", but you can rest comfortable that most of it consisted of Anna giving Duncan a hard time. Do not miss the longest, most unfocused and rant laden outro/credits in the history of the show, where Richard and Duncan are interrupted by Buses, the El, a panhandler, and Richard's spontaneous rant about a cop on a Segway smoking a cigarette. This spawns a discussion about the ascendancy of "douchebag" in the contemporary lexicon. Wow. That is a lot of quality show! Lifted shamelessly for somewhere else: Jay Wolke is professor and chair of the department of art and design at Columbi... This week: Duncan and guest interviewer (who really does most of the interviewing while Duncan slumbers) Anna Kunz talk to artist and educator Jay Wolke! This entertaining and at times wacky interview is not to be missed. As you listen to this you can think to yourself; "I wonder what general zaniness was in the 10 minutes Richard chopped out of this show for the purposes of brevity and flow", but you can rest comfortable that most of it consisted of Anna giving Duncan a hard time. Do not miss the longest, most unfocused and rant laden outro/credits in the history of the show, where Richard and Duncan are interrupted by Buses, the El, a panhandler, and Richard's spontaneous rant about a cop on a Segway smoking a cigarette. This spawns a discussion about the ascendancy of "douchebag" in the contemporary lexicon. Wow. That is a lot of quality show! Lifted shamelessly for somewhere else: Jay Wolke is professor and chair of the department of art and design at Columbia College Chicago, and the author of All Around the House: Photographs of American-Jewish Communal Life. Dominic A. Pacyga is a professor at Columbia College Chicago, and the author and editor of numerous books on Chicago's history, including Polish Immigrants and Industrial Chicago and Chicago, both published by the University of Chicago Press. This week: Duncan and guest interviewer (who really does most of the interviewing while Duncan slumbers) Anna Kunz talk to artist and educator Jay Wolke! This entertaining and at times wacky interview is not to be missed. As you listen to this you can think to yourself; "I wonder what general zaniness was in the 10 minutes Richard chopped out of this show for the purposes of brevity and flow", but you can rest comfortable that most of it consisted of Anna giving Duncan a hard time. Do not miss the longest, most unfocused and rant laden outro/credits in the history of the show, where Richard and Duncan are interrupted by Buses, the El, a panhandler, and Richard's spontaneous rant about a cop on a Segway smoking a cigarette. This spawns a discussion about the ascendancy of "douchebag" in the contemporary lexicon. Wow. That is a lot of quality show! Lifted shamelessly for somewhere else: Jay Wolke is professor and chair of the department of art and design at Columbia College Chicago, and the author of All Around the House: Photographs of American-Jewish Communal Life. Dominic A. Pacyga is a professor at Columbia College Chicago, and the author and editor of numerous books on Chicago's history, including Polish Immigrants and Industrial Chicago and Chicago, both published by the University of Chicago Press. tag:odeo.com,2009-09-20,25155144 Sun, 20 Sep 2009 05:50:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/25155162-Bad-at-Sports-Episode-212-Jay-Wolke This week: Duncan and guest interviewer (who really does most of the interviewing while Duncan slumbers) Anna Kunz talk to artist and educator Jay Wolke! This entertaining and at times wacky interview is not to be missed. As you listen to this you can think to yourself; "I wonder what general zaniness was in the 10 minutes Richard chopped out of this show for the purposes of brevity and flow", but you can rest comfortable that most of it consisted of Anna giving Duncan a hard time. Do not miss the longest, most unfocused and rant laden outro/credits in the history of the show, where Richard and Duncan are interrupted by Buses, the El, a panhandler, and Richard's spontaneous rant about a cop on a Segway smoking a cigarette. This spawns a discussion about the ascendancy of "douchebag" in the contemporary lexicon. Wow. That is a lot of quality show! Lifted shamelessly for somewhere else: Jay Wolke is professor and chair of the department of art and design at Columbi... This week: Duncan and guest interviewer (who really does most of the interviewing while Duncan slumbers) Anna Kunz talk to artist and educator Jay Wolke! This entertaining and at times wacky interview is not to be missed. As you listen to this you can think to yourself; "I wonder what general zaniness was in the 10 minutes Richard chopped out of this show for the purposes of brevity and flow", but you can rest comfortable that most of it consisted of Anna giving Duncan a hard time. Do not miss the longest, most unfocused and rant laden outro/credits in the history of the show, where Richard and Duncan are interrupted by Buses, the El, a panhandler, and Richard's spontaneous rant about a cop on a Segway smoking a cigarette. This spawns a discussion about the ascendancy of "douchebag" in the contemporary lexicon. Wow. That is a lot of quality show! Lifted shamelessly for somewhere else: Jay Wolke is professor and chair of the department of art and design at Columbia College Chicago, and the author of All Around the House: Photographs of American-Jewish Communal Life. Dominic A. Pacyga is a professor at Columbia College Chicago, and the author and editor of numerous books on Chicago's history, including Polish Immigrants and Industrial Chicago and Chicago, both published by the University of Chicago Press. This week: Duncan and guest interviewer (who really does most of the interviewing while Duncan slumbers) Anna Kunz talk to artist and educator Jay Wolke! This entertaining and at times wacky interview is not to be missed. As you listen to this you can think to yourself; "I wonder what general zaniness was in the 10 minutes Richard chopped out of this show for the purposes of brevity and flow", but you can rest comfortable that most of it consisted of Anna giving Duncan a hard time. Do not miss the longest, most unfocused and rant laden outro/credits in the history of the show, where Richard and Duncan are interrupted by Buses, the El, a panhandler, and Richard's spontaneous rant about a cop on a Segway smoking a cigarette. This spawns a discussion about the ascendancy of "douchebag" in the contemporary lexicon. Wow. That is a lot of quality show! Lifted shamelessly for somewhere else: Jay Wolke is professor and chair of the department of art and design at Columbia College Chicago, and the author of All Around the House: Photographs of American-Jewish Communal Life. Dominic A. Pacyga is a professor at Columbia College Chicago, and the author and editor of numerous books on Chicago's history, including Polish Immigrants and Industrial Chicago and Chicago, both published by the University of Chicago Press. tag:odeo.com,2009-09-20,25155162 Sun, 20 Sep 2009 05:50:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/25112192-Bad-at-Sports-Episode-211-Helidon-Gjergji This week Tom and Amanda talk to artist Helidon Gjergji! This week Tom and Amanda talk to artist Helidon Gjergji! This week Tom and Amanda talk to artist Helidon Gjergji! tag:odeo.com,2009-09-12,25112192 Sat, 12 Sep 2009 09:43:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/25112194-Bad-at-Sports-Episode-211-Helidon-Gjergji This week Tom and Amanda talk to artist Helidon Gjergji! This week Tom and Amanda talk to artist Helidon Gjergji! This week Tom and Amanda talk to artist Helidon Gjergji! tag:odeo.com,2009-09-12,25112194 Sat, 12 Sep 2009 09:43:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/25083400-Bad-at-Sports-Episode-210-Madeleine-Grynsztejn   Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-1610611985 1107304683 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman","serif"; mso-fareast-font-family:"Times New Roman";} h1 {mso-style-unhide:no; mso-style-qformat:yes; mso-style-link:"Heading 1 Char"; mso-margin-top-alt:auto; margin-right:0in; mso-margin-bottom-alt:auto; margin-left:0in; mso-pagination:widow-orphan; mso-outline-level:1; font-size:24.0pt; font-family:"Times New Roman&am...   Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-1610611985 1107304683 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman","serif"; mso-fareast-font-family:"Times New Roman";} h1 {mso-style-unhide:no; mso-style-qformat:yes; mso-style-link:"Heading 1 Char"; mso-margin-top-alt:auto; margin-right:0in; mso-margin-bottom-alt:auto; margin-left:0in; mso-pagination:widow-orphan; mso-outline-level:1; font-size:24.0pt; font-family:"Times New Roman","serif";} span.Heading1Char {mso-style-name:"Heading 1 Char"; mso-style-unhide:no; mso-style-locked:yes; mso-style-link:"Heading 1"; mso-ansi-font-size:24.0pt; mso-bidi-font-size:24.0pt; mso-font-kerning:18.0pt; font-weight:bold;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-size:10.0pt; mso-ansi-font-size:10.0pt; mso-bidi-font-size:10.0pt;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.0in 1.0in 1.0in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} This week: Duncan and Richard talk to Madeleine Grynsztejn, the new Director of the Museum of Contemporary Art, Chicago! Stolen liberally from the MCA website, with a bit of BAS embellishment:   Grynsztejn was born in Lima, Peru, and raised in Caracas, Venezuela, and London, England. She studied at the Sorbonne in Paris and received her BA in art history and French from Newcomb College of Tulane University, and her MA in art history from Columbia University. She is a former Helena Rubenstein Fellow at the Whitney Museum of American Art, and a 2007 graduate of the Getty Foundationâs Museum Leadership Institute. Grynsztejn has written, lectured, and taught extensively on contemporary art. She served as a panelist for the National Endowment for the Arts and the Galeria de Arte Nacional in Caracas, among other agencies. She acted as a juror for the Emily Hall Tremaine Foundation, the American Academy in Rome, the Munich Kunstpreis in Germany, and the Tiffany Foundation Biennial Awards. She has also served on the advisory committees for the Brooklyn Academy of Music and the American Center in Paris. She is fluent in English, Spanish, and French. Her husband, Tom Shapiro, is a marketing consultant and a damn nice guy. Yes, Bad at Sports added the âdamn nice guyâ part, the MCA would never be so inappropriately casual in a blurb! How dare us. The nerve! It's true though, he really is nice.   Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-1610611985 1107304683 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman","serif"; mso-fareast-font-family:"Times New Roman";} h1 {mso-style-unhide:no; mso-style-qformat:yes; mso-style-link:"Heading 1 Char"; mso-margin-top-alt:auto; margin-right:0in; mso-margin-bottom-alt:auto; margin-left:0in; mso-pagination:widow-orphan; mso-outline-level:1; font-size:24.0pt; font-family:"Times New Roman","serif";} span.Heading1Char {mso-style-name:"Heading 1 Char"; mso-style-unhide:no; mso-style-locked:yes; mso-style-link:"Heading 1"; mso-ansi-font-size:24.0pt; mso-bidi-font-size:24.0pt; mso-font-kerning:18.0pt; font-weight:bold;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-size:10.0pt; mso-ansi-font-size:10.0pt; mso-bidi-font-size:10.0pt;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.0in 1.0in 1.0in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} This week: Duncan and Richard talk to Madeleine Grynsztejn, the new Director of the Museum of Contemporary Art, Chicago! Stolen liberally from the MCA website, with a bit of BAS embellishment:   Grynsztejn was born in Lima, Peru, and raised in Caracas, Venezuela, and London, England. She studied at the Sorbonne in Paris and received her BA in art history and French from Newcomb College of Tulane University, and her MA in art history from Columbia University. She is a former Helena Rubenstein Fellow at the Whitney Museum of American Art, and a 2007 graduate of the Getty Foundationâs Museum Leadership Institute. Grynsztejn has written, lectured, and taught extensively on contemporary art. She served as a panelist for the National Endowment for the Arts and the Galeria de Arte Nacional in Caracas, among other agencies. She acted as a juror for the Emily Hall Tremaine Foundation, the American Academy in Rome, the Munich Kunstpreis in Germany, and the Tiffany Foundation Biennial Awards. She has also served on the advisory committees for the Brooklyn Academy of Music and the American Center in Paris. She is fluent in English, Spanish, and French. Her husband, Tom Shapiro, is a marketing consultant and a damn nice guy. Yes, Bad at Sports added the âdamn nice guyâ part, the MCA would never be so inappropriately casual in a blurb! How dare us. The nerve! It's true though, he really is nice. tag:odeo.com,2009-09-06,25083400 Sun, 06 Sep 2009 20:10:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/25083404-Bad-at-Sports-Episode-210-Madeleine-Grynsztejn   Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-1610611985 1107304683 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman","serif"; mso-fareast-font-family:"Times New Roman";} h1 {mso-style-unhide:no; mso-style-qformat:yes; mso-style-link:"Heading 1 Char"; mso-margin-top-alt:auto; margin-right:0in; mso-margin-bottom-alt:auto; margin-left:0in; mso-pagination:widow-orphan; mso-outline-level:1; font-size:24.0pt; font-family:"Times New Roman&am...   Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-1610611985 1107304683 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman","serif"; mso-fareast-font-family:"Times New Roman";} h1 {mso-style-unhide:no; mso-style-qformat:yes; mso-style-link:"Heading 1 Char"; mso-margin-top-alt:auto; margin-right:0in; mso-margin-bottom-alt:auto; margin-left:0in; mso-pagination:widow-orphan; mso-outline-level:1; font-size:24.0pt; font-family:"Times New Roman","serif";} span.Heading1Char {mso-style-name:"Heading 1 Char"; mso-style-unhide:no; mso-style-locked:yes; mso-style-link:"Heading 1"; mso-ansi-font-size:24.0pt; mso-bidi-font-size:24.0pt; mso-font-kerning:18.0pt; font-weight:bold;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-size:10.0pt; mso-ansi-font-size:10.0pt; mso-bidi-font-size:10.0pt;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.0in 1.0in 1.0in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} This week: Duncan and Richard talk to Madeleine Grynsztejn, the new Director of the Museum of Contemporary Art, Chicago! Stolen liberally from the MCA website, with a bit of BAS embellishment:   Grynsztejn was born in Lima, Peru, and raised in Caracas, Venezuela, and London, England. She studied at the Sorbonne in Paris and received her BA in art history and French from Newcomb College of Tulane University, and her MA in art history from Columbia University. She is a former Helena Rubenstein Fellow at the Whitney Museum of American Art, and a 2007 graduate of the Getty Foundationâs Museum Leadership Institute. Grynsztejn has written, lectured, and taught extensively on contemporary art. She served as a panelist for the National Endowment for the Arts and the Galeria de Arte Nacional in Caracas, among other agencies. She acted as a juror for the Emily Hall Tremaine Foundation, the American Academy in Rome, the Munich Kunstpreis in Germany, and the Tiffany Foundation Biennial Awards. She has also served on the advisory committees for the Brooklyn Academy of Music and the American Center in Paris. She is fluent in English, Spanish, and French. Her husband, Tom Shapiro, is a marketing consultant and a damn nice guy. Yes, Bad at Sports added the âdamn nice guyâ part, the MCA would never be so inappropriately casual in a blurb! How dare us. The nerve! It's true though, he really is nice.   Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-1610611985 1107304683 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman","serif"; mso-fareast-font-family:"Times New Roman";} h1 {mso-style-unhide:no; mso-style-qformat:yes; mso-style-link:"Heading 1 Char"; mso-margin-top-alt:auto; margin-right:0in; mso-margin-bottom-alt:auto; margin-left:0in; mso-pagination:widow-orphan; mso-outline-level:1; font-size:24.0pt; font-family:"Times New Roman","serif";} span.Heading1Char {mso-style-name:"Heading 1 Char"; mso-style-unhide:no; mso-style-locked:yes; mso-style-link:"Heading 1"; mso-ansi-font-size:24.0pt; mso-bidi-font-size:24.0pt; mso-font-kerning:18.0pt; font-weight:bold;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-size:10.0pt; mso-ansi-font-size:10.0pt; mso-bidi-font-size:10.0pt;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.0in 1.0in 1.0in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} This week: Duncan and Richard talk to Madeleine Grynsztejn, the new Director of the Museum of Contemporary Art, Chicago! Stolen liberally from the MCA website, with a bit of BAS embellishment:   Grynsztejn was born in Lima, Peru, and raised in Caracas, Venezuela, and London, England. She studied at the Sorbonne in Paris and received her BA in art history and French from Newcomb College of Tulane University, and her MA in art history from Columbia University. She is a former Helena Rubenstein Fellow at the Whitney Museum of American Art, and a 2007 graduate of the Getty Foundationâs Museum Leadership Institute. Grynsztejn has written, lectured, and taught extensively on contemporary art. She served as a panelist for the National Endowment for the Arts and the Galeria de Arte Nacional in Caracas, among other agencies. She acted as a juror for the Emily Hall Tremaine Foundation, the American Academy in Rome, the Munich Kunstpreis in Germany, and the Tiffany Foundation Biennial Awards. She has also served on the advisory committees for the Brooklyn Academy of Music and the American Center in Paris. She is fluent in English, Spanish, and French. Her husband, Tom Shapiro, is a marketing consultant and a damn nice guy. Yes, Bad at Sports added the âdamn nice guyâ part, the MCA would never be so inappropriately casual in a blurb! How dare us. The nerve! It's true though, he really is nice. tag:odeo.com,2009-09-06,25083404 Sun, 06 Sep 2009 20:10:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/25047500-Bad-at-Sports-Episode-209-Mary-Jane-Jacob This week Duncan sneaks into The School of the Art Institute of Chicago to interview Mary Jane Jacob, Professor and Executive Director of Exhibitions.  Mary Jane Jacob's name is synonymous with the phrase "art as social practice" or the field of art that is now more widely known as "Relational Aesthetics."  Jacob was at the center of the nineties debate about what was and could be considered an art object/experience and was putting on festivals, exhibitions, and public art programming that expanded our art consciousness long before Bourriaud "sexy-ed" up the field with his now seminal book. Aside from being a former Chief Curator at the MCA Chicago and LA MoCA, Jacob was also the person behind "Culture in Action," Chicago's progressive, but widely debated 90's public arts program. She is the author/co-author of several books including, "Learning Mind: Experience into Art," "Buddha Mind in Contemporary Art," "... This week Duncan sneaks into The School of the Art Institute of Chicago to interview Mary Jane Jacob, Professor and Executive Director of Exhibitions.  Mary Jane Jacob's name is synonymous with the phrase "art as social practice" or the field of art that is now more widely known as "Relational Aesthetics."  Jacob was at the center of the nineties debate about what was and could be considered an art object/experience and was putting on festivals, exhibitions, and public art programming that expanded our art consciousness long before Bourriaud "sexy-ed" up the field with his now seminal book. Aside from being a former Chief Curator at the MCA Chicago and LA MoCA, Jacob was also the person behind "Culture in Action," Chicago's progressive, but widely debated 90's public arts program. She is the author/co-author of several books including, "Learning Mind: Experience into Art," "Buddha Mind in Contemporary Art," "Culture in Action: A Public Art Program of Sculpture Chicago," "Conversations at The Castle: Changing Audiences and Contemporary Art," and "On the Being of Being an Artist." She is the recipient of many grants, awards, fellowships and residencies, amongst the most notable are the Peter Norton Family Foundation, the National Endowment for the Humanities and National Endowment for the Arts, Rockefeller Foundation, Bellagio Study Center Residency, and the Getty Residency Program. This week Duncan sneaks into The School of the Art Institute of Chicago to interview Mary Jane Jacob, Professor and Executive Director of Exhibitions.  Mary Jane Jacob's name is synonymous with the phrase "art as social practice" or the field of art that is now more widely known as "Relational Aesthetics."  Jacob was at the center of the nineties debate about what was and could be considered an art object/experience and was putting on festivals, exhibitions, and public art programming that expanded our art consciousness long before Bourriaud "sexy-ed" up the field with his now seminal book. Aside from being a former Chief Curator at the MCA Chicago and LA MoCA, Jacob was also the person behind "Culture in Action," Chicago's progressive, but widely debated 90's public arts program. She is the author/co-author of several books including, "Learning Mind: Experience into Art," "Buddha Mind in Contemporary Art," "Culture in Action: A Public Art Program of Sculpture Chicago," "Conversations at The Castle: Changing Audiences and Contemporary Art," and "On the Being of Being an Artist." She is the recipient of many grants, awards, fellowships and residencies, amongst the most notable are the Peter Norton Family Foundation, the National Endowment for the Humanities and National Endowment for the Arts, Rockefeller Foundation, Bellagio Study Center Residency, and the Getty Residency Program. tag:odeo.com,2009-08-30,25047500 Sun, 30 Aug 2009 17:53:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/25047516-Bad-at-Sports-Episode-209-Mary-Jane-Jacob This week Duncan sneaks into The School of the Art Institute of Chicago to interview Mary Jane Jacob, Professor and Executive Director of Exhibitions.  Mary Jane Jacob's name is synonymous with the phrase "art as social practice" or the field of art that is now more widely known as "Relational Aesthetics."  Jacob was at the center of the nineties debate about what was and could be considered an art object/experience and was putting on festivals, exhibitions, and public art programming that expanded our art consciousness long before Bourriaud "sexy-ed" up the field with his now seminal book. Aside from being a former Chief Curator at the MCA Chicago and LA MoCA, Jacob was also the person behind "Culture in Action," Chicago's progressive, but widely debated 90's public arts program. She is the author/co-author of several books including, "Learning Mind: Experience into Art," "Buddha Mind in Contemporary Art," "... This week Duncan sneaks into The School of the Art Institute of Chicago to interview Mary Jane Jacob, Professor and Executive Director of Exhibitions.  Mary Jane Jacob's name is synonymous with the phrase "art as social practice" or the field of art that is now more widely known as "Relational Aesthetics."  Jacob was at the center of the nineties debate about what was and could be considered an art object/experience and was putting on festivals, exhibitions, and public art programming that expanded our art consciousness long before Bourriaud "sexy-ed" up the field with his now seminal book. Aside from being a former Chief Curator at the MCA Chicago and LA MoCA, Jacob was also the person behind "Culture in Action," Chicago's progressive, but widely debated 90's public arts program. She is the author/co-author of several books including, "Learning Mind: Experience into Art," "Buddha Mind in Contemporary Art," "Culture in Action: A Public Art Program of Sculpture Chicago," "Conversations at The Castle: Changing Audiences and Contemporary Art," and "On the Being of Being an Artist." She is the recipient of many grants, awards, fellowships and residencies, amongst the most notable are the Peter Norton Family Foundation, the National Endowment for the Humanities and National Endowment for the Arts, Rockefeller Foundation, Bellagio Study Center Residency, and the Getty Residency Program. This week Duncan sneaks into The School of the Art Institute of Chicago to interview Mary Jane Jacob, Professor and Executive Director of Exhibitions.  Mary Jane Jacob's name is synonymous with the phrase "art as social practice" or the field of art that is now more widely known as "Relational Aesthetics."  Jacob was at the center of the nineties debate about what was and could be considered an art object/experience and was putting on festivals, exhibitions, and public art programming that expanded our art consciousness long before Bourriaud "sexy-ed" up the field with his now seminal book. Aside from being a former Chief Curator at the MCA Chicago and LA MoCA, Jacob was also the person behind "Culture in Action," Chicago's progressive, but widely debated 90's public arts program. She is the author/co-author of several books including, "Learning Mind: Experience into Art," "Buddha Mind in Contemporary Art," "Culture in Action: A Public Art Program of Sculpture Chicago," "Conversations at The Castle: Changing Audiences and Contemporary Art," and "On the Being of Being an Artist." She is the recipient of many grants, awards, fellowships and residencies, amongst the most notable are the Peter Norton Family Foundation, the National Endowment for the Humanities and National Endowment for the Arts, Rockefeller Foundation, Bellagio Study Center Residency, and the Getty Residency Program. tag:odeo.com,2009-08-30,25047516 Sun, 30 Aug 2009 17:53:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/25010380-Bad-at-Sports-Episode-208-The-Stockyard-Institute-and-the-Cafeteria-Sessions Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-1610611985 1107304683 0 0 159 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-1610611985 1073750139 0 0 159 0;} @font-face {font-family:Consolas; panose-1:2 11 6 9 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:modern; mso-font-pitch:fixed; mso-font-signature:-1610611985 1073750091 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0in; margin-right:0in; margin-bottom:10.0pt; margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0... 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Not one effing week missed! Duncan and Richard have yet to have a Beat-It style knife fight! Yes it is show #208. What, might you ask, do we have in store for show 208? Well Iâll tell you!   This week we are pleased to have Jim Duignan from the Stockyard Institute to talk about âThe Cafeteria Sessionsâ program with The Multicultural Arts High School. The show opens with the studentsâ audio pieces. Next Duncan and Richard talk to Jim about the project, the Stockyard Institute, how we dragged him away from celebrating his wedding anniversary, and more!   From the Stockyard Instituteâs website:   The Cafeteria Sessions   A series of lunch time recordings and radio workshops with adolescents on socially engaged artistic practice, utopian education and the future of Chicago. The Cafeteria Sessions will go on throughout the spring at the Multicultural Arts High School with Jim Duignan (S.I.), Ayana Contrares (vocalo) and Lavie Raven (University of Hip Hop).   This series culminated in a live radiocast from the Multicultural Arts High School on May 21, 2009.   Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-1610611985 1107304683 0 0 159 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-1610611985 1073750139 0 0 159 0;} @font-face {font-family:Consolas; panose-1:2 11 6 9 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:modern; mso-font-pitch:fixed; mso-font-signature:-1610611985 1073750091 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0in; margin-right:0in; margin-bottom:10.0pt; margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} p.MsoPlainText, li.MsoPlainText, div.MsoPlainText {mso-style-priority:99; mso-style-link:"Plain Text Char"; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.5pt; font-family:Consolas; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} span.PlainTextChar {mso-style-name:"Plain Text Char"; mso-style-priority:99; mso-style-unhide:no; mso-style-locked:yes; mso-style-link:"Plain Text"; mso-ansi-font-size:10.5pt; mso-bidi-font-size:10.5pt; font-family:Consolas; mso-ascii-font-family:Consolas; mso-hansi-font-family:Consolas;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} .MsoPapDefault {mso-style-type:export-only; margin-bottom:10.0pt; line-height:115%;} @page Section1 {size:8.5in 11.0in; margin:1.0in 75.1pt 1.0in 75.05pt; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin;} Four solid years of shows! Not one effing week missed! Duncan and Richard have yet to have a Beat-It style knife fight! Yes it is show #208. What, might you ask, do we have in store for show 208? Well Iâll tell you!   This week we are pleased to have Jim Duignan from the Stockyard Institute to talk about âThe Cafeteria Sessionsâ program with The Multicultural Arts High School. The show opens with the studentsâ audio pieces. Next Duncan and Richard talk to Jim about the project, the Stockyard Institute, how we dragged him away from celebrating his wedding anniversary, and more!   From the Stockyard Instituteâs website:   The Cafeteria Sessions   A series of lunch time recordings and radio workshops with adolescents on socially engaged artistic practice, utopian education and the future of Chicago. The Cafeteria Sessions will go on throughout the spring at the Multicultural Arts High School with Jim Duignan (S.I.), Ayana Contrares (vocalo) and Lavie Raven (University of Hip Hop).   This series culminated in a live radiocast from the Multicultural Arts High School on May 21, 2009.   tag:odeo.com,2009-08-23,25010380 Sun, 23 Aug 2009 19:55:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/25010395-Bad-at-Sports-Episode-208-The-Stockyard-Institute-and-the-Cafeteria-Sessions Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-1610611985 1107304683 0 0 159 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-1610611985 1073750139 0 0 159 0;} @font-face {font-family:Consolas; panose-1:2 11 6 9 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:modern; mso-font-pitch:fixed; mso-font-signature:-1610611985 1073750091 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0in; margin-right:0in; margin-bottom:10.0pt; margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0... 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Not one effing week missed! Duncan and Richard have yet to have a Beat-It style knife fight! Yes it is show #208. What, might you ask, do we have in store for show 208? Well Iâll tell you!   This week we are pleased to have Jim Duignan from the Stockyard Institute to talk about âThe Cafeteria Sessionsâ program with The Multicultural Arts High School. The show opens with the studentsâ audio pieces. Next Duncan and Richard talk to Jim about the project, the Stockyard Institute, how we dragged him away from celebrating his wedding anniversary, and more!   From the Stockyard Instituteâs website:   The Cafeteria Sessions   A series of lunch time recordings and radio workshops with adolescents on socially engaged artistic practice, utopian education and the future of Chicago. 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Not one effing week missed! Duncan and Richard have yet to have a Beat-It style knife fight! Yes it is show #208. What, might you ask, do we have in store for show 208? Well Iâll tell you!   This week we are pleased to have Jim Duignan from the Stockyard Institute to talk about âThe Cafeteria Sessionsâ program with The Multicultural Arts High School. The show opens with the studentsâ audio pieces. Next Duncan and Richard talk to Jim about the project, the Stockyard Institute, how we dragged him away from celebrating his wedding anniversary, and more!   From the Stockyard Instituteâs website:   The Cafeteria Sessions   A series of lunch time recordings and radio workshops with adolescents on socially engaged artistic practice, utopian education and the future of Chicago. The Cafeteria Sessions will go on throughout the spring at the Multicultural Arts High School with Jim Duignan (S.I.), Ayana Contrares (vocalo) and Lavie Raven (University of Hip Hop).   This series culminated in a live radiocast from the Multicultural Arts High School on May 21, 2009.   tag:odeo.com,2009-08-23,25010395 Sun, 23 Aug 2009 19:55:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/24968632-Bad-at-Sports-Episode-207-Larry-Rinder-part-deux Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:1; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:0 0 0 0 0 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-1610611985 1073750139 0 0 159 0;} @font-face {font-family:Consolas; panose-1:2 11 6 9 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:modern; mso-font-pitch:fixed; mso-font-signature:-1610611985 1073750091 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0in; margin-right:0in; margin-bottom:10.0pt; margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:&q... Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:1; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:0 0 0 0 0 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-1610611985 1073750139 0 0 159 0;} @font-face {font-family:Consolas; panose-1:2 11 6 9 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:modern; mso-font-pitch:fixed; mso-font-signature:-1610611985 1073750091 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0in; margin-right:0in; margin-bottom:10.0pt; margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} p.MsoPlainText, li.MsoPlainText, div.MsoPlainText {mso-style-priority:99; mso-style-link:"Plain Text Char"; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.5pt; font-family:Consolas; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} span.PlainTextChar {mso-style-name:"Plain Text Char"; mso-style-priority:99; mso-style-unhide:no; mso-style-locked:yes; mso-style-link:"Plain Text"; mso-ansi-font-size:10.5pt; mso-bidi-font-size:10.5pt; font-family:Consolas; mso-ascii-font-family:Consolas; mso-hansi-font-family:Consolas;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} .MsoPapDefault {mso-style-type:export-only; margin-bottom:10.0pt; line-height:115%;} @page Section1 {size:8.5in 11.0in; margin:1.0in 75.1pt 1.0in 75.05pt; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin;} This week Patricia and Brian sit down again with Lawrence Rinder. In the last interview, they discussed his role as the director of the Berkeley Art Museum and Pacific Film Archive, and it new building campaign. In this conversation they focus on his curatorial career, and his most recent exhibition Galaxy: A Hundred or So Stars Visible to the Naked Eye. Previously he was the Dean at California College of the Arts, curated for the Whitney Museum of American Art, and founded the Wattis Institute for Contemporary Art at CCA. 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In the last interview, they discussed his role as the director of the Berkeley Art Museum and Pacific Film Archive, and it new building campaign. In this conversation they focus on his curatorial career, and his most recent exhibition Galaxy: A Hundred or So Stars Visible to the Naked Eye. Previously he was the Dean at California College of the Arts, curated for the Whitney Museum of American Art, and founded the Wattis Institute for Contemporary Art at CCA. tag:odeo.com,2009-08-15,24968632 Sat, 15 Aug 2009 16:28:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/24968645-Bad-at-Sports-Episode-207-Larry-Rinder-part-deux Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:1; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:0 0 0 0 0 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-1610611985 1073750139 0 0 159 0;} @font-face {font-family:Consolas; panose-1:2 11 6 9 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:modern; mso-font-pitch:fixed; mso-font-signature:-1610611985 1073750091 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0in; margin-right:0in; margin-bottom:10.0pt; margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:&q... 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In the last interview, they discussed his role as the director of the Berkeley Art Museum and Pacific Film Archive, and it new building campaign. In this conversation they focus on his curatorial career, and his most recent exhibition Galaxy: A Hundred or So Stars Visible to the Naked Eye. Previously he was the Dean at California College of the Arts, curated for the Whitney Museum of American Art, and founded the Wattis Institute for Contemporary Art at CCA. Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:1; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:0 0 0 0 0 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-1610611985 1073750139 0 0 159 0;} @font-face {font-family:Consolas; panose-1:2 11 6 9 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:modern; mso-font-pitch:fixed; mso-font-signature:-1610611985 1073750091 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0in; margin-right:0in; margin-bottom:10.0pt; margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} p.MsoPlainText, li.MsoPlainText, div.MsoPlainText {mso-style-priority:99; mso-style-link:"Plain Text Char"; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.5pt; font-family:Consolas; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} span.PlainTextChar {mso-style-name:"Plain Text Char"; mso-style-priority:99; mso-style-unhide:no; mso-style-locked:yes; mso-style-link:"Plain Text"; mso-ansi-font-size:10.5pt; mso-bidi-font-size:10.5pt; font-family:Consolas; mso-ascii-font-family:Consolas; mso-hansi-font-family:Consolas;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} .MsoPapDefault {mso-style-type:export-only; margin-bottom:10.0pt; line-height:115%;} @page Section1 {size:8.5in 11.0in; margin:1.0in 75.1pt 1.0in 75.05pt; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin;} This week Patricia and Brian sit down again with Lawrence Rinder. In the last interview, they discussed his role as the director of the Berkeley Art Museum and Pacific Film Archive, and it new building campaign. In this conversation they focus on his curatorial career, and his most recent exhibition Galaxy: A Hundred or So Stars Visible to the Naked Eye. Previously he was the Dean at California College of the Arts, curated for the Whitney Museum of American Art, and founded the Wattis Institute for Contemporary Art at CCA. tag:odeo.com,2009-08-15,24968645 Sat, 15 Aug 2009 16:28:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/24931622-Bad-at-Sports-Episode-206-Telling-Stories This week, Patricia and Brian present the work from the Telling Stories class at CAA. The class was run by Taraneh Hemami, who invited the west coast Bad at Sports team to guest lecture and guide the students on an project interviewing community artists. The works edited for this podcast were of surprising content and quality, so we decided to share them with the Bad at Sports community. The students involved wih the project are Kim Ciabattari, Janet Lai, Jamie Lee, Fumi Nakamura, Johann Pascual, Jaron Stokes, Michelle Yee , Shen Yequin, Alexandra Styc, Alex Langeberg, Jamie Lee, Kristina Grindle, Amy Kelly, Taylor Ward, and Madeline Ward. This week, Patricia and Brian present the work from the Telling Stories class at CAA. The class was run by Taraneh Hemami, who invited the west coast Bad at Sports team to guest lecture and guide the students on an project interviewing community artists. The works edited for this podcast were of surprising content and quality, so we decided to share them with the Bad at Sports community. The students involved wih the project are Kim Ciabattari, Janet Lai, Jamie Lee, Fumi Nakamura, Johann Pascual, Jaron Stokes, Michelle Yee , Shen Yequin, Alexandra Styc, Alex Langeberg, Jamie Lee, Kristina Grindle, Amy Kelly, Taylor Ward, and Madeline Ward. This week, Patricia and Brian present the work from the Telling Stories class at CAA. The class was run by Taraneh Hemami, who invited the west coast Bad at Sports team to guest lecture and guide the students on an project interviewing community artists. The works edited for this podcast were of surprising content and quality, so we decided to share them with the Bad at Sports community. The students involved wih the project are Kim Ciabattari, Janet Lai, Jamie Lee, Fumi Nakamura, Johann Pascual, Jaron Stokes, Michelle Yee , Shen Yequin, Alexandra Styc, Alex Langeberg, Jamie Lee, Kristina Grindle, Amy Kelly, Taylor Ward, and Madeline Ward. tag:odeo.com,2009-08-08,24931622 Sat, 08 Aug 2009 19:55:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/24930720-Bad-at-Sports-Episode-206-Telling-Stories This week, Patricia and Brian present the work from the Telling Stories class at CAA. The class was run by Taraneh Hemami, who invited the west coast Bad at Sports team to guest lecture and guide the students on an project interviewing community artists. The works edited for this podcast were of surprising content and quality, so we decided to share them with the Bad at Sports community. The students involved wih the project are Kim Ciabattari, Janet Lai, Jamie Lee, Fumi Nakamura, Johann Pascual, Jaron Stokes, Michelle Yee , Shen Yequin, Alexandra Styc, Alex Langeberg, Jamie Lee, Kristina Grindle, Amy Kelly, Taylor Ward, and Madeline Ward. This week, Patricia and Brian present the work from the Telling Stories class at CAA. The class was run by Taraneh Hemami, who invited the west coast Bad at Sports team to guest lecture and guide the students on an project interviewing community artists. The works edited for this podcast were of surprising content and quality, so we decided to share them with the Bad at Sports community. The students involved wih the project are Kim Ciabattari, Janet Lai, Jamie Lee, Fumi Nakamura, Johann Pascual, Jaron Stokes, Michelle Yee , Shen Yequin, Alexandra Styc, Alex Langeberg, Jamie Lee, Kristina Grindle, Amy Kelly, Taylor Ward, and Madeline Ward. This week, Patricia and Brian present the work from the Telling Stories class at CAA. The class was run by Taraneh Hemami, who invited the west coast Bad at Sports team to guest lecture and guide the students on an project interviewing community artists. The works edited for this podcast were of surprising content and quality, so we decided to share them with the Bad at Sports community. The students involved wih the project are Kim Ciabattari, Janet Lai, Jamie Lee, Fumi Nakamura, Johann Pascual, Jaron Stokes, Michelle Yee , Shen Yequin, Alexandra Styc, Alex Langeberg, Jamie Lee, Kristina Grindle, Amy Kelly, Taylor Ward, and Madeline Ward. tag:odeo.com,2009-08-08,24930720 Sat, 08 Aug 2009 19:55:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/24896623-Bad-at-Sports-Episode-205-Terry-Scrogum-Theaster-Gates This week: Richard talks to Terry Scrogum, Executive Director of the Illinois Arts Council about the state of the budget, their programs and more! Next, Kathryn Born talks to Theaster Gates. Theaster Gates is a Chicago artist and University of Chicago faculty member who works with everything from executing ideas in urban planning, to Japanese sculpture, to performance art. He recently did "Temple Exercises" in the 12 X 12 space at the MCA, and among his upcoming projects is the possibility of buying an entire block on the south side. This project may someday include, among other things, a Soul Food-Japanese fusion restaurant which serves honey dipped, crunchy fried mac-and-cheese unagi rolls and Saki Kool-aid. This week: Richard talks to Terry Scrogum, Executive Director of the Illinois Arts Council about the state of the budget, their programs and more! Next, Kathryn Born talks to Theaster Gates. Theaster Gates is a Chicago artist and University of Chicago faculty member who works with everything from executing ideas in urban planning, to Japanese sculpture, to performance art. He recently did "Temple Exercises" in the 12 X 12 space at the MCA, and among his upcoming projects is the possibility of buying an entire block on the south side. This project may someday include, among other things, a Soul Food-Japanese fusion restaurant which serves honey dipped, crunchy fried mac-and-cheese unagi rolls and Saki Kool-aid. This week: Richard talks to Terry Scrogum, Executive Director of the Illinois Arts Council about the state of the budget, their programs and more! Next, Kathryn Born talks to Theaster Gates. Theaster Gates is a Chicago artist and University of Chicago faculty member who works with everything from executing ideas in urban planning, to Japanese sculpture, to performance art. He recently did "Temple Exercises" in the 12 X 12 space at the MCA, and among his upcoming projects is the possibility of buying an entire block on the south side. This project may someday include, among other things, a Soul Food-Japanese fusion restaurant which serves honey dipped, crunchy fried mac-and-cheese unagi rolls and Saki Kool-aid. tag:odeo.com,2009-08-01,24896623 Sat, 01 Aug 2009 09:00:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/24896452-Bad-at-Sports-Episode-205-Terry-Scrogum-Theaster-Gates This week: Richard talks to Terry Scrogum, Executive Director of the Illinois Arts Council about the state of the budget, their programs and more! Next, Kathryn Born talks to Theaster Gates. Theaster Gates is a Chicago artist and University of Chicago faculty member who works with everything from executing ideas in urban planning, to Japanese sculpture, to performance art. He recently did "Temple Exercises" in the 12 X 12 space at the MCA, and among his upcoming projects is the possibility of buying an entire block on the south side. This project may someday include, among other things, a Soul Food-Japanese fusion restaurant which serves honey dipped, crunchy fried mac-and-cheese unagi rolls and Saki Kool-aid. This week: Richard talks to Terry Scrogum, Executive Director of the Illinois Arts Council about the state of the budget, their programs and more! Next, Kathryn Born talks to Theaster Gates. Theaster Gates is a Chicago artist and University of Chicago faculty member who works with everything from executing ideas in urban planning, to Japanese sculpture, to performance art. He recently did "Temple Exercises" in the 12 X 12 space at the MCA, and among his upcoming projects is the possibility of buying an entire block on the south side. This project may someday include, among other things, a Soul Food-Japanese fusion restaurant which serves honey dipped, crunchy fried mac-and-cheese unagi rolls and Saki Kool-aid. This week: Richard talks to Terry Scrogum, Executive Director of the Illinois Arts Council about the state of the budget, their programs and more! Next, Kathryn Born talks to Theaster Gates. Theaster Gates is a Chicago artist and University of Chicago faculty member who works with everything from executing ideas in urban planning, to Japanese sculpture, to performance art. He recently did "Temple Exercises" in the 12 X 12 space at the MCA, and among his upcoming projects is the possibility of buying an entire block on the south side. This project may someday include, among other things, a Soul Food-Japanese fusion restaurant which serves honey dipped, crunchy fried mac-and-cheese unagi rolls and Saki Kool-aid. tag:odeo.com,2009-08-01,24896452 Sat, 01 Aug 2009 09:00:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/24862571-Bad-at-Sports-Episode-204-Art-Basel-2009 Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:1; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:0 0 0 0 0 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-1610611985 1073750139 0 0 159 0;} @font-face {font-family:Consolas; panose-1:2 11 6 9 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:modern; mso-font-pitch:fixed; mso-font-signature:-1610611985 1073750091 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0in; margin-right:0in; margin-bottom:10.0pt; margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:&q... 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They comment primarily on the "main fair," but also cursorily on Scope, Volta, the Solos Show, die Liste (and look forward to a Bridge addition next year). Additional walk-on voices include Maya LaLive d'Epinay, Martin Kraft, Alex Meszmer, many others, and a few seconds of Olga Stefan. Mark managed to wipe-out some excellent comments, or record them so poorly that they were unusable. Ce la technologie. A quick but comprehensive look at the "real" Basel, the most important international art fair, the Queen yet also Great Whore of Babylon. I made some multiples especially for the fair including pins and my T-shirt. They all bore the Latin phrase "Abite in Malam crucem, artis nundinae!", signed Marcus Scipio Incendiolus. Or, roughly in English, "Screw Art Fairs!" In German, as appropriate for Basel, that's "Zum Teufel mit Kunstmessen!" 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They comment primarily on the "main fair," but also cursorily on Scope, Volta, the Solos Show, die Liste (and look forward to a Bridge addition next year). Additional walk-on voices include Maya LaLive d'Epinay, Martin Kraft, Alex Meszmer, many others, and a few seconds of Olga Stefan. Mark managed to wipe-out some excellent comments, or record them so poorly that they were unusable. Ce la technologie. A quick but comprehensive look at the "real" Basel, the most important international art fair, the Queen yet also Great Whore of Babylon. I made some multiples especially for the fair including pins and my T-shirt. They all bore the Latin phrase "Abite in Malam crucem, artis nundinae!", signed Marcus Scipio Incendiolus. Or, roughly in English, "Screw Art Fairs!" In German, as appropriate for Basel, that's "Zum Teufel mit Kunstmessen!" tag:odeo.com,2009-07-25,24862571 Sat, 25 Jul 2009 13:00:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/24862426-Bad-at-Sports-Episode-204-Art-Basel-2009 Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:1; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:0 0 0 0 0 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-1610611985 1073750139 0 0 159 0;} @font-face {font-family:Consolas; panose-1:2 11 6 9 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:modern; mso-font-pitch:fixed; mso-font-signature:-1610611985 1073750091 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0in; margin-right:0in; margin-bottom:10.0pt; margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:&q... 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They comment primarily on the "main fair," but also cursorily on Scope, Volta, the Solos Show, die Liste (and look forward to a Bridge addition next year). Additional walk-on voices include Maya LaLive d'Epinay, Martin Kraft, Alex Meszmer, many others, and a few seconds of Olga Stefan. Mark managed to wipe-out some excellent comments, or record them so poorly that they were unusable. Ce la technologie. A quick but comprehensive look at the "real" Basel, the most important international art fair, the Queen yet also Great Whore of Babylon. I made some multiples especially for the fair including pins and my T-shirt. They all bore the Latin phrase "Abite in Malam crucem, artis nundinae!", signed Marcus Scipio Incendiolus. Or, roughly in English, "Screw Art Fairs!" In German, as appropriate for Basel, that's "Zum Teufel mit Kunstmessen!" 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They comment primarily on the "main fair," but also cursorily on Scope, Volta, the Solos Show, die Liste (and look forward to a Bridge addition next year). Additional walk-on voices include Maya LaLive d'Epinay, Martin Kraft, Alex Meszmer, many others, and a few seconds of Olga Stefan. Mark managed to wipe-out some excellent comments, or record them so poorly that they were unusable. Ce la technologie. A quick but comprehensive look at the "real" Basel, the most important international art fair, the Queen yet also Great Whore of Babylon. I made some multiples especially for the fair including pins and my T-shirt. They all bore the Latin phrase "Abite in Malam crucem, artis nundinae!", signed Marcus Scipio Incendiolus. Or, roughly in English, "Screw Art Fairs!" In German, as appropriate for Basel, that's "Zum Teufel mit Kunstmessen!" tag:odeo.com,2009-07-25,24862426 Sat, 25 Jul 2009 13:00:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/24826496-Bad-at-Sports-Episode-203-Desiree-Holman Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:1; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:0 0 0 0 0 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-1610611985 1073750139 0 0 159 0;} @font-face {font-family:Consolas; panose-1:2 11 6 9 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:modern; mso-font-pitch:fixed; mso-font-signature:-1610611985 1073750091 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0in; margin-right:0in; margin-bottom:10.0pt; margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11... 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DesirÃe Holman was recently awarded the 2008 SECA award by the San Francisco Modern Museum of Art, and is a currently a resident artist at the Headlands Center for the Arts. 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DesirÃe Holman was recently awarded the 2008 SECA award by the San Francisco Modern Museum of Art, and is a currently a resident artist at the Headlands Center for the Arts. tag:odeo.com,2009-07-18,24826496 Sat, 18 Jul 2009 09:00:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/24826326-Bad-at-Sports-Episode-203-Desiree-Holman Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:1; mso-generic-font-family:roman; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:0 0 0 0 0 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-1610611985 1073750139 0 0 159 0;} @font-face {font-family:Consolas; panose-1:2 11 6 9 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:modern; mso-font-pitch:fixed; mso-font-signature:-1610611985 1073750091 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0in; margin-right:0in; margin-bottom:10.0pt; margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11... 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DesirÃe Holman was recently awarded the 2008 SECA award by the San Francisco Modern Museum of Art, and is a currently a resident artist at the Headlands Center for the Arts. 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DesirÃe Holman was recently awarded the 2008 SECA award by the San Francisco Modern Museum of Art, and is a currently a resident artist at the Headlands Center for the Arts. tag:odeo.com,2009-07-18,24826326 Sat, 18 Jul 2009 09:00:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/24784171-Bad-at-Sports-Episode-202-Manon-Slome This week (the) Amanda Browder and Tom talk with curator Manon Slome about the "No Longer Empty" series of exhibitions. Manon is one of the curators of this year long series of shows, each of which inhabits an abandoned New York City store front for one month. Along the way the three talk about the dismal state of affairs in Ol' New York and how we can make lemonade out of these lemons. Manon Slome (PhD) is an independent curator working in New York City. From 2002 to June 2008 she was the Chief Curator of the Chelsea Art Museum in New York since its inception in 2002. During that time, she has curated and overseen a program of some forty exhibitions, symposia and museum publications as well as monographs and scholarly essays. Ms. Slome became highly involved with the Israeli art scene during her research for the exhibition, Such Stuff as Dreams are Made onâ, (2005) and has followed and researched the Israeli scene for the last 3 years. Prior to the CAM, Ms. Slome worked a... This week (the) Amanda Browder and Tom talk with curator Manon Slome about the "No Longer Empty" series of exhibitions. Manon is one of the curators of this year long series of shows, each of which inhabits an abandoned New York City store front for one month. Along the way the three talk about the dismal state of affairs in Ol' New York and how we can make lemonade out of these lemons. Manon Slome (PhD) is an independent curator working in New York City. From 2002 to June 2008 she was the Chief Curator of the Chelsea Art Museum in New York since its inception in 2002. During that time, she has curated and overseen a program of some forty exhibitions, symposia and museum publications as well as monographs and scholarly essays. Ms. Slome became highly involved with the Israeli art scene during her research for the exhibition, Such Stuff as Dreams are Made onâ, (2005) and has followed and researched the Israeli scene for the last 3 years. Prior to the CAM, Ms. Slome worked as a curator at the Guggenheim Museum for 7 years and was a holder of a Helena Rubestein curatorial fellowship at the Whitney Independent Study program. She is currently working on a book, The Aesthetics of Terror. This week (the) Amanda Browder and Tom talk with curator Manon Slome about the "No Longer Empty" series of exhibitions. Manon is one of the curators of this year long series of shows, each of which inhabits an abandoned New York City store front for one month. Along the way the three talk about the dismal state of affairs in Ol' New York and how we can make lemonade out of these lemons. Manon Slome (PhD) is an independent curator working in New York City. From 2002 to June 2008 she was the Chief Curator of the Chelsea Art Museum in New York since its inception in 2002. During that time, she has curated and overseen a program of some forty exhibitions, symposia and museum publications as well as monographs and scholarly essays. Ms. Slome became highly involved with the Israeli art scene during her research for the exhibition, Such Stuff as Dreams are Made onâ, (2005) and has followed and researched the Israeli scene for the last 3 years. Prior to the CAM, Ms. Slome worked as a curator at the Guggenheim Museum for 7 years and was a holder of a Helena Rubestein curatorial fellowship at the Whitney Independent Study program. She is currently working on a book, The Aesthetics of Terror. tag:odeo.com,2009-07-11,24784171 Sat, 11 Jul 2009 15:41:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/24784078-Bad-at-Sports-Episode-202-Manon-Slome This week (the) Amanda Browder and Tom talk with curator Manon Slome about the "No Longer Empty" series of exhibitions. Manon is one of the curators of this year long series of shows, each of which inhabits an abandoned New York City store front for one month. Along the way the three talk about the dismal state of affairs in Ol' New York and how we can make lemonade out of these lemons. Manon Slome (PhD) is an independent curator working in New York City. From 2002 to June 2008 she was the Chief Curator of the Chelsea Art Museum in New York since its inception in 2002. During that time, she has curated and overseen a program of some forty exhibitions, symposia and museum publications as well as monographs and scholarly essays. Ms. Slome became highly involved with the Israeli art scene during her research for the exhibition, Such Stuff as Dreams are Made onâ, (2005) and has followed and researched the Israeli scene for the last 3 years. Prior to the CAM, Ms. Slome worked a... This week (the) Amanda Browder and Tom talk with curator Manon Slome about the "No Longer Empty" series of exhibitions. Manon is one of the curators of this year long series of shows, each of which inhabits an abandoned New York City store front for one month. Along the way the three talk about the dismal state of affairs in Ol' New York and how we can make lemonade out of these lemons. Manon Slome (PhD) is an independent curator working in New York City. From 2002 to June 2008 she was the Chief Curator of the Chelsea Art Museum in New York since its inception in 2002. During that time, she has curated and overseen a program of some forty exhibitions, symposia and museum publications as well as monographs and scholarly essays. Ms. Slome became highly involved with the Israeli art scene during her research for the exhibition, Such Stuff as Dreams are Made onâ, (2005) and has followed and researched the Israeli scene for the last 3 years. Prior to the CAM, Ms. Slome worked as a curator at the Guggenheim Museum for 7 years and was a holder of a Helena Rubestein curatorial fellowship at the Whitney Independent Study program. She is currently working on a book, The Aesthetics of Terror. This week (the) Amanda Browder and Tom talk with curator Manon Slome about the "No Longer Empty" series of exhibitions. Manon is one of the curators of this year long series of shows, each of which inhabits an abandoned New York City store front for one month. Along the way the three talk about the dismal state of affairs in Ol' New York and how we can make lemonade out of these lemons. Manon Slome (PhD) is an independent curator working in New York City. From 2002 to June 2008 she was the Chief Curator of the Chelsea Art Museum in New York since its inception in 2002. During that time, she has curated and overseen a program of some forty exhibitions, symposia and museum publications as well as monographs and scholarly essays. Ms. Slome became highly involved with the Israeli art scene during her research for the exhibition, Such Stuff as Dreams are Made onâ, (2005) and has followed and researched the Israeli scene for the last 3 years. Prior to the CAM, Ms. Slome worked as a curator at the Guggenheim Museum for 7 years and was a holder of a Helena Rubestein curatorial fellowship at the Whitney Independent Study program. She is currently working on a book, The Aesthetics of Terror. tag:odeo.com,2009-07-11,24784078 Sat, 11 Jul 2009 15:41:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/24748552-Bad-at-Sports-Episode-201-Deb-Sokolow This week, Duncan and Richard talk to Deb Sokolow! We talk about Deb's work, drug lords, Rocky, the merits of Sylvester Gardenzio Stallone's painting, Oliver North, how many people on the Bad at Sports staff have actually smoked crack, serial killers, meth labs, Jerry Saltz, Gary Busey, art school, and more, more, more! This is a great interview. As a special bonus Geoffrey Todd Smith preps panels with a roller (that is the odd sound you hear in the background) and chimes in occasionally off mic! Shamelessly lifted blurb: Deb Sokolow has been steadily inking her way into the hearts and minds of Chicago's art world. Since graduating from the School of the Art Institute in 2004, she has shown at 40000, Gallery 400 and Polvo, and had a solo show in the MCA's 12 x 12 series. Her whimsical drawings analyze pop-culture phenomena, such as the movie Rocky, office culture and Americans' fear of terrorism, and mix the aesthetics of children's books, diary writing, New Yorker-style cartoons an... This week, Duncan and Richard talk to Deb Sokolow! We talk about Deb's work, drug lords, Rocky, the merits of Sylvester Gardenzio Stallone's painting, Oliver North, how many people on the Bad at Sports staff have actually smoked crack, serial killers, meth labs, Jerry Saltz, Gary Busey, art school, and more, more, more! This is a great interview. As a special bonus Geoffrey Todd Smith preps panels with a roller (that is the odd sound you hear in the background) and chimes in occasionally off mic! Shamelessly lifted blurb: Deb Sokolow has been steadily inking her way into the hearts and minds of Chicago's art world. Since graduating from the School of the Art Institute in 2004, she has shown at 40000, Gallery 400 and Polvo, and had a solo show in the MCA's 12 x 12 series. Her whimsical drawings analyze pop-culture phenomena, such as the movie Rocky, office culture and Americans' fear of terrorism, and mix the aesthetics of children's books, diary writing, New Yorker-style cartoons and personal sketching. This week, Duncan and Richard talk to Deb Sokolow! We talk about Deb's work, drug lords, Rocky, the merits of Sylvester Gardenzio Stallone's painting, Oliver North, how many people on the Bad at Sports staff have actually smoked crack, serial killers, meth labs, Jerry Saltz, Gary Busey, art school, and more, more, more! This is a great interview. As a special bonus Geoffrey Todd Smith preps panels with a roller (that is the odd sound you hear in the background) and chimes in occasionally off mic! Shamelessly lifted blurb: Deb Sokolow has been steadily inking her way into the hearts and minds of Chicago's art world. Since graduating from the School of the Art Institute in 2004, she has shown at 40000, Gallery 400 and Polvo, and had a solo show in the MCA's 12 x 12 series. Her whimsical drawings analyze pop-culture phenomena, such as the movie Rocky, office culture and Americans' fear of terrorism, and mix the aesthetics of children's books, diary writing, New Yorker-style cartoons and personal sketching. tag:odeo.com,2009-07-04,24748552 Sat, 04 Jul 2009 05:33:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/24746888-Bad-at-Sports-Episode-201-Deb-Sokolow This week, Duncan and Richard talk to Deb Sokolow! We talk about Deb's work, drug lords, Rocky, the merits of Sylvester Gardenzio Stallone's painting, Oliver North, how many people on the Bad at Sports staff have actually smoked crack, serial killers, meth labs, Jerry Saltz, Gary Busey, art school, and more, more, more! This is a great interview. As a special bonus Geoffrey Todd Smith preps panels with a roller (that is the odd sound you hear in the background) and chimes in occasionally off mic! Shamelessly lifted blurb: Deb Sokolow has been steadily inking her way into the hearts and minds of Chicago's art world. Since graduating from the School of the Art Institute in 2004, she has shown at 40000, Gallery 400 and Polvo, and had a solo show in the MCA's 12 x 12 series. Her whimsical drawings analyze pop-culture phenomena, such as the movie Rocky, office culture and Americans' fear of terrorism, and mix the aesthetics of children's books, diary writing, New Yorker-style cartoons an... This week, Duncan and Richard talk to Deb Sokolow! We talk about Deb's work, drug lords, Rocky, the merits of Sylvester Gardenzio Stallone's painting, Oliver North, how many people on the Bad at Sports staff have actually smoked crack, serial killers, meth labs, Jerry Saltz, Gary Busey, art school, and more, more, more! This is a great interview. As a special bonus Geoffrey Todd Smith preps panels with a roller (that is the odd sound you hear in the background) and chimes in occasionally off mic! Shamelessly lifted blurb: Deb Sokolow has been steadily inking her way into the hearts and minds of Chicago's art world. Since graduating from the School of the Art Institute in 2004, she has shown at 40000, Gallery 400 and Polvo, and had a solo show in the MCA's 12 x 12 series. Her whimsical drawings analyze pop-culture phenomena, such as the movie Rocky, office culture and Americans' fear of terrorism, and mix the aesthetics of children's books, diary writing, New Yorker-style cartoons and personal sketching. This week, Duncan and Richard talk to Deb Sokolow! We talk about Deb's work, drug lords, Rocky, the merits of Sylvester Gardenzio Stallone's painting, Oliver North, how many people on the Bad at Sports staff have actually smoked crack, serial killers, meth labs, Jerry Saltz, Gary Busey, art school, and more, more, more! This is a great interview. As a special bonus Geoffrey Todd Smith preps panels with a roller (that is the odd sound you hear in the background) and chimes in occasionally off mic! Shamelessly lifted blurb: Deb Sokolow has been steadily inking her way into the hearts and minds of Chicago's art world. Since graduating from the School of the Art Institute in 2004, she has shown at 40000, Gallery 400 and Polvo, and had a solo show in the MCA's 12 x 12 series. Her whimsical drawings analyze pop-culture phenomena, such as the movie Rocky, office culture and Americans' fear of terrorism, and mix the aesthetics of children's books, diary writing, New Yorker-style cartoons and personal sketching. tag:odeo.com,2009-07-04,24746888 Sat, 04 Jul 2009 05:33:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/24743756-Bad-at-Sports-Episode-200-Reviews This week Bad at Sports celebrates its 200-th episode by getting back to the known- Review-o-rama. We welcome guest reviewers Tony Tasset and Lori Waxman to take the pulse of Chicago's west loop. This week Bad at Sports celebrates its 200-th episode by getting back to the known- Review-o-rama. We welcome guest reviewers Tony Tasset and Lori Waxman to take the pulse of Chicago's west loop. This week Bad at Sports celebrates its 200-th episode by getting back to the known- Review-o-rama. We welcome guest reviewers Tony Tasset and Lori Waxman to take the pulse of Chicago's west loop. tag:odeo.com,2009-06-27,24743756 Sat, 27 Jun 2009 20:11:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/24738451-Bad-at-Sports-Episode-200-Reviews This week Bad at Sports celebrates its 200-th episode by getting back to the known- Review-o-rama. We welcome guest reviewers Tony Tasset and Lori Waxman to take the pulse of Chicago's west loop. This week Bad at Sports celebrates its 200-th episode by getting back to the known- Review-o-rama. We welcome guest reviewers Tony Tasset and Lori Waxman to take the pulse of Chicago's west loop. This week Bad at Sports celebrates its 200-th episode by getting back to the known- Review-o-rama. We welcome guest reviewers Tony Tasset and Lori Waxman to take the pulse of Chicago's west loop. tag:odeo.com,2009-06-27,24738451 Sat, 27 Jun 2009 20:11:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/24743757-Bad-at-Sports-Episode-199-Gallery-400 This week Duncan and Richard go to Gallery 400 and talk to Director Lorelei Stewart and Assistant Director Anthony Elms about the current exhibition Our Literal Speed the end of the At the Edge: Innovative Art in Chicago series, and the new approach they are taking to commission and exhibit the work of emerging and mid-career artists. Gallery 400, a not-for-profit arts exhibition space at the University of Illinois at Chicago, was founded in 1983 to exhibit and support art, design and architecture. Over its 26 year history Gallery 400 has grown into a nationally recognized gallery that presents consistently acclaimed exhibitions, lectures, and artist commissions. The exhibitions and programs present a broad range of recent developments and aesthetic concerns and have included more than 1,000 artists to date. This week Duncan and Richard go to Gallery 400 and talk to Director Lorelei Stewart and Assistant Director Anthony Elms about the current exhibition Our Literal Speed the end of the At the Edge: Innovative Art in Chicago series, and the new approach they are taking to commission and exhibit the work of emerging and mid-career artists. Gallery 400, a not-for-profit arts exhibition space at the University of Illinois at Chicago, was founded in 1983 to exhibit and support art, design and architecture. Over its 26 year history Gallery 400 has grown into a nationally recognized gallery that presents consistently acclaimed exhibitions, lectures, and artist commissions. The exhibitions and programs present a broad range of recent developments and aesthetic concerns and have included more than 1,000 artists to date. This week Duncan and Richard go to Gallery 400 and talk to Director Lorelei Stewart and Assistant Director Anthony Elms about the current exhibition Our Literal Speed the end of the At the Edge: Innovative Art in Chicago series, and the new approach they are taking to commission and exhibit the work of emerging and mid-career artists. Gallery 400, a not-for-profit arts exhibition space at the University of Illinois at Chicago, was founded in 1983 to exhibit and support art, design and architecture. Over its 26 year history Gallery 400 has grown into a nationally recognized gallery that presents consistently acclaimed exhibitions, lectures, and artist commissions. The exhibitions and programs present a broad range of recent developments and aesthetic concerns and have included more than 1,000 artists to date. tag:odeo.com,2009-06-21,24743757 Sun, 21 Jun 2009 13:40:00 -0700 yes Bad at Sports podcasts http://www.odeo.com/episodes/24738452-Bad-at-Sports-Episode-199-Gallery-400 This week Duncan and Richard go to Gallery 400 and talk to Director Lorelei Stewart and Assistant Director Anthony Elms about the current exhibition Our Literal Speed the end of the At the Edge: Innovative Art in Chicago series, and the new approach they are taking to commission and exhibit the work of emerging and mid-career artists. Gallery 400, a not-for-profit arts exhibition space at the University of Illinois at Chicago, was founded in 1983 to exhibit and support art, design and architecture. Over its 26 year history Gallery 400 has grown into a nationally recognized gallery that presents consistently acclaimed exhibitions, lectures, and artist commissions. The exhibitions and programs present a broad range of recent developments and aesthetic concerns and have included more than 1,000 artists to date. This week Duncan and Richard go to Gallery 400 and talk to Director Lorelei Stewart and Assistant Director Anthony Elms about the current exhibition Our Literal Speed the end of the At the Edge: Innovative Art in Chicago series, and the new approach they are taking to commission and exhibit the work of emerging and mid-career artists. Gallery 400, a not-for-profit arts exhibition space at the University of Illinois at Chicago, was founded in 1983 to exhibit and support art, design and architecture. Over its 26 year history Gallery 400 has grown into a nationally recognized gallery that presents consistently acclaimed exhibitions, lectures, and artist commissions. The exhibitions and programs present a broad range of recent developments and aesthetic concerns and have included more than 1,000 artists to date. This week Duncan and Richard go to Gallery 400 and talk to Director Lorelei Stewart and Assistant Director Anthony Elms about the current exhibition Our Literal Speed the end of the At the Edge: Innovative Art in Chicago series, and the new approach they are taking to commission and exhibit the work of emerging and mid-career artists. Gallery 400, a not-for-profit arts exhibition space at the University of Illinois at Chicago, was founded in 1983 to exhibit and support art, design and architecture. Over its 26 year history Gallery 400 has grown into a nationally recognized gallery that presents consistently acclaimed exhibitions, lectures, and artist commissions. The exhibitions and programs present a broad range of recent developments and aesthetic concerns and have included more than 1,000 artists to date. tag:odeo.com,2009-06-21,24738452 Sun, 21 Jun 2009 13:40:00 -0700 yes Bad at Sports podcasts