http://www.odeo.com/channels/2119425-New-York-Philharmonic-Podcast no Experience the music and meet the artists you'll be hearing at your Philharmonic concerts. The producer-hosts are Peabody Award-winning broadcaster and New York's 96.3 FM WQXR host Elliott Forrest and Mark Travis, a producer for the WFMT Radio Network since 1999. Enhance your concert experience through these previews that include musical selections and insights from performers and music experts. Experience the music and meet the artists you'll be hearing at your Philharmonic concerts. The producer-hosts are Peabody Award-winning broadcaster and New York's 96.3 FM WQXR host Elliott Forrest and Mark Travis, a producer for the WFMT Radio Network since 1999. Enhance your concert experience through these previews that include musical selections and insights from performers and music experts. New York Philharmonic Podcast en-us 40 Thu, 10 Dec 2009 21:00:00 -0800 Thu, 10 Dec 2009 21:00:00 -0800 © New York Philharmonic Performing Arts http://www.odeo.com/episodes/25525237-Rilling-conducts-Handel-s-Messiah Music Director Alan Gilbert talks about the timeless message of hope in Handel's masterwork, Messiah, and podcast host Mark Travis explores the work as a meditation on the salvation of humankind. Music Director Alan Gilbert talks about the timeless message of hope in Handel's masterwork, Messiah, and podcast host Mark Travis explores the work as a meditation on the salvation of humankind. Music Director Alan Gilbert talks about the timeless message of hope in Handel's masterwork, Messiah, and podcast host Mark Travis explores the work as a meditation on the salvation of humankind. tag:odeo.com,2009-12-10,25525237 Thu, 10 Dec 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/25514206-Mozart-and-Bruckner New York Philharmonic Concertmaster Glenn Dicterow talks about performing Mozart's emotionally complex Sinfonia concertante with Principal Viola Cynthia Phelps, and Director of Education Theodore Wiprud discusses the meaning behind the subtitle of Bruckner's popular Romantic Symphony. New York Philharmonic Concertmaster Glenn Dicterow talks about performing Mozart's emotionally complex Sinfonia concertante with Principal Viola Cynthia Phelps, and Director of Education Theodore Wiprud discusses the meaning behind the subtitle of Bruckner's popular Romantic Symphony. New York Philharmonic Concertmaster Glenn Dicterow talks about performing Mozart's emotionally complex Sinfonia concertante with Principal Viola Cynthia Phelps, and Director of Education Theodore Wiprud discusses the meaning behind the subtitle of Bruckner's popular Romantic Symphony. tag:odeo.com,2009-12-08,25514206 Tue, 08 Dec 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/25492792-Special-Young-People-s-Concert-Podcast-Debussy%E2%80%99s-La-Mer This podcast is designed especially to acquaint young listeners with the themes and music of the December 12, 2009 Young People’s Concert. This podcast is designed especially to acquaint young listeners with the themes and music of the December 12, 2009 Young People’s Concert. This podcast is designed especially to acquaint young listeners with the themes and music of the December 12, 2009 Young People’s Concert. tag:odeo.com,2009-12-03,25492792 Thu, 03 Dec 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/25481743-Salonen-and-Fray David Fray talks about the challenges of performing Ravel’s Piano Concerto in G major, and New York Philharmonic Director of Education Theodore Wiprud discusses the Impressionist sensibilities of Debussy’s La Mer and the completely original idea behind Bartók’s Music for Strings, Percussion, and Celesta. David Fray talks about the challenges of performing Ravel’s Piano Concerto in G major, and New York Philharmonic Director of Education Theodore Wiprud discusses the Impressionist sensibilities of Debussy’s La Mer and the completely original idea behind Bartók’s Music for Strings, Percussion, and Celesta. David Fray talks about the challenges of performing Ravel’s Piano Concerto in G major, and New York Philharmonic Director of Education Theodore Wiprud discusses the Impressionist sensibilities of Debussy’s La Mer and the completely original idea behind Bartók’s Music for Strings, Percussion, and Celesta. tag:odeo.com,2009-12-01,25481743 Tue, 01 Dec 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/25467853-Muti-conducts-Honegger-and-Beethoven New York Philharmonic Program Annotator James M. Keller discusses Honegger's edgy but hopeful and beautifully crafted Symphony No. 2, and Director of Education Theodore Wiprud explains how Beethoven's revolutionary Eroica Symphony changed the course of classical music history. New York Philharmonic Program Annotator James M. Keller discusses Honegger's edgy but hopeful and beautifully crafted Symphony No. 2, and Director of Education Theodore Wiprud explains how Beethoven's revolutionary Eroica Symphony changed the course of classical music history. New York Philharmonic Program Annotator James M. Keller discusses Honegger's edgy but hopeful and beautifully crafted Symphony No. 2, and Director of Education Theodore Wiprud explains how Beethoven's revolutionary Eroica Symphony changed the course of classical music history. tag:odeo.com,2009-11-19,25467853 Thu, 19 Nov 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/25447533-Muti-conducts-Liszt-Elgar-and-Prokofiev New York Philharmonic Program Annotator James M. Keller discusses the famous opening passage of Liszt’s beautiful and fascinating tone poem Les Préludes, and Mark Travis talks about Elgar’s romantic In the South and selections from Prokofiev’s passionate Romeo and Juliet New York Philharmonic Program Annotator James M. Keller discusses the famous opening passage of Liszt’s beautiful and fascinating tone poem Les Préludes, and Mark Travis talks about Elgar’s romantic In the South and selections from Prokofiev’s passionate Romeo and Juliet New York Philharmonic Program Annotator James M. Keller discusses the famous opening passage of Liszt’s beautiful and fascinating tone poem Les Préludes, and Mark Travis talks about Elgar’s romantic In the South and selections from Prokofiev’s passionate Romeo and Juliet tag:odeo.com,2009-11-12,25447533 Thu, 12 Nov 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/25391343-A-Conversation-with-Alan-Gilbert-Part-I In the first podcast of this two-part series (the second one will air in January), Music Director Alan Gilbert talks with host Mark Travis about the excitement of conducting on Opening Night, developing a unique sound with the Orchestra, the importance of touring, and the role he hopes the Philharmonic will play in the cultural life of his and the Orchestra's hometown, New York City. In the first podcast of this two-part series (the second one will air in January), Music Director Alan Gilbert talks with host Mark Travis about the excitement of conducting on Opening Night, developing a unique sound with the Orchestra, the importance of touring, and the role he hopes the Philharmonic will play in the cultural life of his and the Orchestra's hometown, New York City. In the first podcast of this two-part series (the second one will air in January), Music Director Alan Gilbert talks with host Mark Travis about the excitement of conducting on Opening Night, developing a unique sound with the Orchestra, the importance of touring, and the role he hopes the Philharmonic will play in the cultural life of his and the Orchestra's hometown, New York City. tag:odeo.com,2009-11-03,25391343 Tue, 03 Nov 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/25391341-Special-Young-People-s-Concert-Podcast This special podcast is designed especially to acquaint young listeners with the themes and music of our November 7, 2009 Young People’s Concert, which features Benjamin Britten’s The Young Person’s Guide to the Orchestra. This special podcast is designed especially to acquaint young listeners with the themes and music of our November 7, 2009 Young People’s Concert, which features Benjamin Britten’s The Young Person’s Guide to the Orchestra. This special podcast is designed especially to acquaint young listeners with the themes and music of our November 7, 2009 Young People’s Concert, which features Benjamin Britten’s The Young Person’s Guide to the Orchestra. tag:odeo.com,2009-11-01,25391341 Sun, 01 Nov 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/25391342-Zhang-and-Ohlsson Conductor Xian Zhang discusses why she finds Haydn's symphonies — including his Symphony No. 95 — the most challenging to perform; pianist Garrick Ohlsson reflects on Martinu's emotional Incantation, Piano Concerto No. 4; and Elliott Forrest looks at the musical influences behind Sibelius's stirring Symphony No. 1. Conductor Xian Zhang discusses why she finds Haydn's symphonies — including his Symphony No. 95 — the most challenging to perform; pianist Garrick Ohlsson reflects on Martinu's emotional Incantation, Piano Concerto No. 4; and Elliott Forrest looks at the musical influences behind Sibelius's stirring Symphony No. 1. Conductor Xian Zhang discusses why she finds Haydn's symphonies — including his Symphony No. 95 — the most challenging to perform; pianist Garrick Ohlsson reflects on Martinu's emotional Incantation, Piano Concerto No. 4; and Elliott Forrest looks at the musical influences behind Sibelius's stirring Symphony No. 1. tag:odeo.com,2009-11-01,25391342 Sun, 01 Nov 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/25391355-J%C3%A4rvi-and-Hampson Baritone Thomas Hampson, the Philharmonic's Mary and James G. Wallach Artist-in-Residence, talks about performing Zemlinsky's beautiful Lyric Symphony, which also features soprano Hillevi Martinpelto; Philharmonic Program Annotator James M. Keller discusses Mozart's masterful Symphony No. 38, Prague; and Mark Travis explores Beethoven's high-spirited Overture to The Creatures of Prometheus. Baritone Thomas Hampson, the Philharmonic's Mary and James G. Wallach Artist-in-Residence, talks about performing Zemlinsky's beautiful Lyric Symphony, which also features soprano Hillevi Martinpelto; Philharmonic Program Annotator James M. Keller discusses Mozart's masterful Symphony No. 38, Prague; and Mark Travis explores Beethoven's high-spirited Overture to The Creatures of Prometheus. Baritone Thomas Hampson, the Philharmonic's Mary and James G. Wallach Artist-in-Residence, talks about performing Zemlinsky's beautiful Lyric Symphony, which also features soprano Hillevi Martinpelto; Philharmonic Program Annotator James M. Keller discusses Mozart's masterful Symphony No. 38, Prague; and Mark Travis explores Beethoven's high-spirited Overture to The Creatures of Prometheus. tag:odeo.com,2009-10-28,25391355 Wed, 28 Oct 2009 22:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/25179424-Gilbert-and-Ax Alan Gilbert discusses the beauty and importance of Ives's Symphony No. 2, and why Ives's compelling Unanswered Question and Beethoven's groundbreaking Piano Concerto No. 4 – performed by pianist Emanuel Ax – are kindred spirits. Alan Gilbert discusses the beauty and importance of Ives's Symphony No. 2, and why Ives's compelling Unanswered Question and Beethoven's groundbreaking Piano Concerto No. 4 – performed by pianist Emanuel Ax – are kindred spirits. Alan Gilbert discusses the beauty and importance of Ives's Symphony No. 2, and why Ives's compelling Unanswered Question and Beethoven's groundbreaking Piano Concerto No. 4 – performed by pianist Emanuel Ax – are kindred spirits. tag:odeo.com,2009-09-23,25179424 Wed, 23 Sep 2009 22:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/25140233-Gilbert-Conducts-Brahms-and-Schoenberg Alan Gilbert discusses leading his friend Frank Peter Zimmermann in Brahms's Violin Concerto — one of the greatest works in the repertoire — as well as conducting Schoenberg's beautiful and expressive tone poem Pelleas und Melisande. Alan Gilbert discusses leading his friend Frank Peter Zimmermann in Brahms's Violin Concerto — one of the greatest works in the repertoire — as well as conducting Schoenberg's beautiful and expressive tone poem Pelleas und Melisande. Alan Gilbert discusses leading his friend Frank Peter Zimmermann in Brahms's Violin Concerto — one of the greatest works in the repertoire — as well as conducting Schoenberg's beautiful and expressive tone poem Pelleas und Melisande. tag:odeo.com,2009-09-16,25140233 Wed, 16 Sep 2009 22:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/25134596-Gilbert-Conducts-Mahler Alan Gilbert shares his excitement about conducting Mahler's Symphony No. 3 – featuring mezzo-soprano Petra Lang, the Women of the Westminster Symphonic Choir, and The American Boychoir – in his first subscription concerts as the Orchestra's Music Director, and he discusses what fueled Mahler's enormous ambitions as a composer. Alan Gilbert shares his excitement about conducting Mahler's Symphony No. 3 – featuring mezzo-soprano Petra Lang, the Women of the Westminster Symphonic Choir, and The American Boychoir – in his first subscription concerts as the Orchestra's Music Director, and he discusses what fueled Mahler's enormous ambitions as a composer. Alan Gilbert shares his excitement about conducting Mahler's Symphony No. 3 – featuring mezzo-soprano Petra Lang, the Women of the Westminster Symphonic Choir, and The American Boychoir – in his first subscription concerts as the Orchestra's Music Director, and he discusses what fueled Mahler's enormous ambitions as a composer. tag:odeo.com,2009-09-15,25134596 Tue, 15 Sep 2009 22:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/25104111-Opening-Night-Concert Alan Gilbert — who begins his tenure as the Philharmonic's Music Director with this Opening Night Concert — talks about the unique sound he hopes to bring to the Orchestra this season; Composer-in-Residence Magnus Lindberg discusses the influences on his work, including EXPO, a World Premiere–New York Philharmonic Commission; and Elliott Forrest explores Berlioz's wildly evocative Symphonie fantastique and Messiaen's labor of love Poèmes pour Mi, featuring soprano Renée Fleming. Alan Gilbert — who begins his tenure as the Philharmonic's Music Director with this Opening Night Concert — talks about the unique sound he hopes to bring to the Orchestra this season; Composer-in-Residence Magnus Lindberg discusses the influences on his work, including EXPO, a World Premiere–New York Philharmonic Commission; and Elliott Forrest explores Berlioz's wildly evocative Symphonie fantastique and Messiaen's labor of love Poèmes pour Mi, featuring soprano Renée Fleming. Alan Gilbert — who begins his tenure as the Philharmonic's Music Director with this Opening Night Concert — talks about the unique sound he hopes to bring to the Orchestra this season; Composer-in-Residence Magnus Lindberg discusses the influences on his work, including EXPO, a World Premiere–New York Philharmonic Commission; and Elliott Forrest explores Berlioz's wildly evocative Symphonie fantastique and Messiaen's labor of love Poèmes pour Mi, featuring soprano Renée Fleming. tag:odeo.com,2009-09-09,25104111 Wed, 09 Sep 2009 22:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/24721269-Maazel-conducts-Mahler Lorin Maazel brings his tenure as Music Director of the New York Philharmonic to a grand finale with Gustav Mahler's Symphony No. 8, featuring sopranos Christine Brewer, Nancy Gustafson, and Jeanine De Bique; mezzo-sopranos Mary Phillips and Nancy Maultsby; tenor Anthony Dean Griffey; bass Wolfgang Schöne; bass-baritone Jason Grant; the New York Choral Artists; The Dessoff Symphonic Choir; and the Brooklyn Youth Chorus. Mr. Maazel discusses how he struggled to understand Mahler's work – eventually becoming enamored of it – and Ms. Gustafson reflects on the message of the work: that the power of love will triumph over evil. Lorin Maazel brings his tenure as Music Director of the New York Philharmonic to a grand finale with Gustav Mahler's Symphony No. 8, featuring sopranos Christine Brewer, Nancy Gustafson, and Jeanine De Bique; mezzo-sopranos Mary Phillips and Nancy Maultsby; tenor Anthony Dean Griffey; bass Wolfgang Schöne; bass-baritone Jason Grant; the New York Choral Artists; The Dessoff Symphonic Choir; and the Brooklyn Youth Chorus. Mr. Maazel discusses how he struggled to understand Mahler's work – eventually becoming enamored of it – and Ms. Gustafson reflects on the message of the work: that the power of love will triumph over evil. Lorin Maazel brings his tenure as Music Director of the New York Philharmonic to a grand finale with Gustav Mahler's Symphony No. 8, featuring sopranos Christine Brewer, Nancy Gustafson, and Jeanine De Bique; mezzo-sopranos Mary Phillips and Nancy Maultsby; tenor Anthony Dean Griffey; bass Wolfgang Schöne; bass-baritone Jason Grant; the New York Choral Artists; The Dessoff Symphonic Choir; and the Brooklyn Youth Chorus. Mr. Maazel discusses how he struggled to understand Mahler's work – eventually becoming enamored of it – and Ms. Gustafson reflects on the message of the work: that the power of love will triumph over evil. tag:odeo.com,2009-06-16,24721269 Tue, 16 Jun 2009 22:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/24692742-Maazel-and-Sibelius Lorin Maazel, in his penultimate concerts as Music Director, talks about leading the New York Philharmonic in Sibelius's uplifting Second Symphony, as well as two of his own works – the march-like Monaco Fanfares and the apocalyptic symphonic movement Farewells. Lorin Maazel, in his penultimate concerts as Music Director, talks about leading the New York Philharmonic in Sibelius's uplifting Second Symphony, as well as two of his own works – the march-like Monaco Fanfares and the apocalyptic symphonic movement Farewells. Lorin Maazel, in his penultimate concerts as Music Director, talks about leading the New York Philharmonic in Sibelius's uplifting Second Symphony, as well as two of his own works – the march-like Monaco Fanfares and the apocalyptic symphonic movement Farewells. tag:odeo.com,2009-06-10,24692742 Wed, 10 Jun 2009 22:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/24650979-Maazel-conducts-Britten-s-War-Requiem Music Director Lorin Maazel talks about the message behind Britten's haunting War Requiem — with Lionel Bringuier conducting the chamber orchestra, and featuring soprano Nancy Gustafson, tenor Vale Rideout, baritone Ian Greenlaw, the New York Choral Artists, Dessoff Symphonic Choir, and Brooklyn Youth Chorus. Also, Ms. Gustafson discusses her emotional reaction when performing this work. Music Director Lorin Maazel talks about the message behind Britten's haunting War Requiem — with Lionel Bringuier conducting the chamber orchestra, and featuring soprano Nancy Gustafson, tenor Vale Rideout, baritone Ian Greenlaw, the New York Choral Artists, Dessoff Symphonic Choir, and Brooklyn Youth Chorus. Also, Ms. Gustafson discusses her emotional reaction when performing this work. Music Director Lorin Maazel talks about the message behind Britten's haunting War Requiem — with Lionel Bringuier conducting the chamber orchestra, and featuring soprano Nancy Gustafson, tenor Vale Rideout, baritone Ian Greenlaw, the New York Choral Artists, Dessoff Symphonic Choir, and Brooklyn Youth Chorus. Also, Ms. Gustafson discusses her emotional reaction when performing this work. tag:odeo.com,2009-06-03,24650979 Wed, 03 Jun 2009 22:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/24621371-Drucker-plays-Copland Principal Clarinet Stanley Drucker reflects on performing Copland’s soulful Clarinet Concerto as he ends his unprecedented 60-year tenure with the Orchestra; Music Director Lorin Maazel discusses featuring Philharmonic musicians as soloists in J.S. Bach’s warmhearted Fourth Brandenburg Concerto; Mark Travis explores Haydn’s charming Trumpet Concerto, featuring Principal Trumpet Philip Smith; and Philharmonic Director of Education Theodore Wiprud describes what makes Ravel’s Boléro the most dramatic piece in the orchestral repertoire. Principal Clarinet Stanley Drucker reflects on performing Copland’s soulful Clarinet Concerto as he ends his unprecedented 60-year tenure with the Orchestra; Music Director Lorin Maazel discusses featuring Philharmonic musicians as soloists in J.S. Bach’s warmhearted Fourth Brandenburg Concerto; Mark Travis explores Haydn’s charming Trumpet Concerto, featuring Principal Trumpet Philip Smith; and Philharmonic Director of Education Theodore Wiprud describes what makes Ravel’s Boléro the most dramatic piece in the orchestral repertoire. Principal Clarinet Stanley Drucker reflects on performing Copland’s soulful Clarinet Concerto as he ends his unprecedented 60-year tenure with the Orchestra; Music Director Lorin Maazel discusses featuring Philharmonic musicians as soloists in J.S. Bach’s warmhearted Fourth Brandenburg Concerto; Mark Travis explores Haydn’s charming Trumpet Concerto, featuring Principal Trumpet Philip Smith; and Philharmonic Director of Education Theodore Wiprud describes what makes Ravel’s Boléro the most dramatic piece in the orchestral repertoire. tag:odeo.com,2009-05-27,24621371 Wed, 27 May 2009 22:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/24553299-Zinman-and-Tetzlaff Finnish conductor Esa-Pekka Salonen talks about how he went from disliking his fellow countryman, Sibelius, as a composer, to greatly admiring his work — including his masterful Symphony No. 5, in which David Zinman will lead the New York Philharmonic for the concerts of May 14–16. Finnish conductor Esa-Pekka Salonen talks about how he went from disliking his fellow countryman, Sibelius, as a composer, to greatly admiring his work — including his masterful Symphony No. 5, in which David Zinman will lead the New York Philharmonic for the concerts of May 14–16. Finnish conductor Esa-Pekka Salonen talks about how he went from disliking his fellow countryman, Sibelius, as a composer, to greatly admiring his work — including his masterful Symphony No. 5, in which David Zinman will lead the New York Philharmonic for the concerts of May 14–16. tag:odeo.com,2009-05-06,24553299 Wed, 06 May 2009 22:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/24526928-Mahler-and-Lieberson Mark Travis explores the tortured origins of Mahler's Blumine and Symphony No. 1; Peter Lieberson discusses the diverse literary and spiritual inspirations behind his New York Philharmonic Commission The World in Flower; and mezzo-soprano Joyce DiDonato expresses her excitement over joining baritone Russell Braun in the World Premiere of Lieberson's piece. Mark Travis explores the tortured origins of Mahler's Blumine and Symphony No. 1; Peter Lieberson discusses the diverse literary and spiritual inspirations behind his New York Philharmonic Commission The World in Flower; and mezzo-soprano Joyce DiDonato expresses her excitement over joining baritone Russell Braun in the World Premiere of Lieberson's piece. Mark Travis explores the tortured origins of Mahler's Blumine and Symphony No. 1; Peter Lieberson discusses the diverse literary and spiritual inspirations behind his New York Philharmonic Commission The World in Flower; and mezzo-soprano Joyce DiDonato expresses her excitement over joining baritone Russell Braun in the World Premiere of Lieberson's piece. tag:odeo.com,2009-04-30,24526928 Thu, 30 Apr 2009 22:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/25391347-Gilbert-and-Bell New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller discusses Dvorák's tone poem The Golden Spinning Wheel and why Martinu's optimistic Symphony No. 4 is very much a work of our time, and Philharmonic Director of Education Theodore Wiprud reflects on what makes Saint-Saëns's pyrotechnic Third Violin Concerto an exciting vehicle for virtuoso Joshua Bell. New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller discusses Dvorák's tone poem The Golden Spinning Wheel and why Martinu's optimistic Symphony No. 4 is very much a work of our time, and Philharmonic Director of Education Theodore Wiprud reflects on what makes Saint-Saëns's pyrotechnic Third Violin Concerto an exciting vehicle for virtuoso Joshua Bell. New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller discusses Dvorák's tone poem The Golden Spinning Wheel and why Martinu's optimistic Symphony No. 4 is very much a work of our time, and Philharmonic Director of Education Theodore Wiprud reflects on what makes Saint-Saëns's pyrotechnic Third Violin Concerto an exciting vehicle for virtuoso Joshua Bell. tag:odeo.com,2009-04-23,25391347 Thu, 23 Apr 2009 22:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/24497099-Gilbert-and-Bell New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller discusses Dvorák's tone poem The Golden Spinning Wheel and why Martinu's optimistic Symphony No. 4 is very much a work of our time, and Philharmonic Director of Education Theodore Wiprud reflects on what makes Saint-Saëns's pyrotechnic Third Violin Concerto an exciting vehicle for virtuoso Joshua Bell. New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller discusses Dvorák's tone poem The Golden Spinning Wheel and why Martinu's optimistic Symphony No. 4 is very much a work of our time, and Philharmonic Director of Education Theodore Wiprud reflects on what makes Saint-Saëns's pyrotechnic Third Violin Concerto an exciting vehicle for virtuoso Joshua Bell. New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller discusses Dvorák's tone poem The Golden Spinning Wheel and why Martinu's optimistic Symphony No. 4 is very much a work of our time, and Philharmonic Director of Education Theodore Wiprud reflects on what makes Saint-Saëns's pyrotechnic Third Violin Concerto an exciting vehicle for virtuoso Joshua Bell. tag:odeo.com,2009-04-23,24497099 Thu, 23 Apr 2009 21:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/25391329-Muti-conducts-Verdi-Puccini-and-Respighi Mark Travis explores conductor Riccardo Muti's all-Italian program, which features Verdi's rarely heard Overture to Giovanna d'Arco and graceful Ballet of the Four Seasons, from Les Vêpres siciliennes; Puccini's gorgeous Preludio sinfonico; and Respighi's evocative tone poem Pines of Rome. Mark Travis explores conductor Riccardo Muti's all-Italian program, which features Verdi's rarely heard Overture to Giovanna d'Arco and graceful Ballet of the Four Seasons, from Les Vêpres siciliennes; Puccini's gorgeous Preludio sinfonico; and Respighi's evocative tone poem Pines of Rome. Mark Travis explores conductor Riccardo Muti's all-Italian program, which features Verdi's rarely heard Overture to Giovanna d'Arco and graceful Ballet of the Four Seasons, from Les Vêpres siciliennes; Puccini's gorgeous Preludio sinfonico; and Respighi's evocative tone poem Pines of Rome. tag:odeo.com,2009-04-08,25391329 Wed, 08 Apr 2009 22:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/24432038-Muti-conducts-Verdi-Puccini-and-Respighi Mark Travis explores conductor Riccardo Muti's all-Italian program, which features Verdi's rarely heard Overture to Giovanna d'Arco and graceful Ballet of the Four Seasons, from Les Vêpres siciliennes; Puccini's gorgeous Preludio sinfonico; and Respighi's evocative tone poem Pines of Rome. Mark Travis explores conductor Riccardo Muti's all-Italian program, which features Verdi's rarely heard Overture to Giovanna d'Arco and graceful Ballet of the Four Seasons, from Les Vêpres siciliennes; Puccini's gorgeous Preludio sinfonico; and Respighi's evocative tone poem Pines of Rome. Mark Travis explores conductor Riccardo Muti's all-Italian program, which features Verdi's rarely heard Overture to Giovanna d'Arco and graceful Ballet of the Four Seasons, from Les Vêpres siciliennes; Puccini's gorgeous Preludio sinfonico; and Respighi's evocative tone poem Pines of Rome. tag:odeo.com,2009-04-08,24432038 Wed, 08 Apr 2009 21:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/25391315-Muti-and-Uchida Matías Tarnopolsky, New York Philharmonic Vice President of Artistic Planning, expresses his excitement over virtuoso Mitsuko Uchida performing Ravel's Piano Concerto in G major – one of the masterpieces of the 20th century – and Theodore Wiprud, Philharmonic Director of Education, explains why, as a listener, he never wants Schubert's Great Symphony in C major to end. Matías Tarnopolsky, New York Philharmonic Vice President of Artistic Planning, expresses his excitement over virtuoso Mitsuko Uchida performing Ravel's Piano Concerto in G major – one of the masterpieces of the 20th century – and Theodore Wiprud, Philharmonic Director of Education, explains why, as a listener, he never wants Schubert's Great Symphony in C major to end. Matías Tarnopolsky, New York Philharmonic Vice President of Artistic Planning, expresses his excitement over virtuoso Mitsuko Uchida performing Ravel's Piano Concerto in G major – one of the masterpieces of the 20th century – and Theodore Wiprud, Philharmonic Director of Education, explains why, as a listener, he never wants Schubert's Great Symphony in C major to end. tag:odeo.com,2009-04-02,25391315 Thu, 02 Apr 2009 22:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/24402983-Muti-and-Uchida Matías Tarnopolsky, New York Philharmonic Vice President of Artistic Planning, expresses his excitement over virtuoso Mitsuko Uchida performing Ravel's Piano Concerto in G major – one of the masterpieces of the 20th century – and Theodore Wiprud, Philharmonic Director of Education, explains why, as a listener, he never wants Schubert's Great Symphony in C major to end. Matías Tarnopolsky, New York Philharmonic Vice President of Artistic Planning, expresses his excitement over virtuoso Mitsuko Uchida performing Ravel's Piano Concerto in G major – one of the masterpieces of the 20th century – and Theodore Wiprud, Philharmonic Director of Education, explains why, as a listener, he never wants Schubert's Great Symphony in C major to end. Matías Tarnopolsky, New York Philharmonic Vice President of Artistic Planning, expresses his excitement over virtuoso Mitsuko Uchida performing Ravel's Piano Concerto in G major – one of the masterpieces of the 20th century – and Theodore Wiprud, Philharmonic Director of Education, explains why, as a listener, he never wants Schubert's Great Symphony in C major to end. tag:odeo.com,2009-04-02,24402983 Thu, 02 Apr 2009 21:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/25391326-Dutoit-and-Batiashvili New York Philharmonic Vice President of Artistic Planning Matías Tarnopolsky talks about Stravinsky's Bach-inspired Dumbarton Oaks Concerto in E-flat; Prokofiev's searching and mysterious Violin Concerto No. 2, featuring Lisa Batiashvili; and Tchaikovsky's momentous Symphony No. 5. New York Philharmonic Vice President of Artistic Planning Matías Tarnopolsky talks about Stravinsky's Bach-inspired Dumbarton Oaks Concerto in E-flat; Prokofiev's searching and mysterious Violin Concerto No. 2, featuring Lisa Batiashvili; and Tchaikovsky's momentous Symphony No. 5. New York Philharmonic Vice President of Artistic Planning Matías Tarnopolsky talks about Stravinsky's Bach-inspired Dumbarton Oaks Concerto in E-flat; Prokofiev's searching and mysterious Violin Concerto No. 2, featuring Lisa Batiashvili; and Tchaikovsky's momentous Symphony No. 5. tag:odeo.com,2009-03-30,25391326 Mon, 30 Mar 2009 22:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/24388042-Dutoit-and-Batiashvili New York Philharmonic Vice President of Artistic Planning Matías Tarnopolsky talks about Stravinsky's Bach-inspired Dumbarton Oaks Concerto in E-flat; Prokofiev's searching and mysterious Violin Concerto No. 2, featuring Lisa Batiashvili; and Tchaikovsky's momentous Symphony No. 5. New York Philharmonic Vice President of Artistic Planning Matías Tarnopolsky talks about Stravinsky's Bach-inspired Dumbarton Oaks Concerto in E-flat; Prokofiev's searching and mysterious Violin Concerto No. 2, featuring Lisa Batiashvili; and Tchaikovsky's momentous Symphony No. 5. New York Philharmonic Vice President of Artistic Planning Matías Tarnopolsky talks about Stravinsky's Bach-inspired Dumbarton Oaks Concerto in E-flat; Prokofiev's searching and mysterious Violin Concerto No. 2, featuring Lisa Batiashvili; and Tchaikovsky's momentous Symphony No. 5. tag:odeo.com,2009-03-30,24388042 Mon, 30 Mar 2009 21:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/25391314-McGegan-and-Sch%C3%A4fer-celebrate-Handel Conductor Nicholas McGegan discusses his upcoming all-Handel program with the New York Philharmonic, which features the composer's Concerto a due cori No. 3 in F major, soprano Christine Schäfer singing arias from three of his operas — Partenope, Alcina, and Giulio Cesare — the Concerto Grosso in C major, and Music for the Royal Fireworks. Conductor Nicholas McGegan discusses his upcoming all-Handel program with the New York Philharmonic, which features the composer's Concerto a due cori No. 3 in F major, soprano Christine Schäfer singing arias from three of his operas — Partenope, Alcina, and Giulio Cesare — the Concerto Grosso in C major, and Music for the Royal Fireworks. Conductor Nicholas McGegan discusses his upcoming all-Handel program with the New York Philharmonic, which features the composer's Concerto a due cori No. 3 in F major, soprano Christine Schäfer singing arias from three of his operas — Partenope, Alcina, and Giulio Cesare — the Concerto Grosso in C major, and Music for the Royal Fireworks. tag:odeo.com,2009-03-19,25391314 Thu, 19 Mar 2009 22:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/24336590-McGegan-and-Sch%C3%A4fer-celebrate-Handel Conductor Nicholas McGegan discusses his upcoming all-Handel program with the New York Philharmonic, which features the composer's Concerto a due cori No. 3 in F major, soprano Christine Schäfer singing arias from three of his operas — Partenope, Alcina, and Giulio Cesare — the Concerto Grosso in C major, and Music for the Royal Fireworks. Conductor Nicholas McGegan discusses his upcoming all-Handel program with the New York Philharmonic, which features the composer's Concerto a due cori No. 3 in F major, soprano Christine Schäfer singing arias from three of his operas — Partenope, Alcina, and Giulio Cesare — the Concerto Grosso in C major, and Music for the Royal Fireworks. Conductor Nicholas McGegan discusses his upcoming all-Handel program with the New York Philharmonic, which features the composer's Concerto a due cori No. 3 in F major, soprano Christine Schäfer singing arias from three of his operas — Partenope, Alcina, and Giulio Cesare — the Concerto Grosso in C major, and Music for the Royal Fireworks. tag:odeo.com,2009-03-19,24336590 Thu, 19 Mar 2009 21:00:00 -0700 no New York Philharmonic Podcast http://www.odeo.com/episodes/24266804-Zubin-Mehta-and-PercaDu Composer Avner Dorman discusses his exciting work Spices, Perfumes, Toxins! – which is receiving its U.S. premiere and features dynamic percussion duo PercaDu – and the Philharmonic’s Vice President of Artistic Planning, Matías Tarnopolsky, talks about conductor Zubin Mehta’s brilliant pairing of Dorman’s work with Bartok’s percussive masterpiece, Concerto for Orchestra. Composer Avner Dorman discusses his exciting work Spices, Perfumes, Toxins! – which is receiving its U.S. premiere and features dynamic percussion duo PercaDu – and the Philharmonic’s Vice President of Artistic Planning, Matías Tarnopolsky, talks about conductor Zubin Mehta’s brilliant pairing of Dorman’s work with Bartok’s percussive masterpiece, Concerto for Orchestra. Composer Avner Dorman discusses his exciting work Spices, Perfumes, Toxins! – which is receiving its U.S. premiere and features dynamic percussion duo PercaDu – and the Philharmonic’s Vice President of Artistic Planning, Matías Tarnopolsky, talks about conductor Zubin Mehta’s brilliant pairing of Dorman’s work with Bartok’s percussive masterpiece, Concerto for Orchestra. tag:odeo.com,2009-03-05,24266804 Thu, 05 Mar 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/24217154-Maazel-conducts-Mendelssohn-Telemann-Bruch-and-Mussorgsky Philharmonic oboe d'amorist Thomas Stacy discusses performing Telemann's virtuosic Concerto in A major under the baton of Music Director Lorin Maazel, Concertmaster Glenn Dicterow talks about the joys of playing Bruch's heart-melting Violin Concerto in G minor, and Elliott Forrest explores Mendelssohn's spirited Overture to A Midsummer Night's Dream and Mussorgsky's evocative Pictures at an Exhibition. Philharmonic oboe d'amorist Thomas Stacy discusses performing Telemann's virtuosic Concerto in A major under the baton of Music Director Lorin Maazel, Concertmaster Glenn Dicterow talks about the joys of playing Bruch's heart-melting Violin Concerto in G minor, and Elliott Forrest explores Mendelssohn's spirited Overture to A Midsummer Night's Dream and Mussorgsky's evocative Pictures at an Exhibition. Philharmonic oboe d'amorist Thomas Stacy discusses performing Telemann's virtuosic Concerto in A major under the baton of Music Director Lorin Maazel, Concertmaster Glenn Dicterow talks about the joys of playing Bruch's heart-melting Violin Concerto in G minor, and Elliott Forrest explores Mendelssohn's spirited Overture to A Midsummer Night's Dream and Mussorgsky's evocative Pictures at an Exhibition. tag:odeo.com,2009-02-25,24217154 Wed, 25 Feb 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/23961663-Masur-Mutter-and-Mendelssohn Violinist Anne-Sophie Mutter discusses her love of Mendelssohn's passionate and enduringly popular Violin Concerto, and Elliott Forrest explores Mendelssohn's fiery Overture to Ruy Blas and mysterious Die erste Walpurgisnacht (The First Walpurgis Night). Violinist Anne-Sophie Mutter discusses her love of Mendelssohn's passionate and enduringly popular Violin Concerto, and Elliott Forrest explores Mendelssohn's fiery Overture to Ruy Blas and mysterious Die erste Walpurgisnacht (The First Walpurgis Night). Violinist Anne-Sophie Mutter discusses her love of Mendelssohn's passionate and enduringly popular Violin Concerto, and Elliott Forrest explores Mendelssohn's fiery Overture to Ruy Blas and mysterious Die erste Walpurgisnacht (The First Walpurgis Night). tag:odeo.com,2009-01-26,23961663 Mon, 26 Jan 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/24208044-Masur-Mutter-and-Mendelssohn Violinist Anne-Sophie Mutter discusses her love of Mendelssohn's passionate and enduringly popular Violin Concerto, and Elliott Forrest explores Mendelssohn's fiery Overture to Ruy Blas and mysterious Die erste Walpurgisnacht (The First Walpurgis Night). Violinist Anne-Sophie Mutter discusses her love of Mendelssohn's passionate and enduringly popular Violin Concerto, and Elliott Forrest explores Mendelssohn's fiery Overture to Ruy Blas and mysterious Die erste Walpurgisnacht (The First Walpurgis Night). Violinist Anne-Sophie Mutter discusses her love of Mendelssohn's passionate and enduringly popular Violin Concerto, and Elliott Forrest explores Mendelssohn's fiery Overture to Ruy Blas and mysterious Die erste Walpurgisnacht (The First Walpurgis Night). tag:odeo.com,2009-01-26,24208044 Mon, 26 Jan 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/23922027-Muti-and-Lupu Conductor Riccardo Muti discusses how Scriabin's own personality as well as his many influences can be heard in his masterful Symphony No. 2, and Matías Tarnopolsky, Vice President of Artistic Planning, expresses the Philharmonic's excitement over Radu Lupu performing Beethoven's pivotal Piano Concerto No. 3. Conductor Riccardo Muti discusses how Scriabin's own personality as well as his many influences can be heard in his masterful Symphony No. 2, and Matías Tarnopolsky, Vice President of Artistic Planning, expresses the Philharmonic's excitement over Radu Lupu performing Beethoven's pivotal Piano Concerto No. 3. Conductor Riccardo Muti discusses how Scriabin's own personality as well as his many influences can be heard in his masterful Symphony No. 2, and Matías Tarnopolsky, Vice President of Artistic Planning, expresses the Philharmonic's excitement over Radu Lupu performing Beethoven's pivotal Piano Concerto No. 3. tag:odeo.com,2009-01-21,23922027 Wed, 21 Jan 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/24208041-Muti-and-Lupu Conductor Riccardo Muti discusses how Scriabin's own personality as well as his many influences can be heard in his masterful Symphony No. 2, and Matías Tarnopolsky, Vice President of Artistic Planning, expresses the Philharmonic's excitement over Radu Lupu performing Beethoven's pivotal Piano Concerto No. 3. Conductor Riccardo Muti discusses how Scriabin's own personality as well as his many influences can be heard in his masterful Symphony No. 2, and Matías Tarnopolsky, Vice President of Artistic Planning, expresses the Philharmonic's excitement over Radu Lupu performing Beethoven's pivotal Piano Concerto No. 3. Conductor Riccardo Muti discusses how Scriabin's own personality as well as his many influences can be heard in his masterful Symphony No. 2, and Matías Tarnopolsky, Vice President of Artistic Planning, expresses the Philharmonic's excitement over Radu Lupu performing Beethoven's pivotal Piano Concerto No. 3. tag:odeo.com,2009-01-21,24208041 Wed, 21 Jan 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/24208040-Muti-and-Quasthoff Bass-baritone Thomas Quasthoff talks about performing arias from Haydn's Armida and L'anima del filosofo ossia Orfeo ed Euridice; Matías Tarnopolsky, Philharmonic Vice President of Artistic Planning, discusses why he is delighted that the concerts will open with Haydn's Symphony No. 89; and Mark Travis looks at Brahms's exquisite Serenade No. 1. Bass-baritone Thomas Quasthoff talks about performing arias from Haydn's Armida and L'anima del filosofo ossia Orfeo ed Euridice; Matías Tarnopolsky, Philharmonic Vice President of Artistic Planning, discusses why he is delighted that the concerts will open with Haydn's Symphony No. 89; and Mark Travis looks at Brahms's exquisite Serenade No. 1. Bass-baritone Thomas Quasthoff talks about performing arias from Haydn's Armida and L'anima del filosofo ossia Orfeo ed Euridice; Matías Tarnopolsky, Philharmonic Vice President of Artistic Planning, discusses why he is delighted that the concerts will open with Haydn's Symphony No. 89; and Mark Travis looks at Brahms's exquisite Serenade No. 1. tag:odeo.com,2009-01-12,24208040 Mon, 12 Jan 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/23872195-Muti-and-Quasthoff Bass-baritone Thomas Quasthoff talks about performing arias from Haydn's Armida and L'anima del filosofo ossia Orfeo ed Euridice; Matías Tarnopolsky, Philharmonic Vice President of Artistic Planning, discusses why he is delighted that the concerts will open with Haydn's Symphony No. 89; and Mark Travis looks at Brahms's exquisite Serenade No. 1. Bass-baritone Thomas Quasthoff talks about performing arias from Haydn's Armida and L'anima del filosofo ossia Orfeo ed Euridice; Matías Tarnopolsky, Philharmonic Vice President of Artistic Planning, discusses why he is delighted that the concerts will open with Haydn's Symphony No. 89; and Mark Travis looks at Brahms's exquisite Serenade No. 1. Bass-baritone Thomas Quasthoff talks about performing arias from Haydn's Armida and L'anima del filosofo ossia Orfeo ed Euridice; Matías Tarnopolsky, Philharmonic Vice President of Artistic Planning, discusses why he is delighted that the concerts will open with Haydn's Symphony No. 89; and Mark Travis looks at Brahms's exquisite Serenade No. 1. tag:odeo.com,2009-01-12,23872195 Mon, 12 Jan 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/23865207-Dudamel-and-Zukerman New York Philharmonic Director of Education Theodore Wiprud talks with Elliott Forrest about Oliver Knussen's colorful Violin Concerto, performed by Pinchas Zukerman, Mahler's emotional Symphony No. 5, and the return to the Philharmonic of the electrifying conductor Gustavo Dudamel. New York Philharmonic Director of Education Theodore Wiprud talks with Elliott Forrest about Oliver Knussen's colorful Violin Concerto, performed by Pinchas Zukerman, Mahler's emotional Symphony No. 5, and the return to the Philharmonic of the electrifying conductor Gustavo Dudamel. New York Philharmonic Director of Education Theodore Wiprud talks with Elliott Forrest about Oliver Knussen's colorful Violin Concerto, performed by Pinchas Zukerman, Mahler's emotional Symphony No. 5, and the return to the Philharmonic of the electrifying conductor Gustavo Dudamel. tag:odeo.com,2009-01-11,23865207 Sun, 11 Jan 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/24208039-Dudamel-and-Zukerman New York Philharmonic Director of Education Theodore Wiprud talks with Elliott Forrest about Oliver Knussen's colorful Violin Concerto, performed by Pinchas Zukerman, Mahler's emotional Symphony No. 5, and the return to the Philharmonic of the electrifying conductor Gustavo Dudamel. New York Philharmonic Director of Education Theodore Wiprud talks with Elliott Forrest about Oliver Knussen's colorful Violin Concerto, performed by Pinchas Zukerman, Mahler's emotional Symphony No. 5, and the return to the Philharmonic of the electrifying conductor Gustavo Dudamel. New York Philharmonic Director of Education Theodore Wiprud talks with Elliott Forrest about Oliver Knussen's colorful Violin Concerto, performed by Pinchas Zukerman, Mahler's emotional Symphony No. 5, and the return to the Philharmonic of the electrifying conductor Gustavo Dudamel. tag:odeo.com,2009-01-11,24208039 Sun, 11 Jan 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/24208038-Morlot-and-Mustonen Conductor Ludovic Morlot and pianist Olli Mustonen talk about the French-inspired program, which features the U.S. Premiere of Tristan Murail's Gondwana, Messiaen's ingenious Oiseaux exotiques, and Debussy's evocative La Mer, in addition to Mozart's joyous yet rarely performed Piano Concerto in F major. Conductor Ludovic Morlot and pianist Olli Mustonen talk about the French-inspired program, which features the U.S. Premiere of Tristan Murail's Gondwana, Messiaen's ingenious Oiseaux exotiques, and Debussy's evocative La Mer, in addition to Mozart's joyous yet rarely performed Piano Concerto in F major. Conductor Ludovic Morlot and pianist Olli Mustonen talk about the French-inspired program, which features the U.S. Premiere of Tristan Murail's Gondwana, Messiaen's ingenious Oiseaux exotiques, and Debussy's evocative La Mer, in addition to Mozart's joyous yet rarely performed Piano Concerto in F major. tag:odeo.com,2009-01-04,24208038 Sun, 04 Jan 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/23836606-Morlot-and-Mustonen Conductor Ludovic Morlot and pianist Olli Mustonen talk about the French-inspired program, which features the U.S. Premiere of Tristan Murail's Gondwana, Messiaen's ingenious Oiseaux exotiques, and Debussy's evocative La Mer, in addition to Mozart's joyous yet rarely performed Piano Concerto in F major. Conductor Ludovic Morlot and pianist Olli Mustonen talk about the French-inspired program, which features the U.S. Premiere of Tristan Murail's Gondwana, Messiaen's ingenious Oiseaux exotiques, and Debussy's evocative La Mer, in addition to Mozart's joyous yet rarely performed Piano Concerto in F major. Conductor Ludovic Morlot and pianist Olli Mustonen talk about the French-inspired program, which features the U.S. Premiere of Tristan Murail's Gondwana, Messiaen's ingenious Oiseaux exotiques, and Debussy's evocative La Mer, in addition to Mozart's joyous yet rarely performed Piano Concerto in F major. tag:odeo.com,2009-01-04,23836606 Sun, 04 Jan 2009 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/23794212-Emanuel-Ax-plays-Szymanowski-and-Strauss James M. Keller, New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence, discusses the particular challenges of Bach’s Brandenburg Concerto No. 2, while Mark Travis explores Mussorgsky’s masterpiece Pictures at an Exhibition as well as Szymanowski’s Symphonie concertante and Richard Strauss’s Burleske – both featuring piano virtuoso Emanuel Ax. James M. Keller, New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence, discusses the particular challenges of Bach’s Brandenburg Concerto No. 2, while Mark Travis explores Mussorgsky’s masterpiece Pictures at an Exhibition as well as Szymanowski’s Symphonie concertante and Richard Strauss’s Burleske – both featuring piano virtuoso Emanuel Ax. James M. Keller, New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence, discusses the particular challenges of Bach’s Brandenburg Concerto No. 2, while Mark Travis explores Mussorgsky’s masterpiece Pictures at an Exhibition as well as Szymanowski’s Symphonie concertante and Richard Strauss’s Burleske – both featuring piano virtuoso Emanuel Ax. tag:odeo.com,2008-12-21,23794212 Sun, 21 Dec 2008 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/24208034-Emanuel-Ax-plays-Szymanowski-and-Strauss James M. Keller, New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence, discusses the particular challenges of Bach’s Brandenburg Concerto No. 2, while Mark Travis explores Mussorgsky’s masterpiece Pictures at an Exhibition as well as Szymanowski’s Symphonie concertante and Richard Strauss’s Burleske – both featuring piano virtuoso Emanuel Ax. James M. Keller, New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence, discusses the particular challenges of Bach’s Brandenburg Concerto No. 2, while Mark Travis explores Mussorgsky’s masterpiece Pictures at an Exhibition as well as Szymanowski’s Symphonie concertante and Richard Strauss’s Burleske – both featuring piano virtuoso Emanuel Ax. James M. Keller, New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence, discusses the particular challenges of Bach’s Brandenburg Concerto No. 2, while Mark Travis explores Mussorgsky’s masterpiece Pictures at an Exhibition as well as Szymanowski’s Symphonie concertante and Richard Strauss’s Burleske – both featuring piano virtuoso Emanuel Ax. tag:odeo.com,2008-12-21,24208034 Sun, 21 Dec 2008 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/24208043-Koopman-conducts-Handel-s-Messiah New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller talks with Elliott Forrest about why Handel's 1741 masterpiece, Messiah, is an enduring favorite, and why audience members may leap to their feet during the work's glorious "Hallelujah" chorus. New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller talks with Elliott Forrest about why Handel's 1741 masterpiece, Messiah, is an enduring favorite, and why audience members may leap to their feet during the work's glorious "Hallelujah" chorus. New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller talks with Elliott Forrest about why Handel's 1741 masterpiece, Messiah, is an enduring favorite, and why audience members may leap to their feet during the work's glorious "Hallelujah" chorus. tag:odeo.com,2008-12-10,24208043 Wed, 10 Dec 2008 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/23740362-Koopman-conducts-Handel-s-Messiah New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller talks with Elliott Forrest about why Handel's 1741 masterpiece, Messiah, is an enduring favorite, and why audience members may leap to their feet during the work's glorious "Hallelujah" chorus. New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller talks with Elliott Forrest about why Handel's 1741 masterpiece, Messiah, is an enduring favorite, and why audience members may leap to their feet during the work's glorious "Hallelujah" chorus. New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller talks with Elliott Forrest about why Handel's 1741 masterpiece, Messiah, is an enduring favorite, and why audience members may leap to their feet during the work's glorious "Hallelujah" chorus. tag:odeo.com,2008-12-10,23740362 Wed, 10 Dec 2008 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/23729960-Bach-Prokofiev-Mozart-and-Falla New York Philharmonic Principal Horn Philip Myers discusses why Mozart’s Horn Concerto No. 2 is always a treat for concertgoers; Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller talks about the mysterious second movement of Bach’s Brandenburg Concerto No. 3; Director of Education Theodore Wiprud reflects on Falla’s passionate El amor brujo; and Mark Travis explores how Prokofiev came to write his Piano Concerto No. 4 for left hand. New York Philharmonic Principal Horn Philip Myers discusses why Mozart’s Horn Concerto No. 2 is always a treat for concertgoers; Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller talks about the mysterious second movement of Bach’s Brandenburg Concerto No. 3; Director of Education Theodore Wiprud reflects on Falla’s passionate El amor brujo; and Mark Travis explores how Prokofiev came to write his Piano Concerto No. 4 for left hand. New York Philharmonic Principal Horn Philip Myers discusses why Mozart’s Horn Concerto No. 2 is always a treat for concertgoers; Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller talks about the mysterious second movement of Bach’s Brandenburg Concerto No. 3; Director of Education Theodore Wiprud reflects on Falla’s passionate El amor brujo; and Mark Travis explores how Prokofiev came to write his Piano Concerto No. 4 for left hand. tag:odeo.com,2008-12-08,23729960 Mon, 08 Dec 2008 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/24208042-Bach-Prokofiev-Mozart-and-Falla New York Philharmonic Principal Horn Philip Myers discusses why Mozart’s Horn Concerto No. 2 is always a treat for concertgoers; Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller talks about the mysterious second movement of Bach’s Brandenburg Concerto No. 3; Director of Education Theodore Wiprud reflects on Falla’s passionate El amor brujo; and Mark Travis explores how Prokofiev came to write his Piano Concerto No. 4 for left hand. New York Philharmonic Principal Horn Philip Myers discusses why Mozart’s Horn Concerto No. 2 is always a treat for concertgoers; Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller talks about the mysterious second movement of Bach’s Brandenburg Concerto No. 3; Director of Education Theodore Wiprud reflects on Falla’s passionate El amor brujo; and Mark Travis explores how Prokofiev came to write his Piano Concerto No. 4 for left hand. New York Philharmonic Principal Horn Philip Myers discusses why Mozart’s Horn Concerto No. 2 is always a treat for concertgoers; Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller talks about the mysterious second movement of Bach’s Brandenburg Concerto No. 3; Director of Education Theodore Wiprud reflects on Falla’s passionate El amor brujo; and Mark Travis explores how Prokofiev came to write his Piano Concerto No. 4 for left hand. tag:odeo.com,2008-12-08,24208042 Mon, 08 Dec 2008 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/23700086-Kaplan-conducts-Mahler Gilbert Kaplan discusses leading the New York Philharmonic in Mahler's Symphony No. 2, Resurrection — featuring soprano Christiane Oelze, mezzo-soprano Janina Baechle, and the Westminster Symphonic Choir — on the one-hundredth anniversary of the work's U.S. premiere, while Elliott Forrest explores the individual movements of the monumental work. Gilbert Kaplan discusses leading the New York Philharmonic in Mahler's Symphony No. 2, Resurrection — featuring soprano Christiane Oelze, mezzo-soprano Janina Baechle, and the Westminster Symphonic Choir — on the one-hundredth anniversary of the work's U.S. premiere, while Elliott Forrest explores the individual movements of the monumental work. Gilbert Kaplan discusses leading the New York Philharmonic in Mahler's Symphony No. 2, Resurrection — featuring soprano Christiane Oelze, mezzo-soprano Janina Baechle, and the Westminster Symphonic Choir — on the one-hundredth anniversary of the work's U.S. premiere, while Elliott Forrest explores the individual movements of the monumental work. tag:odeo.com,2008-12-02,23700086 Tue, 02 Dec 2008 21:00:00 -0800 no New York Philharmonic Podcast http://www.odeo.com/episodes/24208036-Kaplan-conducts-Mahler Gilbert Kaplan discusses leading the New York Philharmonic in Mahler's Symphony No. 2, Resurrection — featuring soprano Christiane Oelze, mezzo-soprano Janina Baechle, and the Westminster Symphonic Choir — on the one-hundredth anniversary of the work's U.S. premiere, while Elliott Forrest explores the individual movements of the monumental work. Gilbert Kaplan discusses leading the New York Philharmonic in Mahler's Symphony No. 2, Resurrection — featuring soprano Christiane Oelze, mezzo-soprano Janina Baechle, and the Westminster Symphonic Choir — on the one-hundredth anniversary of the work's U.S. premiere, while Elliott Forrest explores the individual movements of the monumental work. Gilbert Kaplan discusses leading the New York Philharmonic in Mahler's Symphony No. 2, Resurrection — featuring soprano Christiane Oelze, mezzo-soprano Janina Baechle, and the Westminster Symphonic Choir — on the one-hundredth anniversary of the work's U.S. premiere, while Elliott Forrest explores the individual movements of the monumental work. tag:odeo.com,2008-12-02,24208036 Tue, 02 Dec 2008 21:00:00 -0800 no New York Philharmonic Podcast